San Francisco judge Ramsey Hunt, longtime friend to FBI agents Lacey Sherlock and Dillon Savich, begins the murder trial of Clive and Cindy Cahill only to have federal prosecutor Mickey O’Rourke, known for his relentless, aggressive style, suddenly turn tentative and distracted. Hunt suspects that something is very wrong — and then O’Rourke goes missing, and Judge Hunt gets shot in the back.
Savich and Sherlock receive news of the attack as a mysterious note is delivered to Savich at the Hoover Building: FOR WHAT YOU DID YOU DESERVE THIS. Who sent the note? What does it mean?
As Ramsey Hunt’s life hangs in the balance, Savich and Sherlock race to San Francisco to answer the question: Why would anyone shoot the judge? When they discover one answer, more questions arise, until Savich and Sherlock face the final shock.
©2012 Catherine Coulter (P)2012 Brilliance Audio, Inc.
It was an okay book. Not sure I would recommend to friends.
Listened to many Catherine Coulter books before and "Back Fire" was a little disappointing.
I did not like the dual narration. There was too much "he said...she said."
It took a couple of hours of listening to get into the characters of this book. There were too many characters from the beginning so it made it difficult to keep up. The dual narration just added to the confusion. I usually like Catherine Coulter novels but "Back Fire" was not one of my favorites.
If I was a writer I would make this book an equal to Iris's usual work.
Getting to the end.
They were great, it was the story that was poorly writen
I doubt it.
I am a co-author of The Cluetrain Manifesto, and author of Gonzo Marketing: Winning Through Worst Practices, and The Bombast Transcripts.
The decision to have two narrators -- one male, one female -- read this book seems to me a bad production call. The guy says something, then the woman reader interjects (in her simpering delivery) "...he said. Then he sighed..." and the guy continues to read the male part. The material seems trite enough to begin with, but this tradeoff between dueling narrators -- in the course of a single *sentence* for crying out loud -- made this unlistenable for me. I remember enjoying several of Catherine Coulter's earlier novels so I gave this one a try. Maybe if it had been more professionally produced I would have liked this one too. But I'll never know. I deleted it after 30 minutes of "...he said..." alternate-reader interruptions.
I prefer mystery/thriller genre excluding only the paranormal. No plot spoilers. Approximately 15% of the my listening is non-fiction.
Catherine Coulter, like many women thriller writers, writes mostly romance novels. Unlike many such novelists she does not put steamy sex scenes in her thrillers (Sandra Brown, JA Redmerski, and Kendra Elliot for example). The FBI Thriller series is now 19 books and 9 are in my Audible library. This is the best of the 9 I have listened to. Coulter excels at character development! After listening to two or three books in the series you feel you know married couple FBI agents Sherlock and Savich as well as their young son. Sherlock, the wife, has flaming red hair and a temper to match. She is the more aggressive of the two. Savich is a computer and technology nerd who has written a program that helps identify the bad guys.
Although this book is the best story of those to which I have listened, the narration pair is weaker than that of Coulter's other thrillers. I did not find it as bad as some other reviewers.
The FBI Thriller series is definitely worth a listen!
I am sorry but when the women reading this book does the child's voice it is like chalk on a blackboard and I HAVE to quit listening
Quit trying to sound like a child
A good listener!
Even if the story was a little bit interesting --and granted I didn't get very far into it-- the first time Deanna Hurst did her "little kid voice" I was done. Unfortunately, I had to hear that a few more times before being able to safely turn off the audio (I was driving a winding road). Never another Coulter, and I'll be sure to think twice before giving this narrator another go.
Good start, good beginning but got boring as time went on. Couldn't Stick with it after 3 hours;
Child's voice was irritating, whiny and not real
Not worth listening....dragged on too long
TECHNICAL: I couldn’t bear to listen to this poorly structured and very unpleasing recording. Not sure how much of the problem was the producer and how much was due to the pitiful voice acting.
PERFORMANCE: Bad, bad voice actors. Replete with abrupt and jarring transitions. PS: this was not listed as a dramatization. [Folks, I hope you will be more careful about the projects you choose in the future.]
STORY: Terrible, terrible dialog. URG! Weak story/plot. I will avoid her work from here on out.
The narraters were very distracting. I couldn’t concrete on the story because the narraters were very distracting.
Have someone else read the book.
Those children voices were just terrible.
My husband and I both love to listen to the FBI series on our longer drives and travels - the story was great.
The major drawback to this book was the narrator. Fortunately our desire to hear the story kept us listening but would prefer not to listen to this narrator again.
Looking forward to the British series.
Report Inappropriate Content