©1953 Ira Levin (P)2011 AudioGO
Audio addict with my best friend, an ear-bud.
Beautifully read with great characterization and pacing. Thrilling brain teaser and psychologically challenging. Highly recommended.
I like Jack Reacher style characters regardless of setting. Put them in outer space, in modern America, in a military setting, on an alien planet... no worries. Book has non moralistic vigilante-justice? Sign me up! (oh, I read urban fantasy, soft and hard sci-fi, trashy vampire and zombie novels too)
I don't know what people expect when they read classic novels... Car chases and stuff blowing up and the main character having graphic sex and swearing every 2nd sentence? This is a classic, and has none of those things. What it does have, though, is suspense, tension, to the point writing, and a horrible key character. Pretty much exactly what you'd look for in a noir crime suspense novel.
It is written in 3 "sections", which makes sense once you realize what the main character is up to. Section 2 is definitely the most suspenseful and I found section 3 went on a bit too long - really, I didn't need a long description of the view of a smelter, followed by a walkthrough description of how a smelter worked, and so on... I guess the reason for all this detail comes clear at the end, but I don't think it was as much of a surprise ending as the author intended (which makes all this build up to an ending you expect a bit.... well... long winded).
The narration is very good and there is no sex, swearing or gore.
I don’t usually read crime or suspense novels, but I read this one because of its author’s reputation and the reputation of the novel itself. I’m glad I did. Nothing impresses me more than when an author can really surprise you. And Ira Levin really delivers in this suspense classic. That’s all I’ll say about surprises.
One of the reasons I usually don’t enjoy suspense novels is because they are, obviously, designed to make you tense. And, if you can’t keep reading, say because you have to go to work, then you remain in suspense. This book did keep me in suspense, but it was a fun ride, so no regrets.
I recommend this book, especially if you are a crime/suspense fan and would like to read an early example of top notch suspense writing.
I had sorely missed reading a good crime novel for ages. Some list recommended this as a worthy read and I was intrigued by the Author. I had not known of Ira Levin and many of his writings that were turned into major motion pictures. Someone wrote that this novel, the first from Levin, is his Magnum opus
Certainly the character of Bud Corliss, a certified psychopath is an intriguing invention. As you read through the pages, you can feel the drive of this individual to attain the one thing he lacks; money, fame and social standing. He will do anything to attain his goals including outright murder. He feels nothing for his victims as he calculatingly removes his obstacles.
This is not a mystery novel but a true, fast paced, crime story. It is beautifully written and keeps you well engaged until the last page is turned. I really enjoyed this book and thoroughly recommend it.
Master of storytelling, It's an exciting read. Rosemary's baby is the most popular but A Kiss Before Dying is the masterpiece.
Don't know what I want to be when I grow up. Trip's cool though. Use Audible to make gym-training sane... And rip my imagination.
Written in the early 50s and this novel is both interesting yet flat because of its moment. It was a time when the techniques of pace had not yet been fully developed. Perhaps because there's so much competition for scarce leisure time, crime fiction writers have learned fast cuts, rapid panning, quick dialogue, and pace... pace... pace.... This is also the work of a very young and new writer at the time. But... but... it's a note perfect trip to a time of nickel juke boxes, women who smoked Benson & Hedges, and fedoras. Levin's late talent was glimmering through his construction of a moment just before the memory of many. I was not impressed with Mauro Hantman's thin voice. Distracting.
On balance... can't recommend the book.
I can find a book to love in any genre -- a beautifully written classic, an interesting mystery or sci-fi, a trashy romance. Bring it!
STORY (suspense) - This book was written in the 1950s and has become a classic...and for good reason. As the summary suggests, it's about the murder of a young girl named Dorothy and has the added psychological component of allowing the listener into the killer's head as he plans the deed. But what the summary doesn't tell you is that that's just the beginning! There's much more that happens in this story. Wish I could give a hint but, since the summary didn't, I won't either.
The book is very well written, and the author uses an extensive vocabulary. I didn't use a dictionary because I still was able to understand everything, plus I didn't want to disrupt my listening experience. (Words like " avuncular" and "susurrant" come to mind.) Even though the story takes place about 66 years ago at the writing of this review, it's still unusual and special. You may even enjoy reminiscing about luncheonettes, telephone booths and radios that have to warm up before they will work. And the suspense grows until the very end. I thought I had everything figured out, but I was totally surprised at how things wrapped up. Love it when that happens!
PERFORMANCE - The reader does a good job, although he doesn't even attempt to differentiate between the main characters (a pet peeve of mine). I particularly dislike his portrayal of a male (can't say who) toward the end of the book. The character is obviously a good guy and trying to help, yet he comes across as a smug a$$hole. Maybe it was the reader's attempt to misdirect listeners as to his motives, but I didn't like it.
OVERALL - I'd recommend this book for anyone old enough to enjoy a good, suspenseful murder story. There's no cursing or sex, and the murders aren't excessively gory or violent. (It's the 50's...)
If at first you don't succeed, get rid of the girl and move on to the next sister.
A Kiss Before Dying is a taut little thriller about a sociopath who conceives an ingenuous plan to seduce the daughter of a wealthy copper baron. Except she goes and gets pregnant before his plan can come to fruition. Since Daddy is the moralistic disinheriting type, he figures a kid before they are properly married and he's had time to work his charms and soften the old man up will just ruin everything. When he can't persuade her to get rid of it, he's left with only one option - a well-planned murder in which he manages to make it look like a suicide, and then avoid any connection between him and the dead girl.
Which allows him to move on to daughter #2.
But daughter #2 proves a little too intuitive — she starts putting clues together and realizing her sister didn't commit suicide, and wants to find out who murdered her. She figures everything out just a little too late.
And our boy, as long on audacity as he is short on scruples, decides third time's the charm: the rich industrialist had three daughters, and after all that research he did to seduce the first two, he knows the oldest sister pretty well...
As improbable as this story may sound, I couldn't really spot any plot holes. Sure, our protagonist needed a bit of luck here and there, but nothing so overwhelmingly coincidental as to be completely implausible. He's just a meticulous, cold-blooded schemer with a knack for manipulation.
A lot of people want books with "relocatable" protagonists. Well, the protagonist of this book is a murderous, gold-digging sociopath. You want him to trip up and get caught, and you want his victims to get away, and at the same time, the exciting part is finding out how he's going to get away with it.
This book is dated now — it was written in 1954 and it's set in the early fifties, so the campus life described, and the so-visible class distinctions are not the same as now, but that just makes this suspenseful novel a period piece as well. In fact, some of the period details are what made it interesting. For example, there is surprisingly little moralizing about the proposed abortion — she doesn't want to do it, but it seems more for emotional reasons than any real ethical or religious qualms. And it struck me that in some ways, the "boy from the wrong side of the tracks" was a thing that would be even harder to envision today — nowadays, we like to pretend that American society is less class-stratified, but that's because the rich are increasingly distant and out of sight. Working class people just don't socialize, at all, with the very wealthy, which makes it easier for us to pretend that there is no such thing as class.
Ira Levin also wrote other thrillers, like Rosemary's Baby and The Stepford Wives, and with this pacey, suspenseful novel, it's easy to see how readily his stories became a part of pop culture. Definitely worth reading, and motivated me to read more by him someday.
It is so difficult to provide an appropriate review of this book. I want to call it a mystery, but you know who the killer is the entire time. Seemingly, you know exactly what is going on at all times, so I'm not really sure why I want to insist that it is a mystery. And yet, about 1/3 of the way into the book there is a reveal that you don't see coming because you didn't even realize it hadn't come yet - which I'm sure makes no sense at all, but it is an accurate statement. Like a good magician, Levin distracts you over here on the left and when you look back over to your right you are amazed and thinking "Wait a minute - how did he do that?".
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