Will Jennings is a successful young doctor in Jackson, Mississippi, with his whole life ahead of him. He has a thriving practice, a beautiful wife, and a young daughter he loves beyond measure.
But Will and his family are being watched by a con man and psychopath. A man who has crafted the unbeatable crime. A man who has never been caught, and whose victims have never talked to the police. A man whose life's work strikes at the heart of every family's nightmare: the unstoppable kidnapping.
But this man has never met Will and Karen Jennings.
©2005 Greg Iles; (P)2005 Brilliance Audio
"Iles tells a riveting tale....Here is a major talent strutting his considerable stuff." (Denver Post)
Don't know what I want to be when I grow up. Trip's cool though. Use Audible to make gym-training sane... And rip my imagination.
This is a string of cliff hangers, each tense as the rope beneath a Flying Walenda, and almost as... um... unnerving. Greg Iles tells a story that you're certain will have a... well... happy(?) ending. But how... how? And of course he dangles it then snatches it back with the next swell of tension like a fisherman at play.
Get this book and you'll know how a fish feels. And Dick Hill once again does what he always does... this time creating the Iles ensemble so that every character has idiosyncrasies and independent voice.
I liked it for what it is... a good story, well presented both by the author and the reader. Here's what audiobook suspense novels should be. I like Greg Isles... Will buy more... MORE :-)
Way over the top with dramatics. Characters performed with exaggerated hysteria and emotions that seem inappropriate and distract from the plot.
Albeit fiction, I have to find some credibility in a book for me to be interested. A situation, even if fantastic, has to have some plausibility, so you could at least think that something like this, as improbable as it may be, COULD happen. The actions and choices the character make have to make some sense. If a character in a "desperate situation" repeatedly fails to cease opportunities to find solutions to the problems, I stop sympathising with their plight and start to lose interest in the book. For me, I found this book to have too many of these and other flaws. I don't think I will try this author again.
Narration: decent reading, terrible southern drawl. Children's voices are annoying.
Writing: in stark contrast to what appears to be popular belief, I thought this book was awful. It was predictable, patronizing, and terribly out-of-date gender-wise. Perhaps worst of all, the story wasn't compelling enough to compensate for that.
The plot is far too neat, and the storylines are tired. The author won't trust his audience; he repeats the same thing three times, each time stating it more pointedly.
Overplayed stereotypes abound. Men are logical and driven, women are motivated by their relationship to their young. It is self-evident that all women have an overriding maternal instinct that they must either fight against or allow to control and direct them. Women are horrified by others' pain, men are fascinated and perhaps aroused by it. Women exhibit a constant need for the protection of their husbands, which husbands gallantly provide. The rare exception to these rules is treated as just that--an exception--making it noteworthy [only] because of the character's gender. There's no excuse for this. It's just plain lazy, bland writing.
I hear there's a movie. Maybe that's worth watching. But I wouldn't waste your time sitting through this book.
Reader, Listener, Optimist
The author, Greg Iles, is a novelist who conveys the nuances of life in the deep South with the insight that only a native can. Dick Hill is on my short list of favorite audiobook narrators and to my ear, he is the true voice of Michael Connelly's Harry Bosch. However, he is not the right choice to perform the accent of any character from a setting in the modern South. He uses bits and pieces of southern caricature snipped from Amos and Andy meets Gone With the Wind to produce his interpretation of contemporary life in the American South. These voices do not approach an accurate representation of what the well educated professional people in Greg Iles' stories should sound like. Rather, the accents are a mixture of antebellum field hands mixed with gangsta rap. Examples: "Wut fo" (What for?) and "Close da do" (Close the door). Equally unfortunate is his lack of knowledge of the correct pronunciation of place names: Natchez, Baton Rouge, Biloxi are examples. It is almost as if someone played a cruel joke on Hill by misdirecting him to repeatedly pronounce them in the most hysterical way possible. The credibility of an otherwise excellent reader is undermined by his lack of knowledge of the subject he has been asked to convey.
The clever and well-conceived story is spoiled by the distraction of the inaccurate narration.
I really enjoyed this book. As usual Dick Hill was awesome. Greg Isles has the ability to make you really care about the characters in his books. The only thing missing was an epilogue. I wanted to know what happened to them all. But still a great listen.
This book just had too many scenes that have you shaking your head, saying why would anyone do this? Loved True Evil and Mortal Fear, but this one just wasn't in the same catagory
Good story - relatively credible, fast paced and great characters that you come to care about. The mans voices are ok - good really -but the girls voices are enough to drive you crazy. Whiney, slurpy noises - hard to get past the annoying noises and focus on what the women are saying ...
This narrator is one of the best I've heard! He brought a life into each character with his voices and emotions. Having the whole story take place in 24 hours made it deliciously suspenseful and intriguing. The ending was just a little too abrupt but otherwise I found this book to be well worth the listen.
I am fairly new to Greg Iles, but I am really enjoying his style. Good story, a little predictable but still enjoyed the getting there :)
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