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Love in the Time of Cholera
- Narrated by: Armando Durán
- Length: 15 hrs and 41 mins
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Publisher's summary
Audie Award Finalist, Classic, 2014
From the Nobel Prize-winning author of One Hundred Years of Solitude comes a masterly evocation of an unrequited passion so strong that it binds two people's lives together for more than half a century.
In their youth, Florentino Ariza and Fermina Daza fall passionately in love. When Fermina eventually chooses to marry a wealthy, well-born doctor, Florentino is devastated, but he is a romantic. As he rises in his business career, he whiles away the years in 622 affairs - yet he reserves his heart for Fermina. Her husband dies at last, and Florentino purposefully attends the funeral. Fifty years, nine months, and four days after he first declared his love for Fermina, he does so again.
With humorous sagacity and consummate craft, Gabriel García Márquez traces an exceptional half-century of unrequited love. Though it seems never to be conveniently contained, love flows through the novel in many wonderful guises - joyful, melancholy, enriching, and ever surprising.
Featured Article: 65+ Quotes About Love from Much-Loved Authors
While saying "I love you" speaks volumes, there are times when you yearn to express your feelings for a loved one—whether a cherished friend, serious crush, or your soul mate—in a way that's more creative, more eloquent, more memorable...in a word: quotable. For those times, there's no better source to turn to than great authors. We've collected some of most tender, most romantic, and most passionate quotes from the world's most-loved authors.
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It is the story of a boy growing up in the war-torn Jerusalem of the 40s and 50s in a small apartment crowded with books in 12 languages and relatives speaking nearly as many. His mother and father, both wonderful people, were ill-suited to each other. When Oz was 12 and a half years old, his mother committed suicide - a tragedy that was to change his life. He leaves the constraints of the family and the community of dreamers, scholars, and failed businessmen to join a kibbutz.
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His life was interesting, but not his memoir
- By DR Harle on 01-27-19
By: Amos Oz
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No One Writes to the Colonel, and Other Stories
- By: Gabriel García Márquez
- Narrated by: Armando Durán, Roxanne Hernandez, Marcelo Tubert, and others
- Length: 5 hrs and 46 mins
- Unabridged
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Overall
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Performance
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Story
Written with compassionate realism and wit, the stories in this mesmerizing collection depict the disparities of town and village life in South America, of the frightfully poor and outrageously rich, of memories and illusions, and of lost opportunities and present joys. Stories include "No One Writes to the Colonel", "Tuesday Siesta", "One of These Days", "There Are No Thieves in This Town", "Balthazar's Marvelous Afternoon", "Montiel's Widow", "One Day After Saturday", "Artificial Roses", and "Big Mama's Funeral".
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great stories
- By Bernadette on 03-04-16
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Justine
- The Alexandria Quartet, Book 1
- By: Lawrence Durrell
- Narrated by: Nicholas Boulton
- Length: 8 hrs and 51 mins
- Unabridged
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Story
Justine is the first volume in the Alexandria Quartet, four interlinked novels set in the sensuous, hot environment of Alexandria just before the Second World War. Within this polyglot setting of richly idiosyncratic characters is Justine, wild and intense, wife to the wealthy businessman Nessim, a Mari complaisant. Her emotional and sexual wildness fuels a highly charged atmosphere.
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Too highly regarded by critics?
- By David P. Wingert on 02-11-23
By: Lawrence Durrell
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The Moor's Last Sigh
- By: Salman Rushdie
- Narrated by: Sunil Malhotra
- Length: 20 hrs and 18 mins
- Unabridged
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Overall
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Performance
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Story
Booker Prize-winning author Salman Rushdie combines a ferociously witty family saga with a surreally imagined and sometimes blasphemous chronicle of modern India and flavors the mixture with peppery soliloquies on art, ethnicity, religious fanaticism, and the terrifying power of love. Moraes "Moor" Zogoiby, the last surviving scion of a dynasty of Cochinese spice merchants and crime lords, is also a compulsive storyteller and an exile.
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The performance is enchanting.
- By Kelly on 05-04-18
By: Salman Rushdie
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The Island
- By: Victoria Hislop
- Narrated by: Emma Powell
- Length: 13 hrs and 6 mins
- Unabridged
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Story
On the brink of a life-changing decision, Alexis Fielding plans a trip to her mother's childhood home in Plaka, Greece hoping to unravel Sofia's hidden past. Given a letter to take to Sofia's old friend, Fotini, Alexis is promised that through Fotini, she will learn more. Arriving in Plaka, Alexis is astonished to see that it lies a stone's throw from the deserted island of Spinalonga—Greece's former leper colony. Fotini reveals the story that Sofia has buried all her life: the tale of her great-grandmother Eleni and her daughters, and a family rent by tragedy, war, and passion.
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Haunting story
- By Chantal Roe on 09-04-23
By: Victoria Hislop
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Palace of Tears
- By: Julian Leatherdale
- Narrated by: Ming-Zhu Hii
- Length: 15 hrs and 40 mins
- Unabridged
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Overall
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Story
The dazzling story of family, passion, secrets and vengeance, woven through the hardships of both World Wars and revealing the intriguing history of the Palace, the opulent Blue Mountains hotel famed for its luxury and mysterious owner. A sweltering summer's day, January 1914: the charismatic and ruthless Adam Fox throws a lavish birthday party for his son and heir at his elegant clifftop hotel in the Blue Mountains. Everyone is invited except Angie, the girl from the cottage next door.
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Distractingly bad acting by narrator!
- By Bunny on 01-30-16
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Now, Voyager
- Femmes Fatales
- By: Olive Higgins Prouty
- Narrated by: Coleen Marlo
- Length: 7 hrs and 52 mins
- Unabridged
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Overall
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Performance
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Story
Boston blueblood Charlotte Vale has led an unhappy, sheltered life. Lonely, dowdy, repressed, and pushing 40, Charlotte finds salvation at a sanitarium, where she undergoes an emotional and physical transformation. After her extreme makeover, the new Charlotte tests her mettle by embarking on a cruise and finds herself in a torrid love affair with a married man which ends at the conclusion of the voyage. But only then can the real journey begin, as Charlotte is forced to navigate a new life for herself.
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The Inspiration for The Movie Classic
- By Susie on 12-17-12
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The Count of Monte Cristo
- By: Alexandre Dumas
- Narrated by: Andrew Timothy
- Length: 50 hrs and 44 mins
- Unabridged
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Performance
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Story
The Count of Monte Cristo is an adventure novel by Alexandre Dumas.
Published in 1844, it is often considered one of the great thrillers of all time and, along with The Three Musketeers, Dumas' most popular work.
Falsely accused of treason, the young sailor Edmund Dantes is arrested on his wedding day and imprisoned in the island fortress of the Chateau d'If. After staging a dramatic escape, he sets out to discover the treasure of Monte Cristo and catch up with his enemies.
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Incredible value
- By Barnabasdaughter on 12-17-09
By: Alexandre Dumas
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Madame Bovary
- By: Gustave Flaubert, Lydia Davis - translator
- Narrated by: Kate Reading
- Length: 13 hrs and 45 mins
- Unabridged
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Overall
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Performance
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Story
Emma Bovary is the original desperate housewife. Beautiful but bored, she is married to the provincial doctor Charles Bovary yet harbors dreams of an elegant and passionate life. Escaping into sentimental novels, she finds her fantasies dashed by the tedium of her days. Motherhood proves to be a burden; religion is only a brief distraction. In an effort to make her life everything she believes it should be, she spends lavishly on clothes and on her home and embarks on two disappointing affairs.
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Ironic, humorous, and restrained
- By Esther on 05-13-13
By: Gustave Flaubert, and others
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Shame
- By: Salman Rushdie
- Narrated by: Vikas Adam
- Length: 11 hrs and 49 mins
- Unabridged
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Overall
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Performance
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Story
The novel that set the stage for his modern classic, The Satanic Verses, Shame is Salman Rushdie's phantasmagoric epic of an unnamed country that is "not quite Pakistan". In this dazzling tale of an ongoing duel between the families of two men - one a celebrated wager of war, the other a debauched lover of pleasure - Rushdie brilliantly portrays a world caught between honor and humiliation.
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Should have quit at chapter 2
- By G. Miller on 06-23-23
By: Salman Rushdie
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Galilee
- By: Clive Barker
- Narrated by: Paul Hecht
- Length: 23 hrs and 56 mins
- Unabridged
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Overall
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Performance
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Story
The Barbarossa family’s roots are far more ancient and ethereal, but they are bound to the Gearys by a shared history of murder, insanity, and adultery. When Rachel Geary and Galilee, the seductive prince of the Barbarossa clan, fall in love, they unleash powerful enmities that could destroy both dynasties. Shorter and more conventional than some of Barker’s other work, this novel is especially rich with complex, passionate, three-dimensional characters, lush settings, and elegant language.
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An Audiophile's Dream
- By Joseph on 09-01-11
By: Clive Barker
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Buddenbrooks
- The Decline of a Family
- By: Thomas Mann
- Narrated by: David Rintoul
- Length: 26 hrs and 57 mins
- Unabridged
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Overall
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Performance
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Story
First published in 1900, when Thomas Mann was 25, Buddenbrooks is a minutely imagined chronicle of four generations of a North German mercantile family - a work so true to life that it scandalized the author’s former neighbours in his native Lübeck.
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Where Have You Been All My Life, Thomas Mann?
- By Virginia Waldron on 03-30-17
By: Thomas Mann
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Speak
- A Novel
- By: Louisa Hall
- Narrated by: Suzan Crowley, Christopher Ashman, Adrienne Rusk, and others
- Length: 8 hrs and 17 mins
- Unabridged
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Overall
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Performance
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Story
In a narrative that spans geography and time, from the Atlantic Ocean in the 17th century to a correctional institute in Texas in the near future, and told from the perspectives of five very different characters, Speak considers what it means to be human and what it means to be less than fully alive.
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Like nothing else
- By Anonymous User on 06-22-17
By: Louisa Hall
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A man returns to the town where a baffling murder took place 27 years earlier, determined to get to the bottom of the story. Just hours after marrying the beautiful Angela Vicario, everyone agrees, Bayardo San Roman returned his bride in disgrace to her parents. Her distraught family forced her to name her first lover; and her twin brothers announced their intention to murder Santiago Nasar for dishonoring their sister. Yet if everyone knew the murder was going to happen, why did no one intervene to stop it?
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Narration didn't do justice to the story
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Strange Pilgrims
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Pésima edición
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Save your Money!
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The Unbearable Lightness of Being
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A young woman is in love with a successful surgeon, a man torn between his love for her and his incorrigible womanizing. His mistress, a free-spirited artist, lives her life as a series of betrayals—while her other lover, earnest, faithful, and good, stands to lose everything because of his noble qualities. In a world where lives are shaped by irrevocable choices and fortuitous events, and everything occurs but once, existence seems to lose its substance, its weight. Hence we feel “the unbearable lightness of being."
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Love, Politics, and Strange Bedfellows
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The Tin Drum
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To mark the 50th anniversary of the original publication of this runaway best seller, Houghton Mifflin Harcourt, along with Grass' publishers all over the world, offer a new translation of this classic novel. Breon Mitchell, acclaimed translator and scholar, has drawn from many sources. The result is a translation that is faithful to Grass' style and rhythm, restores omissions, and reflects more fully the complexity of the original work. After 50 years, The Tin Drum has, if anything, gained in power and relevance.
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It's a metaphor, right?
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The Incredible and Sad Tale of Innocent Eréndira and Her Heartless Grandmother
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What listeners say about Love in the Time of Cholera
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- Vira
- 09-02-13
When love is sick
I find very little love in this book. A young person might regard it as romantic. I see much which is the opposite. (I hope the following doesn't contain spoilers?!)
As adolescents, Florentino and Fermina fall in love. 'In love' is not the same as love. Her father has different ideas and wants what HE thinks is best for her. He doesn't consult her feelings, and acts in an autocratic, paternalistic manner which is probably indicative of the times. In some ways, this could be regarded as high-mindedly selfish.
Florentino undoubtedly sees himself as a poetically romantic hero who suffers his self-inflicted romantic martyrdom for 50plus years for the sake of his "love". I see in him a needy, obstinate and obsessive stalker who also wants his own way, regardless of the cost. At the same time, he's obsessed with sex, and uses up every female who allows him within spitting distance, to the point of paedophilia. His romantic martyrdom requires no honourable abstinence, no self-negation. His emptiness cries out to every lover in turn, and he "loves" them all, if to a greater or lesser extent.
At no stage does he show any acceptance of Fermina's choice in marriage, or appreciation for her apparent happiness. This would be an indication of a love less false.
Only in old age, when his tormented self-convincing 'love' for Fermina settles down into companionable affection is there any sense of realness about it.
Fermina's husband, by comparison, seems to have been the better choice after all, as he does leave one with a sense of his true love and caring.
I grew tired of listening to Florentino's sexcapades for the greater part of the book. Of all the women who nurtured and indulged him, but actually meant very little. It got very stale. It also got sickening, when he resorted to molesting a girl who smelled of "nappies", 60 years younger than himself, of whom he had guardianship. That begs a long-term prison sentence. We are not amused.
I wonder if all the corpses scattered throughout the book are symptomatic of all the bodies he used, abused, and left lying in the dust?
I'm not sure I would recommend this book to anyone. I can't say I actually enjoyed it.
Good narration.
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- Mel
- 09-04-13
In Love With Love
A passionate storyteller and a Pulitzer Prize winning author, Márquez warned those that wanted to define this book as a great love story not to fall into his *trap.* He doesn't set out to define love in Love in the Time of Cholera, instead he tells about the individual relationship his characters have with love throughout their lifetimes, how they express love, and how they experience love in all it's incarnations. Rather than define love, he almost makes the argument against defining love, showing that it is flowing and adaptable, and dependent on a myriad of variables. His characters experience lust, desire, passion, stability, all in the name of love -- that *malady for which there is no cure.* Love is not an emotion, but the destination in this novel.
Marquez's style of magical realism is perfectly matched to the period and characters in this Caribbean seaport village at the turn of the 19th century, where the local folklore and superstitions walk hand in hand with social and political reality. Three contrasting characters are central to the story and form the love triangle: Fermina Daza, the young local beauty; the older Dr. Juvenal Urbino, practical, stylish and much respected in town; and the hopeless romantic, and struggling workman Florentino Ariza, who provides most of the comedy due to his philandering ways and insistence that he is still a virgin in his heart -- which he also claims "has as many rooms as a whorehouse." Each has a singular conception of love. Márquez captures their conflicted spirits, as they age and adapt to their changing situations and environment, brilliantly. There's more comedy than romance in this bittersweet novel -- it's more about "emotions in motion" (as Mae West once said) than Love.
I understand the discrepancy in ratings. My own experience with Márquez got a shaky start when a friend (a literature major) handed me the book and said I would love it -- and I didn't. For at least 80 pages I struggled with the general foreignness and languid pace, and then it seemed as if I was suddenly tossed into a crazy tornado of passionate characters, sex, and intestinal problems. It seemed like a delirious opera takeoff of Don Juan. Whether timing or my own limitations (reading Spanish was a hurdle itself), the book was difficult for me to get into, but ultimately -- and several years later -- rewarding; it took me 3 times to finish this book, which I came to love. The translation is wonderfully done, and this narrator gives a great performance that enhanced the story without interpreting the characters for me.
There is a natural and unforced flow in Márquez's writing, that fits easily into your head, both because of his artistry and because of the emotional recognition in his stories. Even incorporating complex themes, his sentences sparkle with clarity and humanity. An Audible questionnaire asked which authors members would like to see available at Audible.com. I answered Gabriel Garcia Márquez, so I was thrilled to see some of his books on the menu (100 Years of Solitude would have been my choice for the first book, but I noticed it is coming soon). Considered a classic and one of the greatest books written, but I would limit my recommendation to those that want a beautifully written, bittersweet story to linger over and savor.
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- Anne
- 09-05-13
Timeless Romance, brought to life by Armando Duràn
This story is one of the classic romances that will live on forever. I have read it more than once, but it had been a while and I needed some romance in my life, so I went in search of it again. I was so pleased to find it had finally been made into an audiobook, my life is busier than it used to be, so I was able to listen to it wherever I went. The narrator, Armando Duràn, was a perfect fit for this story. I mean perfect. The animation in his voice captures the passion of their love, the excitement and the sorrow. Every emotion was conveyed with such conviction, you would believe he wrote the story himself and was recounting from his own memory. His performance was impeccable and the story was lovely as ever. I would recommend this audiobook to everyone who wants the experience of a masterpiece novel, played out by an exceptional narrator.
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- Andrei
- 10-02-19
Sex with a child
I know that I am repeating someone's else headline here. I remember that in my 20s I read One Hundred Years of Solitude and it was such a cathartic experience. I was hoping for the same, but this time I found the novel to be boring, I do not care about the story and I do not care about it's presumed exoticism, magic realism or whatever. But besides that, sex with a child and degrading treatment of women (once again I am plagiarizing someone)....NO! NO! NO! Not even in the name of "great" art. That's why I do not like Lolita, even though I have respect for Nabokov as a writer. I was not also satisfied with his treatment of elderly people. How many times he is going to tell us that they smell of old age. And you know, in terms of quality, I can write a novel like this (NOT THAT I WOULD!!). I cannot write the Sound and the Fury. I cannot write War and Peace. I cannot write The Elegance of the Hedgehog (read this one please - a masterpiece!). I cannot write The Beautiful Room is Empty. I cannot write Conversations with Friends. I cannot write Hunchback of Notre Dame. Well, I can blah, blah, blah, blah about this for ever and ever. Be a responsible reade. We live in very tragic time in the history of our country. Read it, of course, but be aware of what you read.
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- Madeleine
- 04-20-14
The Sublime Disease of Love
I decided to revisit this book in memory of Gabriel Garcia Marquez who just passed away. It brought back all the reasons I've loved his writing. Complex characters who evolve with the story, incredible descriptions that pull you into the settings; they become characters in their own right.
Marquez reminds us that love is not benevolent. It is a wasting disease. But we wouldn't be human without it.
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- JLH
- 07-02-19
Sex with a child
Need I say more - in addition to the dozens of women he degrades, looks down upon & uses for sex & therapy - he had sex with a child. He documents how he wins her trust through childish games and then begins a long term affair with her. He builds a secret room off his office so that he can have sex with randos at work. This is all intended to be as a response to him having to wait for the woman he actually loved. This may have been written in the 80’s and intended to be about “another time”, but it’s hardly romantic or a love story. This man writes a story that doesn’t even respect or value women - they are merely there to serve his selfish needs.
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- L. Kerr
- 08-30-13
Great story, needs better audiobook producer.
Over the years, I've listened to over 350 unabridged, classic audiobooks. For some time I've waited for audiobooks by Gabriel Garcia Marquez, one of my favorite authors. I see that Audible is finally releasing several over the next few months, this being the first. Listening to this audiobook reaffirmed my appreciation of Marquez's greatness. Though the narrator's tone, diction, and pronunciation is excellent, and his casting is perfect, sadly he employed a singsong pattern of starting sentences with a higher pitch and then trailing off as he finished. If he had done this a couple of times it wouldn't have been that bad. But to do it for 16 hours became annoying. I do not blame him one jot. He is very talented and I've listened to him on other audiobooks in which he did not do this. I blame Audible 100%. If the producer (if there was one) had simply told the narrator one time, "Your voice pattern is a little singsong. Listen to this example," I'm sure the problem would have been immediately corrected. To waste this great novel and the talents of a very good narrator is unexcusable. Even still, the story itself is so great that I highly recommend you give it a listen. It's well worth the money. It's just a shame that I had to rate this audiobook anything less than 5 stars. Thanks.
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- Diane
- 09-02-13
Plagued by Love
This book has been sitting on my shelf unread for many years, so I welcomed the chance to listen to this audio version. I usually find classics well-worthy of their reputations as such, but I confess to being disappointed in this one. Perhaps that is the pitfall of having such high expectations.
The novel is an exploration of the many facets of love from the heterosexual male point of view. The female characters serve mainly as foils--as the objects of male attention, intention and obsession. Even the main female protagonist, Fermina, seems rather 2-dimensional--her actions mainly serving as the impetus for the actions, thoughts and feelings of the men who are drawn to her.
The cholera of the title is not accidental. Episodes of this plague occur at various points throughout the book, but more important are the parallels drawn between cholera and love. Love is likened to a disease--mercilessly consuming its victims and typically causing far more torment than pleasure. While certainly containing elements of truth, it is a fairly oppressive view of the nature of love.
The prose is beautiful--evocative of time and place, if at times slow-moving. The translation serves the work well as does the narration. It is certainly a book worth reading once, but I doubt I will want to return to it anytime soon.
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- Darryl
- 09-10-13
Marquez is great, awaiting 100 Years
Read this when it first came out and loved it. I was totally under Marquez spell and still am but with a little distance I have to say that I can't give it 5 stars simply because I know 100 Years is coming and hoping for Patriarch and those are incredible. This love story is good but the writing style is different than those 2 and I wasn't quite as immersed in the world as I was with those. don't get me wrong, it's still head and shoulders above most of the junk that's out there, Marquez is a beautiful writer. & I noticed this time how the novel is structured in a manner that reflects the memories of the "lost love" and keeps building them through a life time. and of course the Marquez-ian themes of memory, nostalgia, love affects you like a disease, odd comical occurrences; but there aren't as many "magical realism" moments that i love so much from the others. but then again, someone else may love this more because it lacks those "fantastic" elements. This is in a way a rather realistic love story. I felt just a little removed from the story, like I was being told what happened instead of being in the action as I was with 100 & Patriarch.
However, I don't know what the 1 reviewer was saying about the sing song narration. His voice is a little raspy, very much like bob simon from 60 minutes, but his narration is fine and if there is a little lilt in it at times, i think it must be due to the characters names which have a little of that rhythm to them, but other than that I couldn't find it and I was looking for it due to that review.
In either case, kudos for finally getting Marquez, I've been waiting years for it and look forward to as much as they'll produce, I just hope they have the courage to do Patriarch (6 stars if it's done right) and all of the novellas and short stories. wonderful writer
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- Barry
- 02-24-14
Wildly entertaining but vaguely troubling
I pestered Audible so long about this book, having heard nothing but glowing things about it for so many years (and no time to read the paper version). So I rushed to put it in my queue as soon as it came out. Garcia Marquez has said that you have to be very careful not to fall into his trap. I wish I knew what he thought his trap was. Is it about love in old age? Is it about immorality disguised as faithfulness? Is it about the unreliability of the characters' appraisal of people and events? Is it about something else entirely? I will probably never know.
First of all, the prose is beautiful. Even in translation, you get the sense of an author with a gift for finding the right word and the felicitous phrase. The book is simply littered with insightful observations about life and humanity. Second, the characters are solidly created. We are interested in them, even as we sense that they may not be people we personally would like to know. And therein lies my uneasiness with this book. The more we get to know these characters, the more ordinary they seem, and--especially with Florentino--the more troubling their moral outlook on life becomes. Garcia Marquez leads us step by step down the proverbial primrose path, and I can follow as long as I suspend disbelief. I have more of a problem with it in the cold light of day.
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