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La cinta perdida [The Lost Recordings]
- Narrated by: Luis Alberto González Arenas
- Length: 6 hrs and 25 mins
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Detrás de
La cinta perdida with Luis Alberto González Arenas
Publisher's summary
La Cinta Perdida es un documental acerca de la "nueva canción", un movimiento musical que ocurrió durante las décadas de 1960 y 1970 en América Latina como una resistencia artística y social a las muchas dictaduras y regímenes opresivos de la época. Tras obsesionarse con las canciones de protesta que escuchó mientras cubría el estallido social de 2019 en Chile, el periodista Luis Alberto González comienza a investigar más sobre los orígenes y la historia de la música popular latinoamericana. Las cosas dan un giro cuando se encuentran con una colección rara de vinilos y cintas. Esto le lleva a desenterrar una grabación en vivo de Víctor Jara, el amado activista y compositor que fue brutalmente torturado y asesinado por el golpe de estado de Augusto Pinochet en Chile en 1973. A medida que profundizamos en la historia de aquellos años, surgen preguntas cruciales: ¿Por qué la juventud chilena todavía conoce y mantiene esas viejas canciones como símbolos poderosos, mientras que en México se han olvidado la mayoría de las voces contraculturales de los 70? Capítulo a capítulo, entrevista tras entrevista, el documental arroja luz sobre el alcance total del impacto que tuvo y sigue teniendo la nueva canción en la actualidad.
Please note: This audiobook is in Latin American Spanish.
Artículo destacado: Redescubre tu identidad latina con estos audiolibros
Es fundamental conservar la propia identidad cultural, pues se trata de uno de los rasgos que nos identifican como individuos y nos posicionan en el contexto familiar y social. Toda persona se enfrenta al reto de integrarse de la mejor manera posible en el nuevo país, pero sin por ello reprimir o erradicar los hábitos que siempre han formado parte de la propia identidad. Se lleva la identidad latinoamericana en uno mismo, en las tradiciones y costumbres.
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What listeners say about La cinta perdida [The Lost Recordings]
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- Anonymous User
- 11-12-22
Asombro y emoción
Me encantó un trabajo de investigación increíble, nos demuestra que la búsqueda de la justicia siempre va a existir a pesar de los pesares. Felicidades por tan interesante y emotiva historia.
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- Sandra
- 11-18-22
Increíble historia contada de manera maravillosa
Lo recomiendo ampliamente. La historia se va mezclando entre pedazos importantes de la música de protesta en español, una historia de una familia y su amor por la música y la vida y música de Víctor Jara. El guión es excelente. Gracias por tan hermoso proyecto.
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- Guadalupe
- 01-28-23
Sensacional!!
Realmente una gran historia, contada con voces originales y canciones interpretadas por sus autores, me llevó a revivir aquellos años. Están reunidos aquí muchos de los grandes del canto nuevo. Gracias por esta magnífica obra.
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- Maria
- 10-17-22
Súper interesante y emocionante
Súper interesante y emocionante. Muy bonita historia y celebración de la música protesta de America Latina.
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- Anonymous User
- 10-04-22
Extraordinario de principio a fin
Una historia increíble que te adentra en las raíces y el corazón de la música de protesta en Latinoamérica. Hay muchas canciones y voces lindas por descubrir, pero también muchísimos momentos y reflexiones bien interesantes de la historia de Chile, México y el continente que rara vez se enseñan.
Cada capítulo del documental va siendo más profundo y vale la pena para llegar a "la cinta perdida". Sobre la cinta prefiero no decir nada y que cada escucha la descubra por su cuenta.
Un trabajo excelente de investigación, mensaje social y amor por la música.
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2 people found this helpful
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- Anonymous User
- 11-29-22
Una maravilla
Toda la obra es una genialidad, muy buena transición en cada parte de la historia, la recopilación es hermosa. Esperamos la parte 2, del Canto Nuevo, la continuación de la Nueva Canción; la música del exilio y la dictadura.
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- Anonymous User
- 10-30-22
La Esperanza
Excelente de principio a fin, aunque sabemos que no hay finales en la historia. Me evoca los relatos de mi madre cuando era niña y no existía la TV y todos se unían alrededor de la radio. También ha sido un viaje a la memoria de mis años prepuberes dónde mi despertar de la consciencia social se acercó a la "nueva" música de protesta inducida por mi hermana mayor, la escuchábamos con entusiasmo, enojo y tristeza, canciones que reflejaban la realidad en Latinoamérica y en el propio México: injusticia, represión, persecución y muerte.
El viaje ha sido emotivo y gozoso, lleno de imágenes y recuerdos.
Muchas gracias a la creatividad de Luis, no puedo más que estar agradecida por encontrar la cinta perdida y mi propia cinta.
El que no tiene memoria no tiene identidad, el que no tiene esperanza se muere.
Eda Lorna Venegas
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- Jose Luis Isoard
- 09-30-22
Un profundo trabajo
Voy en el capítulo siete y quise dejar esta breve reseña para aplaudir el trabajo de investigación y el trabajo humano. Las entrevistas son bonitas e incisivas. Se teje la experiencia humana con el lado histórico sin sacrificar a ninguna de las dos cosas. Las observaciones y el análisis del autor forman dibujo definido y muy completo de una época que sigue haciendo eco en quienes somos como latinoamericanes. La música me deja con ganas de sumergirme por meses en la obra de sus autores. Y, finalmente, el misterio de la cinta... ¡que me tiene ansioso!
Recomiendo mucho.
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1 person found this helpful
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- Anonymous User
- 10-11-22
Increíblemente logrado
Desde que leí el titulo sabía que me iba a gustar, pero nunca imaginé los temas profundos y bien explorados que toca este documental. Algunas canciones son canciones con las que crecí y las escucho con otros oídos. Me hace sentir orgulloso de que sean parte de mi vida.
Se lo recomiendo a cualquier persona que haya seguido cualquier corriente musical en su vida. O qué le guste la música en general.
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1 person found this helpful
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- Carolina C
- 10-27-22
Una obra maestra del documental en audio
Crecí con la sensación de que la barbarie es una abstracción. Con la idea de que el terror asociado con gobiernos asesinos es una historia pasada, que ocurrió hace mucho tiempo y nada tiene que ver conmigo. Y de pronto, mientras escucho esta obra, por primera vez en mi vida comprendo que no, que el terror está aquí, como posibilidad latente, envolviéndonos a todos. Pero también estamos envueltos en la esperanza, la esperanza que a través de la música se vuelve intensa y alegre, apasionada y comunal. Que a través de la música, específicamente de la nueva canción latinoamericana, se volvió real, tangible, rebelde y profundamente humana. La belleza de esta pieza, lo que la hace una obra maestra del documental en audio, es su mirada cíclica: que Luis Alberto González no escribe ni narra sobre gente y música muerta, sino que establece una continuidad mística, donde abuelas y nietos nos encontramos y resulta evidente la ficción del tiempo, porque los gobiernos van a seguir matando y las personas para resistir la barbarie, para no paralizarnos ante el terror, podemos acudir a la música, que es el enlace más directo que tenemos hacia lo inexplicable.
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1 person found this helpful