Lockwood & Co. might be the smallest (some might say shambolic) Psychic Detection Agency in London. But its three agents - Lockwood, Lucy and George - are exceptional talents. And they get results. When an outbreak of ghostly phenomena grows to terrifying levels in Chelsea, Scotland Yard is left baffled. Even more baffling is that Lockwood & Co appear to have been excluded from the huge team of agents investigating the Chelsea Outbreak.
Surely this is the perfect chance for them to show once and for all that they're actually the best in town? Well, that's if they can put aside their personal differences for long enough to march into action with their rapiers, salt and iron....
Ghouls and spectres, thrills and tension in this brand-new instalment in Jonathan Stroud's best-selling series.
©2015 Jonathan Stroud (P)2015 Random House AudioBooks
With The Hollow Boy, new characters are introduced (or bumped off) as several storylines (two major cross-series arcs and a couple of smaller contained arcs) deftly interweave. We get more information about Lockwood's past, Lucy's abilities, and the strange goings-ons causing the hauntings. Tantalizing clues are dropped but honestly, Stroud so masterfully ratcheted up the suspense that this was definitely the most nerve-wracking volume of the series. Suitable for middle graders and up but with more than enough nuance and sophistication to greatly appeal to adults as well.
Story: Chelsea has become the scene of a huge outbreak of hauntings - causing the area to have to be cordoned off and attended to in great force by the various agencies. Although Lockwood is considered too small to be valuable, they will soon find themselves inexorably drawn into the mystery. Add in a wealthy benefactress, a parade and celebration party to keep the populace calm, and perhaps the scariest haunting of the entire series and Lockwood and Co will be very busy.
What the series has going for it by this third book is an incredible sense of world building. Although set in a modern, albeit alternate, London in which spirits of the undead run amok, there is an ethereal, almost fantasy-type setting where I picture the characters dressed straight out of a Dickensian tale. Like J.K. Rowling with the Harry Potter series, author Stroud smartly keeps so much of the worldbuilding timeless so readers can be transported to and fall fully under Lockwood & Co.'s gothic spell. You'll rarely read about Ipads, cell phones, internet, etc.
Less effective, though, was the addition of a new character to the team: Holly Munro. There are hints that she will have a larger role to play in the future (especially considering which agency she originated from) but for this book, she pretty much plays a foil to Lucy. Cue cat fights, jealousy, and far too much of Lucy mooning dreamily over Lockwood while competing with Holly for his attention. It was disappointing to read yet another middle grade book where the female characters can't work together and fight constantly over the males (I am reminded of the somewhat overt misogyny of Philip Reeve's Larklight series).
That aside, the characters are, as always, brilliant. From George to Lockwood to all the side characters, each is unique and comes with a firm perspective. Just by reading a line, it is obvious whose dialogue it is because each character has such a distinct personality. Add in the most developed character of all - London itself - and you get a book that really is a treat. In this case, a nail biter to the end.
I am greatly enjoying the Lockwood & Co. series. It's been quite awhile since a children's book series has been treated to such carefully crafted worldbuiling and characterization. I am very much looking forward to the next book in the series.
Note: I listened to the Audible version and the narrator did a decent job with the character and story.
Both of my teens (and I) love the Lockwood & Coo. series. Great imagination in a haunted alternate London. Characters are likeable and funny.
"Great story worst narrator ever."
The story is great as always but the Narrator is terrible. Her voices are weird and utterly different to the others which I could handle if they were anywhere near fitting for the characters. The slobbering sounds she occasionally makes is really off putting, as is the lisp.
"Good story, terrible narrator"
Her strange accent (from around Sheffield I'm guessing, but I'm not a native speaker) made the protagonists sound dim-witted. Besides, I don't like it when female narrators try to lower their voices when doing male voices. It's rather unprofessional as any decent actress would confirm.
"Gripping , fantastic and entertaining."
Worthwhile and another great Stroud work . if you havnt got into this series yet then do so. great story that I couldn't put down and by far the scariest of the series so far. but also the one that felt more like a. children's book .
it is amazing and very funny to listen to. we have been gripped by the horrors if the ghosts and the kindness of lucy
I got confused and thought this was the 1st book. It was still a good listen and I would recommend it. By the way the thing you here at the beginning that sounds like school is actually skull.
This is the 3rd book in the series.
Almost as good as the Bartimaeus Trilogy almost.
Really liked this story. my only thought was that George Cubbins and Lockwood didn't have the same voice acting as previous books. I don't know maybe its me.
"Just keeps getting better..."
The characters are growing up and becoming more intriguing and what a cliff hanger at the end. Can't wait for the next book well done Jonathan Stroud
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