Paul Collins tells the story of the brutal, bloody murder of William Guldensuppe committed by his girlfriend and her lover. Narrator William Dufris gives a delightfully varied and nuanced performance. The book features the voices of a diverse cast of late-19th century New York characters, from Joseph Pulitzer and William Randolph Hearst to a duck farmer in Woodside to employees of the Murray Hill bathhouse. Together, the characters tell the story of a gruesome crime that fueled a sensationalistic media juggernaut from the moment a group of young boys found a man's mutilated torso floating in the East River in New York City on a summer day in 1897. In Dufris' inventive performance, he expertly adopts the voice of the chillingly blasé murderers; then turns on a dime to describe, in a voice filled with wonder, the new forensic science that went into identifying the body. Dufris engages the listener by sounding as fascinated by the story as the author himself is.
It is vital that Dufris get the performances just right, since Collins has distinguished his book from other histories of the crime by telling the story of the investigation and trial largely through the voices of the people who were actually there. Collins carefully reconstructs their quotes into an intensely detailed narrative, and Dufris individualizes the voice of each witness, including the murder defendants themselves. Especially effective is his portrayal of one of the main defense attorneys in the story, William Howe, whom Dufris imbues with a bold, brash voice that enlivens the "Big Bill" persona that Collins describes. But Dufris is just as adept at capturing the macabre character of the women who, obsessed with the case, filled the sweltering courtroom gallery day after day to show their support for the dashing murder defendant, Martin Thorn. Maggie Frank
In Long Island, a farmer found a duck pond turned red with blood. On the Lower East Side, two boys playing at a pier discovered a floating human torso wrapped tightly in oilcloth. Blueberry pickers near Harlem stumbled upon neatly severed limbs in an overgrown ditch. Clues to a horrifying crime were turning up all over New York, but the police were baffled: There were no witnesses, no motives, no suspects.
The grisly finds that began on the afternoon of June 26, 1897, plunged detectives headlong into the era's most perplexing murder. Seized upon by battling media moguls Joseph Pulitzer and William Randolph Hearst, the case became a publicity circus. Re-creations of the murder were staged in Times Square, armed reporters lurked in the streets of Hell's Kitchen in pursuit of suspects, and an unlikely trio - an anxious cop, a cub reporter, and an eccentric professor - all raced to solve the crime. What emerged was a sensational love triangle and an even more sensational trial: an unprecedented capital case hinging on circumstantial evidence around a victim that the police couldn't identify with certainty - and that the defense claimed wasn't even dead.
The Murder of the Century is a rollicking tale - a rich evocation of America during the Gilded Age and a colorful re-creation of the tabloid wars that have dominated media to this day.
©2011 Paul Collins (P)2011 AudioGo
“Wonderfully rich in period detail, salacious facts about the case and infectious wonder at the chutzpah and inventiveness displayed by Pulitzer’s and Hearst’s minions. Both a gripping true-crime narrative and an astonishing portrait of fin de siecle yellow journalism.” (Kirkus Reviews)
"A dismembered corpse and rival newspapers squabbling for headlines fuel Collins’s intriguing look at the birth of 'yellow journalism' in late 19th-century New York. [A]n in-depth account of the exponential growth of lurid news and the public’s (continuing) insatiable appetite for it." (Publishers Weekly)
Two great passions - dogs and books! Sci-fi/fantasy novels are my go-to favorites, but I love good writing across all genres.
I am not much of a True Crime aficionado, but I picked up this book when it went on sale because this murder took place right just as the US prepared to leap into the 20th century and I am very interested in that period of history. As the country stood on the cusp of great change, there was hardly a place to better document the challenges of the age than New York City. In telling the story of this one gruesome murder, Paul Collins is occasionally plodding and repetitive, but he does do a great job of detailing this period of yellow journalism, some of the societal impact of the huge wave of immigration that was taking place, and the roots of modern forensic science (and some of the pseudo science that still reigned in that day). William Dufris is not my favorite narrator, but his Ed Murrow style works pretty well with this book. The details of the murder and suspected murderers are not that engaging (kind of made me wish I could read it the way Hearst would have presented it instead), but this is a good snapshot of turn-of-the-century life (and death).
I have edited 38 national best sellers and had a writing fellowship from the National Endowment for the Humanities.
This book centered on solving a crime. Part of a body washed up on shore, and the police had to figure out the victim's identity and nab the perp. The competition among the NY newspapers at this time was intense, and Pulitzer and Hearst tried to out-sensationalize each other's papers.
This sounds really interesting, right? But it wasn't. The investigation itself wasn't exciting, and the people involved were not complex or fascinating.
The criminals in this book were German immigrants, so an important factor in the performance was the reader's ability to nail a German accent. He was way off. He improved as he went along, but it was never consistent or convincing.
With so many good books out there, I wouldn't opt for this one.
I read science, biographies, histories, mysteries, adventures, thrillers, educationals, linguistics but not no way, not no how, romances.
True crime is really quite a fun genre, in and of itself, but I particularly enjoy it when it adds historical context and historical significance. This was the case with the dismembered body found in New York just before the turn of the century. What followed was an investigation just as scientific method was starting to be applied to investigations and a trial that ran into incredible difficulties. More than just the investigation, arrest and trial, this is a story about the rise of "yellow journalism" and how it made several careers and created the modern journalistic style we know today. Through this tale of one-upsmanship we can see the rise of the paparazzi and the 24 hour news cycle.
So yes, I recommend this book. The murder is sensational, the characters are interesting, the impact on modern America is recognizable. Enjoy it!
the newspaper angle and how tabloids got started
engaging and good performance
long but excellent
iloved the deatails of police work in late 18s00
The narrator was excellent. The story was fascinating.
The feeling of the time and place the writing gave. Hearing the account of how newspapers operated at the beginning of the century was engrossing. The tabloid wars was something I knew little about. New perspective now on Citizen Kane.
That I did not notice him much. He did enough when he was doing dialogue to bring characters to life but not too much.
OCD over books, listening to 1 a day; ANY genre, fact & fiction. Influenced by Audible reviewers so I keep mine unbiased - FRONT to BLACK!
I actually enjoyed this book after a spate of recent true crime books which were absolutely awful. Even veteran crime writer Ann Rule has lost her "mojo" after decades of dominating this genre. In this book you get good writing, research and narration - the must-have "triple crown" in audiobooks. Well worth the price of admission.
This is really not about "The Murder of the Century" - it's really about the tabloid newspapers in New York City at the end of the 19th century. Pulitzer and Hearst owned warring papers, both using sensationalism and "yellow journalism" to try and increase their readership and outdo their rivals. Headlines were bold, scandal was encouraged, and Hearst even created a "murder squad" of reporters with badges and guns to search for evidence before the police could find it, and make "citizen's arrests" if need be to protect The Journal's scoop. From colour to faster presses, it was a time of changes in newspaper publishing, and the murder of a masseur was just some of the fuel that stoked the fire of tabloid journalism competition. Sure, there was a murder, a dismemberment of the corpse. a missing head, and a scandal in the city, but that's all secondary to the real focus of the book.
It was an interesting book, but not terribly compelling or succinct. Narration was just OK.
Love books, listen to 3-4 books a week, thriller and true crimes favorite.
one of my first true crime books, was very pleased with this. Well written, not over done in any one area.
I'm open to any book as long as it is true to itself.
The crime itself was interesting as was the inter-play between the press at the time. Otherwise this was overly long and would have benefitted from more research to bolster the facts presented.
This book purports to tell not only the story of THE murder of the (19th) century, but also the beginning of the tabloid wars...and it delivers!
If you have an interest in true crime (or simply enjoy period drama), this turn-of-the-century tale will almost certainly satisfy.
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