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The Color of Christ: The Son of God and the Saga of Race in America | [Edward J. Blum, Paul Harvey]

The Color of Christ: The Son of God and the Saga of Race in America

How is it that in America the image of Jesus Christ has been used both to justify the atrocities of white supremacy and to inspire the righteousness of civil rights crusades? In The Color of Christ, Edward J. Blum and Paul Harvey weave a tapestry of American dreams and visions - from witch hunts to web pages, Harlem to Hollywood, slave cabins to South Park, Mormon revelations to Indian reservations - to show how Americans visually remade the Son of God time and again into a sacred symbol of their greatest aspirations, deepest terrors, and mightiest strivings for racial power and justice.
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Publisher's Summary

How is it that in America the image of Jesus Christ has been used both to justify the atrocities of white supremacy and to inspire the righteousness of civil rights crusades? In The Color of Christ, Edward J. Blum and Paul Harvey weave a tapestry of American dreams and visions - from witch hunts to web pages, Harlem to Hollywood, slave cabins to South Park, Mormon revelations to Indian reservations - to show how Americans visually remade the Son of God time and again into a sacred symbol of their greatest aspirations, deepest terrors, and mightiest strivings for racial power and justice.

The Color of Christ uncovers how, in a country founded by Puritans who destroyed depictions of Jesus, Americans came to believe in the whiteness of Christ. Some envisioned a white Christ who would sanctify the exploitation of Native Americans and African Americans and bless imperial expansion. Many others pictured a messiah, not necessarily white, who was willing and able to confront white supremacy. The color of Christ still symbolizes America’s most combustible divisions, revealing the power and malleability of race and religion from colonial times to the presidency of Barack Obama.

Edward J. Blum, a professor at San Diego State University, is an award-winning author of several books on race, religion, politics, and culture in United States history.

©2012 the University of North Carolina Press (P)2012 Blackstone Audio, Inc.

What the Critics Say

“In this powerful and groundbreaking book, historians Blum and Harvey examine how images of Jesus reflect the intersection of race and religion in America. Blending historical analysis, lucid prose, and captivating primary sources, Blum and Harvey trace the remaking of Jesus from Puritan America to antebellum slave cabins, from Joseph Smith’s revelations to Obama’s presidency. The authors compellingly argue that Christ’s body matters, that it signifies power, reflects national fears and evolving conceptions of whiteness, and perpetuates racial hierarchies by continuously reifying the idea that whiteness is sacred…They masterfully probe how a sacred icon can be a tool at once of racial oppression and liberation. A must-read for those interested in American religious history, this book will forever change the way you look at images of Jesus." (Publisher's Weekly)

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