By placing the image of the Virgin Mary at the center of their churches and their lives, medieval people exalted womanhood to a level unknown in any previous society. For the first time, men began to treat women with dignity and women took up professions that had always been closed to them.
The communion bread, believed to be the body of Jesus, encouraged the formulation of new questions in philosophy: Could reality be so fluid that one substance could be transformed into another? Could ordinary bread become a holy reality? Could mud become gold, as the alchemists believed? These new questions pushed the minds of medieval thinkers toward what would become modern science.
Artists began to ask themselves similar questions. How can we depict human anatomy so that it looks real to the viewer? How can we depict motion in a composition that never moves? How can two dimensions appear to be three? Medieval artists (and writers, too) invented the Western tradition of realism.
On visits to the great cities of Europe: monumental Rome; the intellectually explosive Paris of Peter Abelard and Thomas Aquinas; the hotbed of scientific study that was Oxford; and the incomparable Florence of Dante and Giotto, Cahill brilliantly captures the spirit of experimentation, the colorful pageantry, and the passionate pursuit of knowledge that built the foundations for the modern world.
©2006 Thomas Cahill; (P)2006 Random House, Inc. Random House Audio, a division of Random House, Inc.
"The author wears his erudition lightly and leavens his writing with reader-friendly anachronisms....The result is a fresh, provocative look at an epoch that's both strange and tantalizingly familiar." (Publishers Weekly)
"A prodigiously gifted populizar of Western philosophical and religious thought spotlights exemplary Christians in the High Middle Ages....Cahill serves as an irresistible guide: never dull, sometimes provocative, often luminous." (Kirkus Reviews)
As an avid reader of history for over 40 years, I must say this is absolutely the most self indulgent nonsense I have ever come across. If you want to hear ridiculous references to everyone from MLK to Bessie Smith, and the obligatory swings at George W Bush, in a book that pretends to be about the Middle Ages, go ahead. If you want to learn how the Renaissance got it's start, look elsewhere.
The authors' over bloated prose, packed full of pseudo-intellectual double negatives reeks of an ego I have never seen or heard in any other historian's works. I tried as hard as I could to put up with the book; after 2 hours it was more than I could stand.
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