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Gilgamesh the King
- Narrated by: William Coon
- Length: 13 hrs and 11 mins
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A thoroughly modern tale of politics, spin-doctoring, and media manipulation. As the harsh wind holds the Greek fleet trapped in the straits at Aulis, frustration and political impotence turn into a desire for the blood of a young and innocent woman - blood that will appease the gods and allow the troops to set sail. And when Iphigeneia, Agamemnon's beloved daughter, is brought to the coast under false pretences, it looks as if the ships will soon be on their way.
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The politics of power haven't changed.
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Greek Mythology
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This captivating audiobook will take you on a beautiful journey through the fascinating world of Greek mythology. From the beginning of the cosmos to the Odyssey, be ready to venture into an exciting world of love, loyalty, infidelity, vengeance, deception, and intrigue!
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A great way to gain insight to Ancient Greece
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In the town of Segontium a wild storm washes a fugitive ashore. He brutally rapes the granddaughter of the ruler of the Deceangli tribe, leaving her to bear his son, Myrddion Merlinus (Merlin). Spurned as a demon seed, the child is raised by his grandmother and, as soon as he turns nine, he is apprenticed to a skilled alchemist who hones the boy’s remarkable gift of prophecy. Meanwhile, the High King of the Britons, Vortigern, is rebuilding the ancient fortress at Dinas Emrys.
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Underrated book author and narrator!
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John O'Ryan is not a god...not exactly. He is an eternal warrior destined to combat the Dark Lord through all time for dominion of the Earth. Follow him, servant of a great race, as he battles his enemy down the halls of time, from the caves of our ancestors to the final confrontation under the hammer of nuclear annihilation.
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Cornucopia of Genre's
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Songs on Bronze is the first major retelling of Greek mythology in half a century; a set of lively, racy, dramatic versions of the great myths, which, in a multicultural society, are recognized more than ever as stories without equal.
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Wonderful
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This is the story of the relationship between two grieving men at war: fierce Achilles, who has lost his beloved Patroclus in the siege of Troy; and woeful Priam, whose son Hector killed Patroclus and was in turn savaged by Achilles. A moving tale of suffering, sorrow, and redemption, Ransom is incandescent in its delicate and powerful lyricism and its unstated imperative that we imagine our lives in the glow of fellow feeling.
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Ponderous narration, tortured prose
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Seyonne is a man waiting to die. He has been a slave for 16 years, almost half his life, and has lost everything of meaning to him: his dignity, the people and homeland he loves, and the Warden's power he used to defend an unsuspecting world from the ravages of demons. Seyonne has made peace with his fate. With strict self-discipline he forces himself to exist only in the present moment and to avoid the pain of hope or caring about anyone.
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Seriously Excellent
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Since its original publication by Little, Brown and Company, in 1942, Edith Hamilton's Mythology has sold millions of copies throughout the world and established itself as a perennial best-seller in its various available formats. Mythology succeeds like no other audiobook in bringing to life for the modern listener the Greek, Roman, and Norse myths and legends that are the keystone of Western culture - the stories of gods and heroes that have inspired human creativity from antiquity to the present.
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Good reading of classical myths
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By: Edith Hamilton
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What listeners say about Gilgamesh the King
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Jim "The Impatient"
- 12-10-11
Mary Renault is better
This reads like something Mary Renault would write and she would do a better job.
The story is based on probably the oldest known story ever written. That alone makes it interesting. It is the story of a King from his childhood to late adulthood. Like all Silverberg books the prose is good. RS is one of the more talented writers around. It is written in first person by the King. As a youth he is confused over all the religious rituals and little is done to explain them to him. He learns as he goes. He grows up in the story and he becomes what he thinks is nearly a God. He is big and strong and he sleeps with several women a night (It's good to be the King).
Though there are lots of demons and such mentioned in the story, we see through his adventures how these are just how they explain anything they do not understand. We also see how Kings do not have all the power as they must deal with the priests and the priestess and what the people expect. Though the main character thinks he is a God, he is very human in his thoughts and even though I did not like the main character, I have no doubt this was what he was like in real life and how I would probably be under the same circumstances.
I gave this 3 stars, some four and five star RS books would be: AT Winter's End, The Word Inside and Downward To Earth.
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- Lizzie Askew
- 03-15-14
Terrible narration kept me from getting far
Any additional comments?
Really. The narration is awful. In an odd way. The breathy, whimsical, "poetry reading" sort of way the narrator read was not only annoying, but totally distracting from what might have been a very good story. The man had a kind of high pitched voice and took a really outlandish approach to his reading. The author has some great works out there, and the original epic of Gilgamesh can be a very cool story too If you understand the contextual undercurrent and popular innuendos and story telling styles of the times in which it was written. Just couldn't get through more than a couple chapters with this narrator though. Not good.
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3 people found this helpful
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- Ibra
- 02-20-18
You need to now what will you be listening to
This book is talking about gilgamesh as a deceived human not as a god, i loved it but I felt betrayed by the story ,yes it takes the milestones in his life but the book gives it as it really (possibly) went,so when you buy the book you have to now that you’re not going to hear about gilgamesh the god but you will hear about gilgamesh the king
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2 people found this helpful
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- James R. Starkey
- 02-10-22
Reader is terrible
The reader’s voice was so annoying that I could hardly stay focused. My mistake for not sampling the story first. All I can equate the painful narration to is somebody who sings a great song slightly off key. The song can’t possibly be enjoyed. I’m a big fan of Silverberg, but this story fell short of all my expectations. Complicated fantasy tale that becomes tedious and frequently repetitive.
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- Dr. Milton Shleperman
- 04-23-21
Who's idea was this narrator?
I'm a fan of Robert Silverberg. Ok, this is not his best offering, but not bad, particularly if you like the original epic. But the choice of narrator? This is Gilgamesh of Uruk, part god, mightiest of men. The narrator sounds like a nervous student teacher. Normally it wouldn't bother me, but it is so incongruous with the narrative that its distracting.
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- susan
- 07-06-17
Gilgamesh
great story made modern and understandable. good read, may want to listen again and again.
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- Krissy
- 03-25-16
sensational!!!!
a beautifully put together book all of different sources to complete one amazing autobiography type feel to this ancient story. Gilgamesh is and always will be one of the best Tales to come from Sumer and related areas. I have been blown away by this book!
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- Josh
- 11-19-23
Horrible Narration and Wildly Innacurate
I'm an avaid amateur assyriologist. So unlike many who may have listened to this book, I have actually read, albeit clumsily, the original Standard Babylon Epic of Gilgamesh, in its native Akkadian, along with the various Akkadian fragments and the Sumerian poems which inspired it. But first...
Like most of the reviewers, I want to reiterate that Silverberg drug this book out behind the shed, shot it in the head, and throughly butchered this performance before unceremoniously burrying it in a landfill. His droning monotonous voice completely saps any and all nuanced tone or careful characterization from what might have been an otherwise enjoyable, if innacurate, retelling of the classic Gilgamesh epos.
With that out of the way, lets get to some of the many innacuracies with this story...
The most glaring one is obviously the author's depiction of the Inanna priesthood—Inanna was not incarnate in her chief priestesses any moreso than other gods were incarnate in their chief priests. We don't know how often the sacred marraige was performed or if it was even performed at all. While it is probably true that some level of sacred prostitution did occur, chiefly by harimtu or "women of the quay", most of Inanna's clergy were actually men called Gala-priests. Gala were lamentation singers who imitated traditionally feminine speech and dress while performing hymns to Inanna during certain state functions, rituals, and funerals. There may have been an element of homosexuality to their order, but many had documented wives and children too. Additionally, at the time "Gilgamesh" (this is the Akkadian pronunciation of his native Sumerian name of Bilgames) probably reigned, the functions of the Inanna priesthood would have been far less important than those of An in Uruk. It is only really with the rise of Sargon of Akkad some half a millennium later that we see the elevation and expansion of Inanna into a role approximating that of a prominent deity. Furthermore, the way the author mentions nude children makes me suspect he's a closeted pedophile—there is no evidence for anything like these practices anywhere in the literature that I know of. This seems like a detail that the author wanted to shoehorn into the story simply because he wanted to write about little girl's chests. It was tolerable once or twice, but he writes about it nonestop—honestly one of the worst parts of this book, in my opinion.
My second issue is with Inanna's characterization—where does this author get the connection between Inanna and serpents from? I recognize that scholarship progresses as we learn new things, but as far as I'm aware, Inanna has always had a prominent connection with lions, not snakes.
The third glaring issue I noticed was the erroneous statement that Kish's patron deities were Enlil and Ninḫursaĝ... this is blatantly not true. Kish's patron deities were Zababa and Inanna of Kish (considered at times a warlike aspect of Inanna or a separate being from her) and later on during the Old Babylonian period, Bau, due to synchronization between Zababa and Bau's Lagashite husband, Ningirsu. Kish was also filled with Akkadian speakers who would have been rarities in Uruk and only recently introduced to Ur via royal marriages at this time. This brings me back to a point I made earlier, "Gilgamesh" should have been pronounced "Bilgames" the whole time—that was how his name would have been produced by the Sumerians, NOT how the Akkadians would've pronounced it—furthermore, the weird assertion that Gilgamesh was descended from the "desert nomads" as code for the Akkadians seems suspect at best since the Akkadians had been settled in the north for a very, very long time by now. Doesn't make sense to me why the author included this assumption.
This is all very serface level information that should have been known by the author and the fact that it wasn't was very upsetting to me. I'm only half way through this book and it's taking me a lot to get over just how damn innacurate it is.
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- Andrea F
- 03-22-21
The worst narration I have ever heard
When this book started I genuinely thought that they were using a computer generated voice initially and the narration did not improve. I listened to this with my daughter for school. The narration is so glad and unexpressive that it seems like even the narrator is tired of this audio book. We made it through but even my partner who was only in the room occasionally while it was playing felt like it was torture. The entire house was relieved when it was over.
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- Lourens
- 12-20-20
Epic
The metaphorical transition of man from wild to urban projected onto Gilgamesh and Enkido, embraced in brotherly love for the nakedness, untamed wild man from the bush, but that lives in each man's chest. A hero's journey from young prodige to wondering the world looking for immortality. Realizing this life is the one to live.
Set in the first walled cities in Mesopotamia, portrays the sociocultural word of Inana at turning point in history, grieving the loss of the wild, and the threat from other cities. A story that evert young man must read.
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