In The Long Emergency, celebrated social commentator James Howard Kunstler explored how the terminal decline of oil production combined with climate change had the potential to put industrial civilization out of business. In World Made by Hand, an astonishing work of speculative fiction, Kunstler brings to life what America might be, a few decades hence, after these catastrophes converge.
The electricity has flickered out. The automobile age is over. In Union Grove, a little town in upstate New York, the future is nothing like people thought it would be. Life is hard and close to the bone. Transportation is slow and dangerous, so food is grown locally at great expense of time and energy, and the outside world is largely unknown. There may be a president, and he may be in Minneapolis now, but people aren’t sure. The townspeople’s challenges play out in a dazzling, fully realized world of abandoned highways and empty houses, horses working the fields and rivers, no longer polluted, and replenished with fish.
This is the story of Robert Earle and his fellow townspeople and what happens to them one summer in a country that has changed profoundly. A powerful tale of love, loss, violence, and desperation, World Made by Hand is also lyrical and tender, a surprising story of a new America struggling to be born - a story more relevant now than ever.
©2008 James Howard Kunstler (P)2010 Blackstone Audiobooks
“Richly imagined.” (O, The Oprah Magazine)
“Far from a typical postapocalyptic novel…An impassioned and invigorating tale whose ultimate message is one of hope, not despair.” (San Francisco Chronicle)
“Brilliant.” (Chicago Tribune)
Among the many subgenres I have a weakness for, one of my favorites is the post-apocalyptic thriller. World Made By Hand is not a thriller, though there is some action and violence. It occupies some strange middle ground between The Stand and Earth Abides. James Howard Kunstler is more interested in telling a story about what people do when the lights go out and how they go back to churning their own butter and making their own candles than a broader story about the collapse of civilization. In fact, that theme (as indicated by the title of the novel) seems to be the reason why the author wrote this book. While the residents of Union Grove, New York now live hard, sometimes precarious lives, and Kunstler does not neglect to show people suffering trauma and not coping very well with the death of the world they knew, the subtext throughout the book seems to be "Maybe it's better this way." The narrator, who by virtue of being the only responsible adult who was too much of a sucker not to say 'No' is now the mayor of Union Grove, frequently ruminates on how much better and sturdier things are now when you have to make them to last, just like in the old days, and seems to regard his old modern consumer life with a mixture of yearning and ironic disdain.
So there is quite a bit of talk about how people have gone back to a primarily agrarian existence, without oil or electricity, and how they struggle to survive when most folks don't have the skills needed for a post-industrial society. It's one of those books that makes you think about what you would do: if all of a sudden we got knocked back to the 19th century by some sort of apocalypse, do you have any survival skills? Any useful skills that would make you valuable to a community. Well, I'm no prepper and I'm afraid my own skill set would probably prove a bit meager.
We aren't given many details about what happened in this world made by hand. There is talk of recent wars in the Middle East, and bombs took out Washington, D.C. and Los Angeles and other cities (though apparently not New York City), and the U.S. government, and global civilization, seems to have essentially collapsed. The folks in Union Grove get little news from up the Hudson and even less from anywhere outside New York.
That said, they have been, as Brother Job of the New Faith Church points out, awfully lucky so far. They've managed to keep their town running with no major disasters, and their region has not yet reached the stage of feuding warlords and roving bandit gangs. However, lawlessness is certainly taking over the countryside, which causes most of the problems in the book as they have to deal first with a trade ship that was sent down the Hudson to New York City and never returned, and then with a local troublemaker who has set himself up as a feudal lord on the edge of town with a bunch of bikers, vagrants, and other ne'er do wells.
The New Faith Church, a bunch of healthy young evangelicals, show up in Union Grove and want to settle there, which proves to be a mixed blessing. They are (it seems) basically clean, decent, hard-working folks, and they bring fresh blood and, incidentally, a lot of combat vets. However, they definitely have proselytizing on the agenda, and being an instant power in the community, there are bound to be tensions.
It's a well-constructed story and the world, while light on details, makes sense. No major suspensions of disbelief, until the end, where Kunstler seems to be hinting at the encroaching of supernatural elements. As Brother Job says, "Science don't rule the roost no more." It's both odd given the straightforward, realistic style of the rest of the novel, and also seems to be in keeping with the idea of a "world made by hand" being somehow deeper and more spiritual.
Well, it wasn't bad, but it wasn't terribly exciting, and I'm not inclined to sign up for the rest of the series to learn just how religious the author decides to get. Yes, our modern consumer lifestyle probably is unsustainable and many things are lost when everything is commercial and transient. On the other hand, as the events in World Made By Hand show, it's not a great improvement to let the world be run by whoever has the most charisma and guns, and I have no faith in the nice folks of the New Faith Church not turning into witch-burning science-hating zealots given a generation or so to cement their power. So, while I feel a certain sympathy for the idea that the world would actually be a better place without Walmarts and reality TV, I'm not willing to throw out electricity, antibiotics, and indoor plumbing to get it.
Live and die with no regrets
I love Kunstlers other book "The Long Emergency", his blog and interviews but was a bit disappointed by this novel. The story is a bit flat and predictable. The descriptions of the post collapse society was interesting, but left me wanting more detail on the characters. A very one dimensional story.
It's an OK listen one time through, but doubt I'll listen to it again.
Interesting concept, poor writing, lots of pompous pontification
I am open to the concept of a collapsing society, and while I am not convinced that this will happen in the next few decades, it is certainly a possibility. I enjoy this genre of fiction, and I have a great deal of respect for McCarthy's The Road for its masterful, poetic writing and profound themes, for Bacigalupi's The Windup Girl for its handling of a multitude of modern dangers and compelling plot, and for Atwood's Oryx and Crake for its bold premise of humanity re-engineered and also for its fluid writing.
Kuntsler's World Made by Hand, on the other hand, also contains interesting and important ideas, but these are masked by poor, overly explicit presentation of Kuntzler's world view, and by poor writing, wrought with cliches.
Example one: "with his bare hands" This is how the book's villain is tagged by Kuntzler. The villain is suspected of strangling his first wife "with his bare hands," and that trite phrase is repeated a few times.
Example two: This same villain was a motorhead before the collapse, someone who loved snowmobiles, four wheelers, and NASCAR, and who didn't seem at peace without the whir of an engine next to him. OK, I'm a backcountry skiier and whitewater kayaker and I have no great love for snowmobiles or jet skis, but I don't look down on people who do like these things. No, I don't want a snowmobiler polluting the atmosphere of a national park with the roar and exhaust of the engine, but I am prepared to compromise with snowmobilers who also pay taxes and thus support national parks. This villain is two dimensional, a bit like the bad guys cruising around on the oil tanker in Waterworld, and all of us, hillbilly, yuppie, hippie, and entrepreneur are party to the imposition of possibly great social and environmental costs to future generations due to our consumption.
I respect Kuntzler's efforts, but this is an awkward hybrid between an essay and a novel.
The narrator was so involved in the story. He offered a lot of detail about the times and the people in the town. The narrator sounded a lot like William H. Macy, which is not a bad thing. Also, it was nice to read a end-of-world story without zombies for a change.
The description of daily life and making do after the end finally gets here.
No extreme reaction. I enjoyed listening to it.
It is not a stand-out book, but it was enjoyable to listen to.
Be prepared for a leisurely pace. The first 1/2 of the story is more of a sketch of a post-electronic world than an actual story. Built to be idealistic more than realistic, this dystopian world clearly depicts the author's preference for a world with less technology. He succeeded in making me imagine the beauty that could await us if we found ourselves back in synch with nature's rhythms, but the entire story softens the blows--until the strange and abruptly violent ending. The plot takes its time developing, then takes an ugly turn in a way that seemed incongruous with the Andy Griffith beginning.
An additional note of complaint is the author's treatment of women. Not only are they all emotionally weak, needy, manipulative or disturbed, they rely exclusively on men for their care and feeding. Kunstler's main source of differentiating between them is by remarking on their various breast sizes, which only exaggerates this misogynist worldview.
Before adding this book to my summer reading (& listening) list, I had just finished Alas Babylon (1959, Pat Frank). The similarities are abundant. The biggest difference is in the story telling. Babylon builds suspense while offering plenty of commentary, thus never feeling dull and weary. The narrator for Alas Babylon also kept the pace and intensity in a way that Jim Meskimen never mastered. I was also able to forgive Pat Frank for his 1950's treatment of women (pre-women's liberation). On the other hand, I could not get past Kunstler's apparent chauvinism .......and racism. Really? Are no minorities in all of upstate New York? In Kunstler's future they are entirely relegated to race wars in urban centers far, far away.
As some reviewers have pointed out, this book is not particularly well written, but as a story, not great literature, it would be passable. However, you will have to pretend that it was written in the 50’s like Alas Babylon, for it to be an okay listen and even then it sounds like a pathetic kind of male wishful thinking.
Women are not going to “drop” feminism and revert to being stereotypically deferential and secondary to men because we lose technology. Every major player in this book is male and that effectively eroded any plausibility of this story for me. Two minor characters are female. One is manipulative and emotionally unstable, the other (young and attractive) picks a man older than her father for shelter and wants to sleep with him in exchange for protection although being the protagonist, he doesn't pressure her. Oh, and there is also a mysteriously powerful woman at the heart of the religious cult who is described as obese, nauseating and completely disgusting.
Even in times past, in a small town, women would be extremely important to the fabric of the community, not just shadows. Sorry Mr. Kunstler. For better or worse, women today are even the largest new market for guns. While you obviously long for more “simple” times, there are just too many female doctors, dentists, mayors, police chiefs, land holders, CEOs and even ministers for the future to play out this way. That reality completely blows your story -- and exposes your misogyny.
Just not well executed. Bashes you over the head with "how things used to be" and lots of niggling little issues. For example, how come every professional in this book is assisted by " his wife"? Are there no more female dentists in the future? Not worth the energy to ignore the plot holes.
This is similar to the rest of a growing genre of post apocalyptic and slow apocalyptic fiction. This is my favorite from what I've heard thus far. I listened to this about a year or so ago, and am looking for more in the genre. I found myself saying, "are there any more of those World Made by Hand stories. I liked them."
Patriots - James Wesley Rawles
American Apocalypse - Nova
The plot was good and the story believable. It seemed short though and left a lot unexplained.
Jim needs to add inflection to make it easier to discern characters. I found myself lost at times wondering which character was speaking or even that another character was involved in the conversation. A great example of a narrator who does this well is Will Patton in Alas, Babylon.
Disease and other complications have returned the world to pre-petroleum technology - a traditional setting for this genre. We are in a town that is hobbling along, relying on tradition and custom, rather than any real government or law enforcement. Much of this book, the first in a series (I know there is another one out, but I haven't yet read it), is a great introduction to the protagonist, whose wife has died and whose son left town a few years before. He is in a relatively secret relationship with the wife of his best friend, the local Congregationalist minister (although it is apparently not a secret to the minister - they just never talk about it). A cultish group of men and women have bought the local high school and are fixing it up as a place to live. At times cooperative, they also demonstrate that they are willing to violate others' rights to get them to conform to their expectations and religion. At the same time, a group on the edge of town who supply materials gleaned from garbage dumps and demolition, are also demonstrating their unwillingness to abide by standard modes of behavior; they engage in an apparent murder, coercion, and theft. So with this - and an attractive young widow - as the backdrop, we become engaged in the protagonist's life, a life that is expressed in great detail. But as we get closer to the end of the book, and as we become to suspect that the science fiction in this story may not be limited to just the hypothesized near-future (indeed, it may creep over into fantasy, but we don't ever get to really know in this book), the detail starts to be overlooked. The book rushes to an end. Now I know that the details may come out in the next volume, but the way that the likely war was averted between the town and the inhabitants of the junk yard was just too easy. If the book just ended there, ok. But the protagonist relates a summary of the next few months, and somehow peace happens, his conjugal relationship with the young widow continues, and there is no mention of the reaction of his previous lover, the minister's wife. It just ends too smoothly. I would have preferred a cliff-hanger to the easy gloss that is provided. I happen to relish (and am writing a novel in) this genre, and I really enjoyed this book, up until the last - rushed - part. I have bought the next in the series, but I am a bit worried that the craft of the first three-quarters of the first book will not be achieved in the second. We will see.
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