In the National Book Award-winning Let the Great World Spin, Colum McCann thrilled readers with a marvelous high-wire act of fiction that The New York Times Book Review called "an emotional tour de force". Now McCann demonstrates once again why he is one of the most acclaimed and essential authors of his generation with a soaring novel that spans continents, leaps centuries, and unites a cast of deftly rendered characters, both real and imagined.
Newfoundland, 1919: Two aviators - Jack Alcock and Arthur Brown - set course for Ireland as they attempt the first nonstop flight across the Atlantic Ocean, placing their trust in a modified bomber to heal the wounds of the Great War.
Dublin, 1845 and ’46: On an international lecture tour in support of his subversive autobiography, Frederick Douglass finds the Irish people sympathetic to the abolitionist cause - despite the fact that, as famine ravages the countryside, the poor suffer from hardships that are astonishing even to an American slave.
New York, 1998: Leaving behind a young wife and newborn child, Senator George Mitchell departs for Belfast, where it has fallen to him, the son of an Irish-American father and a Lebanese mother, to shepherd Northern Ireland’s notoriously bitter and volatile peace talks to an uncertain conclusion.
These three iconic crossings are connected by a series of remarkable women whose personal stories are caught up in the swells of history. Beginning with Irish housemaid Lily Duggan, who crosses paths with Frederick Douglass, the novel follows her daughter and granddaughter, Emily and Lottie, and culminates in the present-day story of Hannah Carson, in whom all the hopes and failures of previous generations live on. From the loughs of Ireland to the flatlands of Missouri and the windswept coast of Newfoundland, their journeys mirror the progress and shape of history. They each learn that even the most unassuming moments of grace have a way of rippling through time, space, and memory.
The most mature work yet from an incomparable storyteller, TransAtlantic is a profound meditation on identity and history in a wide world that grows somehow smaller and more wondrous with each passing year.
©2013 Colum McCann (P)2013 Random House Audio
"This novel is beautifully hypnotic in its movements, from the grand (between two continents, across three centuries) to the most subtle. Silkily threading together public events and private feelings, TransAtlantic says no to death with every line." (Emma Donoghue)
"A masterful and profoundly moving novel that employs exquisite language to explore the limits of language and the tricks of memory...epic in ambition...audacious in format." (Kirkus Reviews)
"A beautiful writer... This is what interests McCann: lives made amid and despite violence; the hidden braids of places, times, and people; the way the old days ‘arrive back in the oddest ways.’" (Publishers Weekly)
Yes, I do plan to read Let the Great World Spin
Not sure I would listen again. That could have been why it seemed so disjointed.
Loved the story about Senator Mitchell.
I loved the first chapter. As pilot I believed this book was about flying and ....was surprised
The interconnections between the characters and their times.
Many were equally memorable.
I have enjoyed this more than any other audible book I have 'read'.
So beautifully written. The reader did such a great job of capturing the Irish accents and emotions of the characters. I was sad to have it end.
One of my top books.
I am so enamored by McCann's ability to turn a phrase, I would probably appreciate anything he wrote. In this case, the historical subject matter, aviation, slavery, Irish peace talks, and the famous personages so beautifully portrayed, captured my interest immediately. As he did with Let the Great World Spin, McCann told disparate stories and then proceeded to tie them together over time. Readers new to McCann's work may need some patience to finally see the point of it all.
Do not pick this book until you are ready to listen, ponder, and enjoy the art of writing. The stories serve as a backdrop to a wonderfully crafted novel. Enjoy.
This narrator drove me bananas!! The Irish accent was super annoying to me…so many times the word "boot" becomes "but"…aaargh…
I really dislike narrators that don't just read the story, with occasional affect for dialogue or dramatic parts. The constant over acting coupled with the accent made this one of the most irritating books I have listened to in a long time.
The story meanders through these many lives…I am naturally drawn in to stories, particularly from different periods in history, but this whole thing just falls flat for me! I don't find myself loving or really caring about any of these characters. Sorry to give a bad review but didn't enjoy this as much as I was hoping to!!
Yes. I love the way McCann weaves so many seemingly unrelated threads into a single, cohesive narrative.
Let the Great World Spin
Mesmerizing, engaging, lyrical
Lottie was my favorite because her thoughts were the most engaging.
Her narrative was lyrical and pleasing. She added so much to the book. I had Whispersynch so sometimes I read and sometimes I listened. Parts of the book were hard to follow on Audible so I switched to reading. The last chapter was marvelous with Geraldine.
I found that Colum switched around too much. Halfway through I was about to abandon the book because I wasn't sure who was in the story. He lost me by spanning so many years.
I kept going and was rewarded with a symphony of thoughts and words.
Geraldine Hughes captured each voice PERFECTLY. McCann tells a story of four generations of women whose lives are woven into the fabric of Irish history. It is never preachy or predictable. He tells a story like a poet or even a painter using words like brush strokes. Maybe an even better analogy is song because in the voice of Ms. Hughes the book has a lyrical quality to it. Meanwhile, far more than a simple family history, Transatlantic is almost an elegy, a meditation, a memoir or reflection on grief, loss, war, freedom, pilgrimage. There aren't words to describe the beauty of this book because McCann himself would have to write them.
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