In the National Book Award-winning Let the Great World Spin, Colum McCann thrilled readers with a marvelous high-wire act of fiction that The New York Times Book Review called "an emotional tour de force". Now McCann demonstrates once again why he is one of the most acclaimed and essential authors of his generation with a soaring novel that spans continents, leaps centuries, and unites a cast of deftly rendered characters, both real and imagined.
Newfoundland, 1919: Two aviators - Jack Alcock and Arthur Brown - set course for Ireland as they attempt the first nonstop flight across the Atlantic Ocean, placing their trust in a modified bomber to heal the wounds of the Great War.
Dublin, 1845 and ’46: On an international lecture tour in support of his subversive autobiography, Frederick Douglass finds the Irish people sympathetic to the abolitionist cause - despite the fact that, as famine ravages the countryside, the poor suffer from hardships that are astonishing even to an American slave.
New York, 1998: Leaving behind a young wife and newborn child, Senator George Mitchell departs for Belfast, where it has fallen to him, the son of an Irish-American father and a Lebanese mother, to shepherd Northern Ireland’s notoriously bitter and volatile peace talks to an uncertain conclusion.
These three iconic crossings are connected by a series of remarkable women whose personal stories are caught up in the swells of history. Beginning with Irish housemaid Lily Duggan, who crosses paths with Frederick Douglass, the novel follows her daughter and granddaughter, Emily and Lottie, and culminates in the present-day story of Hannah Carson, in whom all the hopes and failures of previous generations live on. From the loughs of Ireland to the flatlands of Missouri and the windswept coast of Newfoundland, their journeys mirror the progress and shape of history. They each learn that even the most unassuming moments of grace have a way of rippling through time, space, and memory.
The most mature work yet from an incomparable storyteller, TransAtlantic is a profound meditation on identity and history in a wide world that grows somehow smaller and more wondrous with each passing year.
©2013 Colum McCann (P)2013 Random House Audio
"This novel is beautifully hypnotic in its movements, from the grand (between two continents, across three centuries) to the most subtle. Silkily threading together public events and private feelings, TransAtlantic says no to death with every line." (Emma Donoghue)
"A masterful and profoundly moving novel that employs exquisite language to explore the limits of language and the tricks of memory...epic in ambition...audacious in format." (Kirkus Reviews)
"A beautiful writer... This is what interests McCann: lives made amid and despite violence; the hidden braids of places, times, and people; the way the old days ‘arrive back in the oddest ways.’" (Publishers Weekly)
Say something about yourself!
Year's best book.
I fell in love with the marvelous word-craft of Colum McCann when I read AS THE GREAT WORLD TURNS. Like that award-winning book, the is a book with many threads, many nuances, many colors. All of it is glorious. What I love best about this story is the entrancing language. As I've told everyone I can get my hands on, I read this book in just two days because I couldn't wait to find out what happened next. But I shall read it again, starting today, this time at a more meditative pace, the better to immerse myself in the McCann's language, his pacing, his art. What a writer!!!
I do not recall hearing Geraldine Hughes prior to this book, but I will be researching her other narratives. She is absolutely spot-on, the BEST, the ONLY person they could have chosen for this book. Like a true pro, she embodies each character, both men and women, black, white, Irish, British, old and young, in such a way that I never once thought I was listening to a book--I was simply in it.
One of my favorite books ever, certainly among the best I've read so far in 2013. As far as laughing or crying, I listened to the final chapter while making dinner. As the last few paragraphs were coming up (and I didn't know they were the last), I found myself standing over the kitchen sink, tears running down my face. I felt grief-stricken, yet so imbued with love and gratitude for all the grace that life, in its terrors, does offer us. That's what Colum McCann can do to you.
As soon as the last word was read, I immediately back-tracked to listen to the last chapter again. Today, I am starting the book over from Chapter 1--and this time I'll take it slow, savoring every sinewy sentence that McCann has so beautifully created.
As I said above, read it once for the terrific tale. Read it again immediately after for the grand language, a truly marvelous effort from McCann.
Yeah...let me skip to the crux of it...JUST BUY IT!
Close your eyes and picture me smiling.
That is me after finishing this book. I was so very satisfied, pleased, happy. I think this book is fantastic.
McCann has perfect dialogs, be they set centuries earlier or two years ago. His books do demand that you pay close attention, but they deliver a message that is worth the reader's effort. He skillfully interweaves historical events into fiction. His characters come alive. Every single sentence has a purpose. His ability to put the reader in another time or place cannot be improved upon. I absolutely love his writing.
You may choose this book to learn about the Abolitionist Movement or Suffragist Movement or the Good Friday Accords or Transatlantic navigation or to understand how "there isn't a story in the world that isn't addressed to the past." What does that tell us in how we should live our own lives?
I listened to the audiobook narration by Geraldine Hughes. Me, I love the Irish dialect. Perfect.
I would probably recommend reading this book with your eyes, rather than listening to the audiobook.
Geraldine Hughes does have a beautiful voice for narration, but just didn't fit the demands of this book, in my opinion. She reads with a breathless urgency that kind of numbed me to variations in the suspense level. I found myself tuning out, then backtracking when I realized something dramatic had occurred. Hughes was in her element during the last segment of the book, however.(No spoilers here!)The story was very character-driven, which I usually enjoy. Again I blame the narration because I didn't get a sense of the various characters through Hughes's interpretation. The two pilots in the first section sounded like one guy, or maybe one woman with a lovely Irish accent.
One of the best books I've read this year. This is my first review ever and I am doing this for the first time because of the impact this book has had on me. I love how this book is about the characters' crossings back and forth between North America and Ireland and also how the characters' lives are interwoven within the context of actual historical events. It makes the characters seem all the more tangible -- as if they weren't already. McCann writes with such inventive use of metaphor I had to stop the audio every now and again just to absorb the words and the imagery they evoked. But this wasn't overdone -- thank goodness -- otherwise I'd still be listening to it!
Lottie's life seemed to span most of the book's 170+ years and linked together not only the beginning and end of the book but also both sides of the Atlantic. She captured just enough optimism to overcome some of the challenges experienced by her ancestors and her successors.
Her accent was just noticeable enough to feel authentic without encumbering the dialogue. She lent sensitivity to some of the more tragic and heartfelt moments in the book so that I felt the events without noticing the narration.
Many. That's what makes this such a great book. Whether its famine, slavery, the conflict in Northern Ireland, or the courage to cross the Atlantic in such a small plane. There are many such moments in this book that it makes you log onto Wikipedia just to get more information about these events.
Only if the friend has a high tolerance for unremitting depression
Vignettes of history. I really liked the portion of the peace negotiations.
She is a fine narrator
I read from the beginning to Chapter 7 and quit. I could not take ne more death of a child. The thought of the Irish immigrant woman losing so much finished me with the book.
The author is talented and I loved his first book. This one ground my heart. Read only if you are strong.
TransAtlantic takes you by the hand and leads you through history. Simple lives, likes all of us have, are laid out before us, complete with the connection to the lives that came before them. You get pulled in by a great story teller! A completely enjoyable novel!
The final sentence wraps up everything that has been told in this story and brings a smile to your face.
Geraldine Hughes has a lovely voice. She did a fantastic job on this one.
It is very rare for me to want to stop mid way through a story and even consider returning the book. I plodded through this wondering what all the fuss was about.
The story itself was disjointed and the characters thinly developed. The women of the story would have made for a more captivating take in the right hands. Unfortunately each of the women's lives were sketchily outlined. A short passage about George Mitchell, the senator who brokered the peace plan between England and Ireland was totally out of place and did nothing except connect the women.
Maybe I am not interested enough in Ireland to be compelled by this tale. But this book did nothing to spike my interest.
Connect his characters tHat the reader is in awe.
Be ready for some research to fully appreciate the fine weaving, the marvelous characters, the historic figures and events. Do keep a dictionary nearby for this author's range of words. Beautifully read with a natural Irish accent, lyrical, gentle, strong. Wonderful book for discussion of Story.
Yes, I do plan to read Let the Great World Spin
Not sure I would listen again. That could have been why it seemed so disjointed.
Loved the story about Senator Mitchell.
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