From the New York Times best-selling author of The Emperor's Children, a brilliant new novel: the riveting confession of a woman awakened, transformed, and betrayed by passion and desire for a world beyond her own.
Nora Eldridge, a 37-year-old elementary school teacher in Cambridge, Massachusetts, who long ago abandoned her ambition to be a successful artist, has become the "woman upstairs", a reliable friend and tidy neighbor always on the fringe of others' achievements. Then into her classroom walks Reza Shahid, a child who enchants as if from a fairy tale. He and his parents - dashing Skandar, a Lebanese scholar and professor at the École Normale Supérleure; and Sirena, an effortlessly glamorous Italian artist - have come to Boston for Skandar to take up a fellowship at Harvard. When Reza is attacked by schoolyard bullies who call him a "terrorist" Nora is drawn into the complex world of the Shahid family: She finds herself falling in love with them, separately and together. Nora's happiness explodes her boundaries, until Sirena's careless ambition leads to a shattering betrayal. Told with urgency, intimacy, and piercing emotion, this story of obsession and artistic fulfillment explores the thrill - and the devastating cost - of giving in to one's passions.
©2013 Claire Messud (P)2013 Random House Audio
i like to read. i like to listen.
this book was amazing, freaky, scary, frustrating and totally totally F'ed up.
this is a story of obsession and insanity, yes. but it's also a story of friendship and love, unhealthy love. of dependence and self loathing. of how decisions can stunt and haunt someone. it's a story of race and intolerance. it's a story of art and literature and beauty and freedom.
nora, a teacher in cambridge, is psycho. i mean...seriously. she becomes obsessed with a family -- not as a family -- but as three separate units. she's in love with all three of them, mother, father, son -- in unhealthy and insane ways.i truly do think that nora is clinically psychotic. but god, what a fascinating narrator she makes for this story. so...i will say without any doubts, i did not like nora. i think for all she pats herself on the back for being such a great person, friend, woman, teacher...she's really kind of an asshole. but i guess it all goes back to the fact that shes INSANE. and so, as unlikeable as i find her, i couldn't stop reading her story. of course in a book like this, i know upfront that i cannot trust her as a narrator and so i found myself doubting everything she said. at times, she even said as much...that she was telling these events as SHE perceived them...maybe not how they actually occurred. but how well Claire Messud wrote her perceptions....it's amazing. i reveled in hearing each moment she spent with the three members of the Shahid family (reza, sirena and skandar). i was excited for every new development that progressed in each string of the story...and how they all wove and intertwined with each other.
i've listened to a few books read by Cassandra Campbell in the past. i'm the first to admit that she is not usually my favorite narrator. there is something about her that irks me. and in this book -- that only lent itself to making her voicing nora's insanity strong and true. it sounds strange, but the fact that i don't love her narration worked for me in this story -- because i didn't like nora either.
i was on the edge of my seat this entire book, waiting for the other shoe to drop...and was horrified and amazed when it did.
I loved this book! Messud writes about themes that many people, especially women, can relate to: the female artist who sublimates her art for a mundane life and career, the middle age woman who feels invisible, the envy and longing for an exciting life and a feeling of belonging, the loneliness that can plague a single woman. Her protagonist, Nora, deals with all these issues. In many reviews I’ve read, the book has been criticized because of Nora’s passivity, her negativity, her poor choices in life, and her unreliability as a narrator. Although I agree that these things do describe Nora, they actually are the reasons that I loved the book. Why should Massud write about a “perfect” character? It’s Nora’s flaws that make for an interesting plot development.
Others have criticized the book for not having much of a plot. I totally disagree here, too. The plot is her developing relationship with the Shahid family and the build up of tension about an event to which Nora has alluded to in the beginning that will eventually bring that relationship to a crashing halt. I was mesmerized and could hardly put the book down until I read about the event and finished the book. “The event” is mind-blowing, and it makes the reader re-think all that has come before in light of it.
I found the idea of using Nora’s best friend, Didi, as a foil to be interesting. It is Didi who lets the reader know, if we were in doubt, how far off the mark Nora has gone in her life. As Nora checks in with her periodically, it is Didi who tries to put her back on track. This goes on several times until Nora decides not to confide in Didi any more. This is when we know that Nora has gone “off the grid”, at least emotionally, in terms of a rational response to the Shahids. That’s when it gets really interesting. There’s a lot to talk about in this book!!
I read reviews of this book exclaiming what a powerful exploration of female anger it was. At the end of this book I think I was only marginally less angry than Nora the lead character. If you want to waste 11 hours and 1 minute of your life listening to endless descriptive passages about self obsessed, nacissistic, whining, whinging characters then this is the book for you. If you come across enough unlikeable people in your real life to keep you going and dont need to fill your spare time with even more then i suggest you dont purchase this title. This would have made a good short story but 11 hours!!....i might ask audible to refund my credit, too bad they cant refund my time.
Mother, knitter, reader, lifelong learner, technical writer, former library assistant & hematologist.
If you're interested in a book with unlikeable, unreliable characters, hints of possible drama, obsession, and betrayal, melancholy and whining, endless run-on narrative from the main character, a plot that bogs down completely, and a rushed ending, then have I got the book for you! I decided to read The Woman Upstairs after hearing an interview with Claire Messud on NPR; the book was touted as a "saga of anger and thwarted ambition". While there was plenty of anger, I couldn't find the ambition part. Unmarried, childless, elementary school teacher Nora Eldridge thinks, “It was supposed to say ‘Great Artist’ on my tombstone, but if I died right now it would say ‘such a good teacher/daughter/friend’ instead.” She becomes infatuated with the whole Shahid family, and because of this association she resumes some of her own artistic endeavors, only to let them get crowded out due to her obsession.
There is a possibility that I didn't 'get' this book because I'm not terribly sophisticated and don't understand "Great Artists', but it seems to me that adjusting our aspirations is something every single one of us has to deal with as we grow older. I hope I'm dealing with it in a more mature, productive, and reasonable way than the deluded and angry Nora.
I would maybe try another book from this narrator in ten years or so. This felt like a writing program thesis project rather than a work from the soul. It reminded me a bit of Ian McEwan and not in a good way. I would emphatically avoid another book from this narrator because her delivery is painfully slow and deliberate and annoying. I found myself trying to think what would make a person linger so long on the last letter of every word instead of listening to the story.
I like well written fiction, a good story that keeps me guessing and well developed characters.
The story seemed to be going somewhere but **SPOILER ALERT** the protagonist ends up feeling used and discarded by her more talented "friend". It was disappointing because, with all the navel gazing, it was kind of what the reader suspects from the get go.
I read and listen to a lot of books but I rarely write reviews because taste is so subjective. I like narrater Cassandra Campbell but not for this novel. I picture a harder charactor with a harsher attitude. It comes off as a Hallmark movie of the week and I think it was meant to be deeper. More like Sundance Channel after hours.
Say something about yourself!
Oh my gosh... book was good, but I wanted to shake her. She just just never took control of her own happiness. If it happened to her, she was grateful, but she missed out on so much because she wouldn't go for what she wanted. And honestly, I'm not sure what she wanted. The point of the story was that she didn't KNOW what she wanted. I get that - I suffer from it - but it was frustrating to listen to it.
You know how you can look at other people's lives and think, "I know what you need... you should do x...", but you don't know what you need for your own life? That's this book in a nutshell.
Eleven hours of absolute drivel. Yes...I liked the narrater and Im confident that the author is probably a good writer but this book did ABSOLUTELY NOTHING FOR ME.
The characters did nothing for me...they were boring, and, it took eleven hours to get to the ridiculous twist at the end...which still had no real ending.
I almost feel angry that it wasted so much of my time that could have been spent on a book with a decent story.
Inferno, Dan Brown
Don't waste your credit. Cassandra Campbell is an excellent reader. She gives wonderful voice to the characters. The story itself is more than disappointing. Nora is unlikeable and vacuous. I kept waiting for something to give some point and meaning to the story but like the rest of the book, the ending was pointless and disappointing.
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