Japan's most highly regarded novelist now vaults into the first ranks of international fiction writers with this heroically imaginative novel, which is at once a detective story, an account of a disintegrating marriage, and an excavation of the buried secrets of World War II.
In a Tokyo suburb a young man named Toru Okada searches for his wife's missing cat.... Soon he finds himself looking for his wife as well in a netherworld that lies beneath the placid surface of Tokyo.
As these searches intersect, Okada encounters a bizarre group of allies and antagonists: a psychic prostitute; a malevolent yet mediagenic politician; a cheerfully morbid 16-year-old-girl; and an aging war veteran who has been permanently changed by the hideous things he witnessed during Japan's forgotten campaign in Manchuria.
Gripping, prophetic, suffused with comedy and menace, The Wind-Up Bird Chronicle is a tour de force equal in scope to the masterpieces of Mishima and Pynchon.
©1997 Haruki Murakami (P)2013 Random House Audio
"Dreamlike and compelling.... Murakami is a genius." (Chicago Tribune)
Murakami's wonderfully delicate, mysterious and absorbing novel is terribly marred by the narration here; Degas renders the main character unpleasantly arch and snarky initially and seems to be struggling without success to find the right voice for him throughout; children and teens have voices like obnoxious TV cartoon characters, and both female and children's voices are indicated by a very rapid, jerky, breathy, oddly pitched delivery that's just all wrong and actually jarring. The tone throughout is much too theatrical and feverish for the quiet deeps, wry humor and reflective unfolding of this tale.I loved reading this book - Murakami's stories never seem abstract and 'experimental' in the off-putting way at all and I can never put them down. Other narrators have done Murakami really, really well (1Q84, with multiple readers, is terrific, as is Kafka By the Shore with Sean Barrett and Oliver Le Sueur ). Degas just never gets the mood of the work right, to my mind.
I'm a Murakawa fan; would just add to the many reviews of his work something that's often not mentioned - not only are they deeply beautiful, his novels are really fun to read. I think he's often made out to be less accessible than he is; newcomers should just relax and flow along with the narrative and not be too worried about assembling things - just kick back and enjoy the ride. Even with a poor narrator it's a dandy.
No indeed. I'm really not such a hard critic of audiobook performances and appreciate many readers deeply, but a good reader needs to understand and respect his characters and not deliver caricatures.
I didn't closely follow the outline suggested here (seriously?), but would say that this is a tremendous tale, difficult to put down for those who like Murakami's work, and widely reviewed elsewhere; I only wanted to warn readers that they might be unfairly put off this author by the disappointing performance here.
A part-time buffoon and ersatz scholar specializing in BS, pedantry, schmaltz and cultural coprophagia.
A weird metaphysical (I KNOW it is a bit redundant to start off ANY review of Murakami by dressing it up in adjectives like weird & metaphysical) novel. I remember wanting to buy this book back in 2007, but I was poor and just about to get married and it seemed like my limited money would be better spent on bread and cheese. Now I own three (four if you count audible), but I still wish I bought it. I still regret NOT buying it. Not necessarily because I wish I had read it earlier. I think I'm reading Wind-Up Bird Chronicle at exactly the right point for me, but just because I would have liked to carry that book with me like some form of lucky talisman during the last 17 years (kinda like what I did with Infinite Jest). And it is more than that ... I actually remember in my brain THE book. Displayed with the bird eye out against a support beam in the bookstore. I regret not buying THAT book.
I've now read about all of Murakami. Well not quite. I still have to read: 1Q84, Sputnik Sweetheart, Underground: The Tokyo Gas Attack and the Japanese Psyche, Hear the Wind Sing & Pinball, 1973. That's it. After THAT I'm done. Anyway, my point is even after reading 11 or more previous Murakami novels I still exit W-BC a bit uncertain.
I liked it a lot and think it is an important novel and worth the listen/read, but it just seemed a bit too untidy or ambiguous. I KNOW. The novel is built on ambiguity, uncertainty, evil, weird coincidences, funky time, projections, reflections, shadows. My only criticism is that sometimes the shadows seemed to cover the reflections (metaphorically speaking). Sometimes, I read a page and was left with not just a WTF moment, but exhausted from not knowing WHY it twas a WTF moment. Anyway, there still is no escaping that the novel is huge, creepy, cool, and feels like David Lynch should make the movie (complete with midgets and nymphets). For me it was a 21st century novel written in the last decade of the 20th century, reflecting on the evils and history of the past and present Japan.
This is my second try at this story. I started the printed version and it just couldn't hold me. I thought the audio version might keep my attention better, but it didn't. The threads in the book were interesting and I wanted to know where they were all going, but I just couldn't get through the work to find out.
The lieutenant's story - the author is wonderful in describing anywhere outside of Japan
he didn't cheat. An honest performance
err - the skinner? Ugh
this is a whole new world that you can immerse yourself in. Avoid if you are squeamish.
I don't always like highly dramatic readings, but this book is enhanced the narrator, Degas. The writing is original, talented, imaginative, sexy. Sometimes uneven, sometimes amateurish, a tiny bit repetitive.
It's probably a guy novel. Male protagonist, plenty of sex, war, amazingly polite Japanese women.
I was led to Murakami by a beautiful song by Made in Heights. The song is so amazing that I will probably read another Murakami. He is pretty hip, lighthearted, mystical and palatable. Can't imagine him becoming my favorite author, but that is not necessary. The books are reasonably fun.
Degas fills the performance with a ton of personality. Some may wish to imagine the characters by themselves, but I was not that precious about it. It's a long story with a somewhat plodding sometimes stretched plot that is rendered much more enjoyable and interesting by the narrator.
There are many movies in this book.
OK< so I have to rave a bit about an actor. Rupert Degas was the reader of an audiobook I just finished listening to (thanks Liam O'Malley), "The Wind-Up Bird Chronicle" by Haruki Murakami. The book was quite good - but Rupert Degas was UNBELIEVABLE as the many voices. His vocalizations of six different women and about four or five men were distinct, believable, full characterizations with tonal, phrasing, pitch, and vocal placement differences that were both subtle and delightful. I've never heard anything so masterfully done. Unbelievable. Just amazing. And then I found out he was the voices of many of the Thomas the Tank Engine characters! And Bob the Builder! And if you look at his wikipedia listing of video games he's contributed to you'll be floored. I have a new hero.
Many of the performer's voices were distractingly awful. His voice for May sounds exactly like a man doing a comedic impression of an annoying teenage girl for a broad comedy, his voice for Ushikara is a bad villain stereotype from a low budget Hanna Barbera cartoon, and he insists on reading the 'news story' chapters using a poor imitation of a classic newsreel narrator. The only thing that kept me listening was the wonderful writing of Murakami itself, which deserves the respect of a competent vocal actor.
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