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The Son
- Narrated by: Will Patton, Kate Mulgrew, Scott Shepherd, Clifton Collins Jr.
- Length: 17 hrs and 48 mins
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Publisher's summary
Audie Award Finalist, Literary Fiction, 2014
Soon to be a TV Series on AMC starring Pierce Brosnan and co-written by Philipp Meyer.
The critically acclaimed, New York Times bestselling epic, a saga of land, blood, and power that follows the rise of one unforgettable Texas family from the Comanche raids of the 1800s to the oil booms of the 20th century.
Part epic of Texas, part classic coming-of-age story, part unflinching examination of the bloody price of power, The Son is a gripping and utterly transporting novel that maps the legacy of violence in the American west with rare emotional acuity, even as it presents an intimate portrait of one family across two centuries.
Eli McCullough is just twelve-years-old when a marauding band of Comanche storm his Texas homestead and brutally murder his mother and sister, taking him as a captive. Despite their torture and cruelty, Eli—against all odds—adapts to life with the Comanche, learning their ways, their language, taking on a new name, finding a place as the adopted son of the chief of the band, and fighting their wars against not only other Indians, but white men, too-complicating his sense of loyalty, his promised vengeance, and his very understanding of self. But when disease, starvation, and westward expansion finally decimate the Comanche, Eli is left alone in a world in which he belongs nowhere, neither white nor Indian, civilized or fully wild.
Deftly interweaving Eli's story with those of his son, Peter, and his great-granddaughter, JA, The Son deftly explores the legacy of Eli's ruthlessness, his drive to power, and his life-long status as an outsider, even as the McCullough family rises to become one of the richest in Texas, a ranching-and-oil dynasty of unsurpassed wealth and privilege.
Harrowing, panoramic, and deeply evocative, The Son is a fully realized masterwork in the greatest tradition of the American canon-an unforgettable novel that combines the narrative prowess of Larry McMurtry with the knife edge sharpness of Cormac McCarthy.
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God's Middle Finger
- Into the Lawless Heart of the Sierra Madre
- By: Richard Grant
- Narrated by: Gildart Jackson
- Length: 10 hrs and 54 mins
- Unabridged
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The rules of law and society have never taken hold in the Sierra Madre, which is home to bandits, drug smugglers, cave-dwelling Tarahumara Indians, opium farmers, and other assorted outcasts. Outsiders are not welcome; drugs are the primary source of income; murder is all but a regional pastime. Fifteen years ago, journalist Richard Grant developed what he calls "an unfortunate fascination" with this lawless place. Locals warned that he would meet his death there, but he didn't believe them - until his last trip.
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Wrong reader
- By Phikeia on 01-05-22
By: Richard Grant
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The Hearts of Horses
- A Novel
- By: Molly Gloss
- Narrated by: Renée Raudman
- Length: 9 hrs and 23 mins
- Unabridged
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The irresistible tale of 19-year-old Martha Lessen, a female horse whisperer trying to make a go of it in a man's world. It was thought that the only way to break a horse was to buck the wild out of it, and broken ribs and tough falls just went with the job. But over several long, hard winter months, many of the townsfolk in this remote county of eastern Oregon witness Martha's way of talking in low, sweet tones to horses believed beyond repair---and getting miraculous, almost immediate results.
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Simple, Honest, Wonderful
- By Julie W. Capell on 11-08-09
By: Molly Gloss
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Varina
- A Novel
- By: Charles Frazier
- Narrated by: Molly Parker
- Length: 12 hrs and 7 mins
- Unabridged
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With her marriage prospects limited, teenage Varina Howell agrees to wed the much-older widower Jefferson Davis, with whom she expects a life of security as a landowner. He instead pursues a career in politics and is eventually appointed president of the Confederacy, placing Varina at the white-hot center of one of the darkest moments in American history - culpable regardless of her intentions. The Confederacy falling, her marriage in tatters, and the country divided, Varina and her children escape Richmond and travel south on their own, now fugitives.
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Read it rather than listen
- By Anonymous on 08-31-18
By: Charles Frazier
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The Known World
- By: Edward P. Jones
- Narrated by: Kevin Free
- Length: 14 hrs and 18 mins
- Unabridged
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Henry Townsend, a black farmer, bootmaker, and former slave, has a fondness for Paradise Lost and an unusual mentor, William Robbins, perhaps the most powerful white man in antebellum Virginia's Manchester County. Under Robbins's tutelage, Henry becomes proprietor of his own plantation, as well as of his own slaves. When he dies, his widow Caldonia succumbs to profound grief, and things begin to fall apart.
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A meandering audiobook...
- By Daniel on 09-03-04
By: Edward P. Jones
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Far as the Eye Can See
- By: Robert Bausch
- Narrated by: Joel Richards
- Length: 11 hrs and 21 mins
- Unabridged
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Bobby Hale is a Union veteran several times over. After the war, he sets his sights on California, but only makes it to Montana. As he stumbles around the West, from the Wyoming Territory to the Black Hills of the Dakotas, he finds meaning in the people he meets - settlers and native people - and the violent history he both participates in and witnesses.
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Engaging story
- By JLH on 03-03-24
By: Robert Bausch
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Hard Gold (I Witness)
- The Colorado Gold Rush of 1859: A Tale of the Old West
- By: Avi
- Narrated by: Alston Brown
- Length: 3 hrs and 59 mins
- Unabridged
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Early Whitcomb's family needs a miracle. Their Iowa farm has been in the family for generations, but a long drought has withered their savings and left them in debt - and in danger of foreclosure. Early's uncle, Jesse, thinks he has the solution: to head West and dig for gold. Fueled by reports of prospectors striking it rich in the Rocky Mountains, Jesse can't think about anything but gold. Early is wild to go with him, as much for the adventure as for the gold. But the journey costs money - more than the boys can afford....
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great story
- By Uki Dominque Lucas on 04-09-19
By: Avi
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Far North
- A Novel
- By: Marcel Theroux
- Narrated by: Yelena Schmulenson
- Length: 8 hrs and 39 mins
- Unabridged
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Story
My father had an expression for a thing that turned out bad. He'd say it had gone west. But going west always sounded pretty good to me. After all, westwards is the path of the sun. And through as much history as I know of, people have moved west to settle and find freedom. But our world had gone north, truly gone north, and just how far north I was beginning to learn.
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Spellbinding!
- By Joan on 01-14-10
By: Marcel Theroux
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Mrs. Mike
- By: Benedict Freedman, Nancy Freedman
- Narrated by: Kirsten Potter
- Length: 11 hrs and 30 mins
- Unabridged
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A moving love story set in the Canadian wilderness, Mrs. Mike is a classic tale that has enchanted millions of readers worldwide. It brings the fierce, stunning landscape of Canada to life and tenderly evokes the love that blossoms between Sergeant Mike Flannigan and beautiful young Katherine Mary O'Fallon.
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How could I have missed this all these years?
- By Dale C. Farran on 01-30-10
By: Benedict Freedman, and others
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Way of the Wolf
- The Vampire Earth, Book 1
- By: E. E. Knight
- Narrated by: Christian Rummel, E. E. Knight (Introduction)
- Length: 11 hrs and 42 mins
- Unabridged
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Overall
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Performance
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Story
Louisiana, 2065. A lot has changed in the 43rd year of the Kurian Order. Possessed of an unnatural and legendary hunger, the bloodthirsty Reapers have come to Earth to establish a New Order built on the harvesting of enslaved human souls. They rule the planet. They thrive on the scent of fear. And if it is night, as sure as darkness, they will come.
On this pitiless world, the indomitable spirit of mankind still breathes in Lieutenant David Valentine.
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Its what you expect, and thats not a bad thing.
- By Kevin McLaughlin on 11-26-08
By: E. E. Knight
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Crockett of Tennessee
- A Novel Based on the Life and Times of David Crockett
- By: Cameron Judd
- Narrated by: Allan Robertson
- Length: 17 hrs and 10 mins
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From humble beginnings in rural Tennessee to his heroic death defending the Alamo, frontiersman, adventurer, and politician David Davy Crockett embodies the spirit and ideals of the national character. Even during his lifetime, tales of the sharpshooting, skilled woodsman were - to his delight - told, retold, and elaborated on. As a US congressman, the former Creek War militiaman steadfastly opposed President Andrew Jackson's Indian Removal Act.
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I highly recommend
- By That Man They Call Shad on 05-05-21
By: Cameron Judd
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Night Hawk
- By: Beverly Jenkins
- Narrated by: Kevin R. Free
- Length: 9 hrs and 6 mins
- Unabridged
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Overall
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Story
Award-winning and best-selling author Beverly Jenkins delivers another satisfying and deeply emotional historical romance set during the Revolutionary War. Jenkins continues to win readers with her adventurous tales - where love and high stakes go hand in hand.
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Night Hawk’s Voice
- By Sam Knapper on 11-13-18
By: Beverly Jenkins
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What listeners say about The Son
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Mel
- 06-04-13
Five Stars for the Lone Star, The Son, & Meyer
Thud! Hear that? It's the sound of a book hitting the floor from the top shelf because one of those previous 100 Best Books is hitting the ground to make room for The Son. This is The One that you wait for, hope for, and love every minute you spend reading or listening.
Meyer's new novel has already earned comparisons to the works of Cormac McCarthy (Blood Meridian), Larry McMurtry (Lonesome Dove), James Michener (Texas), and Edna Ferber (Giant)--and justly so, as one of the most entertaining novels of the American West ever written, and probably the book to bet on as the biggest blockbuster since The Help. Spanning four generations of Texans--from the first man born into the Republic of Texas in 1836, the grand patriarch Col. Eli McCullough, to the death of his great granddaughter/oil baron, Jeannie McCullough in 2012.
Meyer is an exciting, fresh-voiced author with an historian's flair. He layers this family saga with the colorful mythopoeic history of our unique American West, painting a rugged land, fought for, and inhabited by the white man, the Indian tribes, and the Mexican people. The land itself seems a part of these people, running through their veins like the blood they shed to claim a piece of the frontier. Three family members narrate the story of the Texas McCulloughs:
Eli narrates the frontier years, beginning as a young boy kidnapped during a violent Comanche raid where he witnesses the brutal murder of his mother, sister, and brother. Eli is taken and raised as a Comanche. Instinctually, he fights to survive among what history calls the most savage tribe of Indians. When finally returned to the white society, he has embraced the Comanche so completely that he rejects the life of his childhood, and is seen as an outcast, a *white Comanche*, "either hero or sociopath." In his voice the book is alive and vivid--his young observations of a foreign harsh world so achingly raw and interesting that this time alone would have been a captivating book.
Peter McCullough, the son and resentful heir to the cattle and land fortune amassed by his father Eli, is the conscience of the book--the tender hearted, tragic love-struck narrator, traumatized by a brutal raid against a neighboring Mexican ranching family, initiated by his father and his Vaqueros under the guise of recapturing stolen livestock. Peter is disgusted by his father's legacy, trapped by his role, and stuck in a loveless marriage.
Jeanne Anne is the gutsy great granddaughter of Eli, born in 1926--a tough oil baroness with the hide of an armadillo, that must fight to be accepted in a *man's business*. Meyer gives her a strong and authentic presence, and captures her inner-battles of carrying on the family legacy and raising her own family. The three narrations wind in and out of each other with an unhindered clear progression that moves the saga along effortlessly, until the mighty family trickles to just a stream.
The evolution is bloody and brutal. Meyer relates the unsparing events detached from emotion, offsetting the horrific deeds with the instinct for survival - and the need for prosperity...the path of all histories. The violence is also set against the backdrop of the natural beauty of the American West - the rugged and unforgiving landscape, the choreography in the hunting of buffalo, raising cattle, excavating for oil, It is the process of birth in nature and life and seems organic. With these filters, the violence is authentic to the history and never grabbed me as gratuitous or manipulative. You listen with a strange sense of acceptance. (I wasn't aware that some of our *current slang* ain't so current.)
You hear a rattle and a native drumbeat, joined by a strumming guitar and the chords of a melancholy harmonica--and finally the smoky twang of Will Patton's voice hits your ears. It's all like the thrill of hearing the swelling surround-sound envelop you at a theatre...there's an excitement already to this one, promising an adventure that is delivered with perfection. A powerful, raw story, from an author destined to be known and a book that won't be forgotten. The Son kept me spellbound and left me looking back, yearning for more of this journey across Texas through the years.
*This is already so long, but I thought the interview with Meyer featured on Amazon was worth mentioning. His research process and commitment were very interesting.
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206 people found this helpful
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- Darwin8u
- 06-16-13
The blood that ran through history
First, I need to thank (@Melinda) for recommending this novel. I read American Rust a couple years ago and loved it, but might have missed this nearly perfect novel if I hadn't stumbled onto Melinda's fantastic review and been gently prodded by her into reading it.
There are certain rare novels that brilliantly capture the art, heart, and action of both American fiction and history. 'The Son' is one of those historical novels that can absolutely propel the reader. Its narrative strength, however, is equaled by its artistry and its multi-generational, multi-narrative, epic arc. 'The Son' captures the tension between land and people; the contest between people and people; the struggle between fathers and sons. 'The Son,' is the history of Texas and the West told through three generations of Texans: Eli McCullough (born 1836: the year Texas became a Republic/thesis), his son Peter (born 1870/antithesis) and Peter's granddaughter Jeanne Anne (born 1926/synthesis).
This is a novel that is a pure descendant of Melville, Faulkner, Cather and McCarthy. These authors set the stage that allowed Meyer to carve an epic novel out of the rich soil of the Earth and to shoot another Western myth into the the innumerable stars in the sky.
I'm usually not a fan of multiple narrators for a book, but 'The Son' was well served by four strong narrators (lead by Will Patton).
I really can't recommend this book enough. One of my favorite books/novels/audiobooks of the last several years. Seriously, if you have one credit left in your cache, I would recommend using it RIGHT now to buy rights to this novel. You won't regret it, but your children may--eventually.
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- B.J.
- 06-11-13
Ambitious, haunting and harsh. And brilliant.
This is one of those books that's alive while you're listening and stays with you long after you're done. There's an element of brutality that's difficult to hear. Yet, it makes people who they are and so is a part of the whole thing just as much as the landscape.
This book helps you understand the Texas mindset and how it has impacted politics, business and society. Clearly, some of the big political personalities we've seen come out of Texas in the past century were a product of it. (LBJ, anyone?) The racial tensions that burn today are deeply rooted in the past.
I have a personal bias against books that continue to jump back and forth through characters and time frames. I find it jarring. This book is right on the ragged edge of doing that poorly. The thing that saves it from disaster is Will Patton. I looked forward to hearing him again and so didn't mind when a section ended and he began again.
This is an important book just from the perspective of understanding a part of history that's been overlooked. If you can handle the violence, you'll be rewarded with one of the best listens of the year.
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- Jim "The Impatient"
- 04-04-16
I WOULD SAY YOU SHOOT LIKE A WOMAN, BUT
THAT WOULD NOT BE FAIR TO THE WOMEN.
It has been a long time since I have been so engrossed in a novel. This is the type of book, when listening you occasionally come to reality and have to determine where your at and what your doing. This book is why I suffer so many inferior writings. So well written, you don't listen to it, you live it.
Horror
I read a lot of horror novels, but this is in parts more horrific than any made up horror involving made up characters. There is torture and rape, but what makes it so horrific, is you know these things actually happened to real people. I am amazed at the way humans treat humans, because of skin color, culture or religion. This is an eye opener and some may decided they rather keep their heads buried in the sand.
SHE WAS EITHER SOFT HEADED OR A QUAKER
The story is told through the eyes of four people. Most people will love the adventures of Eli McCullough, the patriarch of the novel. Those reviewers who did not give this five stars, were disappointed in the other characters. Paul McCullough is a weak liberal whose story takes place mostly in the 19teens. Jeanne Anne McCullough is a strong woman whose story starts in the 1940's and continues through the 80's. None of the characters are heroes, or politically correct. All the characters have faults, like real people. John Wayne would approve of Eli, but not the rest.
YOU CAN SPOT A FORD DRIVER BY THE CAST ON HIS ARM
The narrators are more than excellent, the cream of the crop. Will Patton and Kate Mulgrew were already two of my favorites. The other two are also great.
I'M A HICK WITH AN ART COLLECTION.
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- DaWoolf
- 01-03-14
Blows you away!
Any additional comments?
Phillipp Meyer’s “The Son” is a gritty and intense novel that I fully enjoyed. The Son is always moving forward at a pace that easy to follow and leads to strong character development. The Son is historical fiction, where the reader/listener is exposed to the domestication of Texas by the United States by following three generations of a family from late 1800s to the 1980s. The three family stories switch at the conclusion of each chapter, allowing the reader to directly evaluate the impact of distant events on future behavior.
Word to the wise; The Son this is not for the faint of heart. Myers provides detailed scenes of torture, rape, kidnapping, and murder. However, these explicit elements are the keys that make the novel effective and powerful. If you are looking for a traditional Texas Cowboys versus American Indians stories, look elsewhere. The Son is full of real characters replete with dubious intentions, faulty assumptions, prejudice, and self-serving motivations. The Son is ultimately a tale of personal survival through the destruction of others.
In my opinion, the best parts of The Son occur through the expert description of the culture of the Comanche American Indian. The Comanche way of life, hunting/gathering skills, mating rituals, and family upbringing are exquisitely described. Learning the hunting rituals of the Comanche is reason enough to purchase this audio book. Overall, I would strongly recommend The Son as a highly engaging book for anyone who understands there are no heroes or pure villains when you analyze historical events. The Son is ultimately about perspective.
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- An Alexandria music lover
- 07-04-13
Three stories, one compelling and two less so
I suppose the word "sweeping" was first applied to fiction to cover novels of this kind--ones that tell a single family's history over a period of roughly 170 years. The author tells the story through the consciousness of three characters. The periods covered are of uneven interest, and the narrative alternates between the stories of the three main characters. The advantage of this strategy from the point of view of readers is that we only have to listen to the less interesting stories for 10 - 30 minutes at a time. We know that a more interesting character and more interesting story will be along soon.
The most arresting story is certainly the one covering the earliest years. The character is interesting, and his story is both horrifying and at times lyrical. He has fascinating reactions to the major events of 19th century Texas history, including ones in which he plays a minor--though often shocking--role. The early 20th century history is less interesting, though told from the perspective of a somewhat interesting, guilt-ridden protagonist, one who is not well suited to his tumultuous times or the manly role that he is expected to fill.
I suspect the author got bored telling the story of his last main character, a wealthy woman who is not persuasively characterized and whose life story is sketchily rendered. That's o.k. Most of the characters whose lives intersect with hers are not all that interesting anyway (except the 19th century founder of her family's fortune, i.e., the first main character in the book). Unfortunately, that character dies when she's a child.
Will Patton is a first-rate narrator; the other three are less distinctive. Will Patton has the advantage that he is presenting the most interesting story in the book--that of the first, 19th-century character. My feeling is that his story is compelling enough to see most readers through the entire novel. On the whole this is a satisfying and in some ways memorable read. From what I have read of Comanche folkways and history, the part of the story touching on Indians and Indian-Anglo interactions is accurate and unusually sympathetic to the perspective of Comanches.
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- Janice
- 08-03-14
Morally bankrupt dynasty
“There were people who ate the earth and those that stood around and watched them do it.”
So said Lillian Hellman in “The Little Foxes”, and the quote is apt for the McCullough dynasty in “The Son”. For all of its ambition to present a sweeping epic of Texas history through the eyes of three generational representatives, these three characters came across as soulless and selfish, with no clear motivations for their lives, simply grasping for what they could acquire no matter the cost or who had to pay it – generally the Mexicans and other family members.
Eli’s story is admittedly the most colorful, with his abduction by the Comanches, his life with them, and afterwards in the Texas Rangers and the Confederate Army. But none of it ever felt as adventurous as expected. Much of it was just gruesome and murderous, but quite emotionless, even for the victims. The ease with which he changed allegiances, killing without conscience the enemy of the moment, spoke of a man with no soul or direction. Love was just as empty, expressed almost exclusively in sophomoric sexual terms (and too often with barnyard vocabulary).
Peter (Eli’s son) and Jeannie (Eli’s great granddaughter) each eventually inherit to various degrees the empire, but exist only through the prism of Eli’s life – Peter hating him and Jeannie mythologizing him. Neither ever feel adequate with themselves, so they are weak and inadequate characters, and I found them essentially sterile. Lacking heartfelt emotions, I felt nothing for them. All background characters were just that: background and generally one-dimensional, too often stereotyped.
Narration – 2/3’s good. Patton and Shepherd did well with Eli and Peter. Kate Mulgrew to my ears was grating and rough, trying too hard to portray a tough Texas gal, which just came across as a whiskey roughened broad, often indistinguishable from the male voices.
I know this is a dissenting vote – most reviewers loved the book. I felt it was cynical and spoke to the futility of life spent only on building dynasties and not relationships. I'll give it three stars for ambition and many of the well written passages, but I found little inspiring or uplifting to recommend it.
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- antoine
- 07-11-15
Ambitious and powerful, but ultimately disappointi
There are two different layers that are key to understand and appreciate this book .
First there is the individual story told by, a chapter at a time, three members of the McCulloughs family. They are Eli (the colonel) 1836 - 1936; his son Peter (born 1870); Peter's granddaughter Jeannie (born 1926). The second layer –and the very strong background to the individual narratives- is the big picture of Texas , its mindset , lifestyle , business and society. The book is ambitious and powerful in its language and striking by its atmosphere, but left me uninvolved and a bit disappointed.
The book is chopped up mercilessly into the three life stories of which only the first one (that deals with young Eli growing up as Indian captive and then –back to “civilization”(?)- ranching and building an empire) is very interesting and moving, particularly when describes the life in the Comanche village. The other two main characters are far less engaging: Peter is depressed, self-absorbed and unwilling to stand up to his father, while Jeannie is the kind of person incapable to generate any sort of empathy (readers included).
I guess the message of the book is everyone who has ever "owned" the land stole it from whoever has it last. This is ok, but did it need to take 18 hours –and little fun- to say it ?
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- Shauna
- 06-30-13
The Son: McCulloughs, Cattle and Comanches
This is an epic story of Eli McCullough who is captured and lives three years with Comanches. It explores five generations of the McCullough family as well as several layers Texas culture from the Apaches and Comanches, to the Mexicans (aka Tejanos), to the White men and Vaqueros and back to the Apaches. Any romantic views you have about the men of these tribes will disappear quickly. I liked the characters as individuals but hated what they did to each other. The book is bloody and brutal but you wont be able to stop listening.
The alliances among these groups and McCullough family members shift with the winds. . Because of those changes, as well as the way the story unfolds, it was difficult to keep track of each character's place on the family tree. Play close attention to the opening of each chapter which tells you who is speaking and what the year is or you too will be lost,
Will Patton voices Eli to perfection. He draws you in from the opening scene. The other narrators are equally effective,
I give this book five stars for just about every aspect of writing and storytelling. Phillip Meyer is a fabulous writer and I look forward to reading other books by him.
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- Charlotte
- 11-21-13
A let down
What disappointed you about The Son?
The story felt disjointed. The geography seemed off ( native Texan here) There were long drawn out sections of minimal interest and parts that felt rushed that could have been fleshed out for a more interesting read. Overall it left me feeling bummed and not really caring about the characters.
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