The Shining

By: Stephen King

Narrated by: Campbell Scott

#1 NEW YORK TIMES BESTSELLER • ONE OF TIME'S 100 BEST MYSTERY AND THRILLER BOOKS OF ALL TIME • In this masterpiece of modern American horror that inspired Stanley Kubrick’s classic film, Jack Torrance takes a job as the caretaker of the remote Overlook Hotel. As the brutal winter sets in, the hotel’s dark secrets begin to unravel.

“An undisputed master of suspense and terror.” —The Washington Post

Jack Torrance’s new job at the Overlook Hotel is the perfect chance for a fresh start. As the off-season caretaker at the atmospheric old hotel, he’ll have plenty of time to spend reconnecting with his family and working on his writing. But as the harsh winter weather sets in, the idyllic location feels ever more remote . . . and more sinister. And the only one to notice the strange and terrible forces gathering around the Overlook is Danny Torrance, a uniquely gifted five-year-old.

Critic reviews

“A master storyteller.” —Los Angeles Times

“Scary! . . . Serves up horrors at a brisk, unflagging pace.” —The New York Times

“Guaranteed to frighten you into fits. . . . with a climax that is literally explosive.” —Cosmopolitan

“The most wonderfully gruesome man on the planet.” —USA Today

“An undisputed master of suspense and terror.” —The Washington Post

“[King] probably knows more about scary goings-on in confined, isolated places than anybody since Edgar Allan Poe.” —Entertainment Weekly

“He’s the author who can always make the improbable so scary you’ll feel compelled to check the locks on the front door.” —The Boston Globe

“This chilling novel will haunt you, and make your blood run cold and your heart race with fear.” —Nashville Banner

“Peerless imagination.” —The Observer (London)

A shaggy ghost story

Any additional comments?

I can't count how many times someone has told me to read The Shining because of how much better and different it is than the Stanley Kubrick film. For years I've wandered around with the memories of people saying how Kubrick ruined the book, how he changed everything that was important to the book to create a film that resembled the book in title only. "Oh, you'll understand so much more", and "the book is way scarier", and "there is good motivation for what Jack does in the book", people have said to me. And so I've been curious about this book for a long time. I've wondered what exactly it is about this book that causes people to, quite emphatically, state that arguably the greatest filmmaker in the history of motion pictures, not to mention one of humanity's greatest artists had someone botched the whole thing.

Good horror is created by not knowing all of the pieces of a dangerous puzzle: "What's around the corner?", "Who's screaming in that graveyard on this stormy night?", "Is there a killer alien with acid for blood on-board this old mining ship?". Combine not knowing important information with the chance of death (or worse) and you've got the basic formula for horror. And often a thing ceases to be scary when we see it, when the lights come on, or when we understand it - fear is born of the unknown.

In this novel, King attempts to create fear and terror by setting us up in a fancy hotel with a mysterious past for a few months of winter isolation; it's basically his take on the old haunted house story. The problem, however, is that he really does wind up explaining too much or tries too hard to give us two plausible interpretations of what is going on - are they just hallucinating, is Jack just going through alcohol withdrawal, or is the hotel really haunted. And if the hotel is haunted, who is haunting it? Old Hollywood mobsters and a rich old lady who killed herself?

I can see why Stanley Kubrick was attracted to this book because there are a lot of good ideas, but Kubrick trimmed all of the fat and turned a fairly shaggy book that, frankly, isn't that scary into one of the greatest horror films ever made. And all Kubrick did was not explain everything that King went into great detail about. Kubrick pretty much went through the book, crossed out everything that even smelt like an explanation, reconfigured a few scenes to be more efficient (having Hallorann give them the full tour instead of it being broken up into two parts like in the book).

Now I'll admit that in a book where we are supposed to live inside the character's heads King couldn't just give us limited information otherwise the book would have been about 150 pages long, at best. And King is at his best when he's creating characters and having them interact, though this book largest weakness is that there are so few characters that it sort of goes against King's strength as a popular writer. Books like The Stand, Tommyknockers, and It work well because the characters have a lot to do and it wasn't until later with Misery and Pet Cemetery that he could do more with fewer characters because by then he'd become a better writer.

So in a way this book really can only ever be a good template for a great film because it just doesn't work that well as a book. The characters a thin, Wendy in particular is useless and flat - in fact she's so bad that not even Kubrick could do anything interesting with her outside of making her life miserable in the film. Danny is pretty good, as is Hallorann, but they don't feel very fleshed out, they exist only to keep things moving or to make things weird. I do, however, much prefer King's Stuart Ullman to Kubrick's. Why Kubrick made Ullman so likable was a missed opportunity because Ullman is our introduction to the hotel, it's spokesman so-to-speak, and Kubrick should have made him more menacing.

My biggest gripe I reserve for the hedge animals. In small doses they would have been fine, but by the end I just could not take them seriously. The second you actually try to visualize a hedge animal attacking someone the image is just too comical to be scary or to even be taken seriously. Kubrick was wise to carry on with the European flavor of the hotel by using a hedge maze instead.

One thing I did find odd is that so many people have told me that the alcoholism of Jack is far more played up in the book and is a possible central cause to his insanity. Yet this is also true in the film. The scenes with Lloyd are almost identical, Kubrick changed almost nothing for those scenes and it's quite apparent Jack has a drinking problem and that the hotel is using that against him to drive him more insane and to control him. True the film isn't about a alcoholic losing control, Kubrick's film is more supernatural, but the themes are still there and one could easily say that the hotel (right down to the film's neuron receptor carpets) is a manifestation of Jack's drinking issues and abuse. For King (and audiences who prefer King over Kubrick) to claim Kubrick messed this up is idiotic and says more about King's (and his fan's) inability to contextualize theme.

I also was scratching my head about the whole side-story with Jack's drinking friend, especially the part where they thought they killed a child on a bicycle. What was that all about? That whole idea literately goes nowhere. Yes it scared them both to stop drinking, but why didn't King tie that into the rest of the book? And speaking of missed opportunities, why didn't King include Grady's dead wife and, more importantly, dead little girls? Kubrick immediately took advantage of this to create what is arguably the most iconic image in the film: the Diane Arbus style twin girls holding hands. The hotel had all the other ghosts of people past, why not them, too?

I did like that Hallorann played a more important role in the book. Kubrick just kills him off the second he gets to the hotel and that was only used in that he needed a way to get Danny and Wendy out. King used Hallorann more, but that character dipped so dangerously close into a "black man" stereotype that I cringed more than once.

All in all the book isn't bad, but the last quarter is just a lot of grunting and screaming and inane dialogue with too much pleading and yelling. The Shining is a shaggy ghost story that isn't nearly as well crafted as King's later, and much scarier books (Pet Cemetery being my personal favorite because it's also a little goofy) . I really was let down because not only because I didn't find it all the scary, but also because the book and Kubrick's film are far more similar than I was led to believe - I had been hoping for something much different.

Great! My First Book on Audible.

This is the first audiobook I have ever listened too. I choose Stephen King because he is my favorite and just by chance hadn't read the Shining, one of his best know stories. So I set out on my 9 hour car trip and listened the whole way there and the whole way back. I'm hooked now. I still read paper whenever I am able but in the car there is always an audio book playing. I highly recommend this audio book. King has a great story and Scott brings it to life.

Second to none

For anyone who has seen the movie, you know the story is amazing. But for those who have seen the movie, it isn't the same. Consider it a coloring book, same picture, but two different people coloring it in. Stephen King's "The Shining" shines in the horror genre. From the first page, you'll be hooked and be ready ready to book your stay at the Overlook Hotel. Campbell Scott does a great job narrating the book, and manages the voices as only a voice actor could. His verbal interpretation combined with King's ability to send shivers down anyone's spine make this a must listen! Enjoy

So glad I didn't just see the movie!

Again the master has amazed me with paint brush of his creativity it is freaking so good and believable enough to make you wonder did someone just laugh outside my window? Did the rain come out of nowhere? Should I vote yes or know on topiary being put in around the playground? Hard No! Definitely one of my favorites! Campbell Scott gives an amazing performance adding the unique rasp and believability to the whole experience! Amazing.

Just as Awesome as it was when I read it years ago

The Shining is a great book. I read it years ago when it first came out. Then came the movie - loved by millions... but if you've only seen the movie - it's quite different from the book and not as good as the book. If you haven't read this book you won't be disappointed. Actually you will be disappointed that you thought the movie was great until you realize the book is even better.

The narrator is excellent. I read another post that complained that his enunciation is very precise and it is. Crisp, clear and exact. Perhaps the other person would prefer a person who speaks in a lazy manner - something I personally don't care for. I give this narrator 5 stars for the excellent reading that really brought SKs book of wonderful prose to life!

I'll always like this book - it's a keeper. Except now, when I next watch the movie - I know I'll be wondering "Why did the producer change that in the movie - why didn't they stick to the book?" The movie would have been so much better.