In this brilliant debut novel, Donna Tartt gives us a richly textured and hypnotic story of golden youth corrupted by its own moral arrogance.
Richard Papen had never been to New England before his 19th year. Then he arrived at Hampeden College and quickly became seduced by the sweet, dark rhythms of campus life - in particular by an elite group of five students; Greek scholars, worldly, self-assured, and at first glance, highly unapproachable.
Yet as Richard was accepted and drawn into their inner circle, he learned a terrifying secret that bound them to one another; a secret about an incident in the woods in the dead of night where an ancient rite was brought to brutal life...and led to a gruesome death. And that was just the beginning.
©2002 Donna Tartt; (P)2002 HarperCollins Publishers, Inc.
"A mysterious, richly detailed story told by a talented writer." (Publishers Weekly)
"An enthralling story....The Secret History is addictive. Chances are you won't be able to listen just once." (AudioFile)
"Powerful....Enthralling....A ferociously well-paced entertainment." (The New York Times)
"Tartt's voice is unlike that of any of her contemporaries. Her beautiful language, intricate plotting, fascinating characters, and intellectual energy make her debut by far the most interesting work yet from her generation." (The Boston Globe)
The narrator's (author's) voice ruined this one for me. The story was interesting and well-researched if rather farfetched. However, I couldn't get past the fact that neither voice nor accent matched who the characters were supposed to be. I'd read it, not listen to it.
If I had known Bunny in high school, he would have never made it to college. I would have already killed him and his annoying leeching ways before any ACT or SATS. I thought the book was well written and was easy to follow. However, the clique of scholars was annoying, and drank like a UT fraternity during Greek Week…. but they did it daily. That would explain the lack of brain cells that made these Greek scholars refer so often to Dante, an Italian writer. The narrator did not annoy me as she has some others. She created the characters and I feel she knew what their voice should be. This one is one you either like or hate. All of its faults considered, I liked it.
I bought this book because I enjoyed it so much when I read it 20 years ago. Maybe listening to it now was a mistake, since I already had a good idea of what was going to happen.
The characters go on my nerves - I thought they were cool, decadent characters when I initially read the book. Now they seem like a bunch of kids who drink too much and nose into each other's business too much - especially the main character. He really got on my nerves toward the end of the book. He loved nothing more than to whine about his friend's erratic behavior. He was a busybody who bothered people when they didn't want to hear him run his mouth. The narrator is pretty monotone, and this added to this character's irritating characteristics. She made him sound like a snob on valium. These kids are a bunch of spoiled brats and they may get on your nerves by the time you reach the end of this book - especially if you have your act together.
The story line is pretty clever. If you have not read this book, give it a shot (especially if you are under 30 - this book is centered on a artsy/Bohemian college atmosphere). You may really like it - I did when I read it the first time. The narration is not fantastic, but this shouldn't stop you from giving it a shot if you have not read it already. I was a little tough on the main characters in this review, but it's quite possible I've simply outgrown it and moved on. This book still had its moments.
Greedy, voracious reader since age five. After a number of eye injuries & surgeries, reading is hard. So now, I listen.
This was a fascinating story, told in rich detail, about kids murdering to cover up a murder. The author was skilled enough that I felt the growing paranoia among the protagonists spread to my mind; I began to doubt what I thought I knew of the characters. Who was lying? Was someone setting up someone else? Who was sleeping with who? Plots seemed to grow within plots, and I was fascinated. And then the end came. An argument, a shot, they all go live their lives. WHAT?! Donna Tartt seems to have had a great idea for a novel, but no good ending. I felt really let down and annoyed.
Also, she's a pretty lackluster reader.
One of the few books I've listened to that I really couldn't stop listening! Very different from what I expected and not at all the typical murder mystery. The tragedy of murder is heightened by the fact that it is done by the protagonists. The story is not so much about the murder(s) but rather the emotional and psychological effects on the murderers.
My only complaint is that, because this is an audiobook, some of the foreign language phrases were hard to understand or even try to translate (sometimes none was given). I do much better if I can see the words rather than hear them, and, if so driven, I could have looked up the meanings. So I may have lost some of the intricacies of the story during these moments.
It doesn't seem to ever be a good idea to read your own work. I took a chance, and just couldn't listen to this. The narration is so off-putting as to be distracting (to me, anyway). An interesting premise that might have been a good story, but I just couldn't get past the presentation.
She could have hired an actor to narrate the book.
Even though the story was intriguing the narration was not. I can not comprehend why Donna Tartt would narrate her own book, her voice could be shrill and annoying at times. I could also hear what sounded like street noises in the background, did she record the audio in her livingroom?
I liked this audiobook much more than I expected to - in fact I just finished listening to it a second time. I've read THE SECRET HISTORY as a book and was doubtful about having the author doing the narration: in my experience, there are good readers and good writers and not many people who are both. Donna Tartt is one of those few. Her natural accent is engaging in the descriptive passages, and she makes the different characters voices in dialogue distinguishable without resorting to violent changes in pitch and pattern. A couple of her character voices (Bunny and Julian) are a smidge over-drawn, but it's not distracting because although they are both major characters, they have among the fewest lines of dialog.
And that brings me to what I like so much about the way the book is written. Its absent influences are really compelling (Richard's parents, for example, and Leo the landlord) are significant players whom we never actually meet. They're described, and they're quoted in the third person, but they never appear to speak for themselves. This literary device is rarely sucessful, but as Donna Tartt deploys it, it works a treat.
Similarly, the unreliable narrator -- Richard -- is compelling. Again, this device is tricky and often transparent, but Tartt works it skilfully.
The majority of the novel is dark-ish and thinky, but there are a couple passges that are laugh out loud funny: the feral cat on the long car ride, for example, and the "test your illicit drug knowledge" game show scene. Dark humor indeed. Those bits might not be to everyone's taste, but they had me laughing helplessly.
I could nitpick -- there are a few asides in foreign languages that aren't translated, and that's annoying as heck, and the novel ends about four times (just when you think it's done there's another coda, and that goes on for about 20 minutes) and these quibbles cost the book a star. Overall, though, I think this one's well worth your time and credit.
The story is a little bit Heathers, a little bit The Prime of Miss Jean Brodie. Reminded me a great deal of Special Topics in Calamity Physics. Unlike the narrator in Calamity Physics, though, there's no suggestion that this character is a genius - and yet, we are expected to believe that with only 2 years of non-exclusive Greek language study, he has read not only ALL of Plato in Greek, but a wide array of other classical literature. It would have been forgivable, I think, had the narration not been so absolutely godawful. The voice of Bunny is a high pitched nasal whine, like a voice someone would make while mimicking someone annoying and ineffectual. Everyone else sounds more or less alike - slightly nasal, with hints of a southern accent. I'm on the fence about whether I'd recommend this. The story is interesting, although some of the details are pretty unbelievable. But the narration is grating, at best.
Yes... but probably a more recent book. Granted this book is 20+ years old, I was expecting The Goldfinch set with Greek and instead got a bunch of secrets all held by the bystander Richard...
I would have NOT had Donna Tartt narrate this book. SHE YAWNED DURING THE READING! She was so incredibly monotoned. Even during action portions. I almost laughed because of how bland her tone was during these portions.
NOPE! I love her writing but NOT her performance. She should keep writing.
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