Pulitzer Prize, Fiction, 2007America is a barren landscape of smoldering ashes, devoid of life except for those people still struggling to scratch out some type of existence. Amidst this destruction, a father and his young son walk, always toward the coast, but with no real understanding that circumstances will improve once they arrive. Still, they persevere, and their relationship comes to represent goodness in a world of utter devastation.
Bleak but brilliant, with glimmers of hope and humor, The Road is a stunning allegory and perhaps Cormac McCarthy's finest novel to date. This remarkable departure from his previous works has been hailed by Kirkus Reviews as a "novel of horrific beauty, where death is the only truth".
McCarthy, a New York Times best-selling author, is a past recipient of the National Book Award and National Book Critics Circle Award. He is widely considered one of America's greatest writers.
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"McCarthy's prose retains its ability to seduce...and there are nods to the gentler aspects of the human spirit." (The New Yorker)
"One of McCarthy's best novels, probably his most moving and perhaps his most personal...Every moment of The Road is rich with dilemmas that are as shattering as they are unspoken...McCarthy is so accomplished that the reader senses the mysterious and intuitive changes between father and son that can't be articulated, let alone dramatized...Both lyric and savage, both desperate and transcendent, although transcendence is singed around the edges...Tag McCarthy one of the four or five great American novelists of his generation." (Los Angeles Times Book Review)
A part-time buffoon and ersatz scholar specializing in BS, pedantry, schmaltz and cultural coprophagia.
Look, I'll admit it. I'm a huge fan of Cormac McCarthy and have read every (I mean EVERY) book, play, screenplay, and piece of short fiction (Wake for Susan , A Drowning Incident ) he has written. While 'The Road' is not his very best (Go read 'Suttree' or 'Blood Meridian' if you are looking for the late 20th Century's answer to Herman Melville and William Faulkner). 'The Road' is a very approachable McCarthy and loses none of McCarthy's prose stylings, while at the same time making his writing more palatable to the average mass-fiction reader.
So, if you haven't read McCarthy before, this is a good first stop, but please DEAR GOD, don't let this be your only or your last stop. Read McCarthy more, read McCarthy often, or the kid gets it.
Liberal, retired, special ed teacher teacher from California (quite the cliche ) now living near Montreal. I love to play and watch tennis
While it's true this book was, at times, grim, stark, a simple narrative in it's style I did indeed find it spellbinding. Starting slow the story continued to build in it's intensity and desperation and of course, as with all really good stories, I was sad to see it end. I found the narration extremely realistic and believable. I would, however, caution listeners that like a particular genre that this book may not fit into any particular genre or preconceived notion so for sure give the sample a listen prior to purchasing. I have listened to over 250 Audible books and this is the most entertaining book I have heard.
Addicted to Audible!
The first time I listened to this book I stopped after about 3o min because it seemed so boring and the subject so depressing. A friend told me to give it another chance and so I did. I am glad that I listened. First,the narration is perfect, each word clearly spoken with just the right intonations. The writing was beautiful and made me think long and hard about my life, my family, my own spirituality and beliefs. It touched my soul.
OK, so nothing McCarthy writes is an easy emotional read.
Road is tough, emotion-filled, desparate, and loving tribute to the love of father and son in the worst of all possible situations: after the end of the world in nuclear winter.
Father: the man.
Son: the boy.
McCarthy never names his two main characters: they are the man and the boy. Even without names few characters in fiction by any writer have as much character and passion.
Like "road" novels, movies, and stories before, "The Road" is a trek from one place to another filled with dangers encountered or avoided. What sets this apart from the rest is the profound meditation on family and love.
Listening to this novel is something of an ordeal: McCarthy has created a disturbingly believable vision of the end of civilization. The post-apocalyptic world that he conjures up must be one of the more chilling and frightening ever invented by a novelist. Often, it's the things he doesn't say, or only hints at, that make your imagination run riot and leave you thinking long afterward. It's an extremely engrossing listen, with a slow, deliberate style that is perfect for long walks.
This is a superbly-produced audiobook. Tom Stechschulte has the perfect voice for the novel: low, growly and hard-bitten; when he delivers the protagonist's lines you can believe that you're listening to a man who's walked across the wilderness for years, and he balances despair and hope in the man's voice to moving effect. But Stechschulte is also able to differentiate the characters, sounding genuinely young and innocent when performing the boy. McCarthy's often portentous style could have sounded artficial and preachy if done badly, but Stechschulte speaks every word with absolute conviction. It's a powerful acting performance by a true craftsman.
In the world of literature, Cormac McCarthy is a God among men. Unfortunately, his name isn't exactly as popular as it ought to be. Here is a man who lives his life at the pool where we all go to find our words, and yet this last week was the first time I'd ever heard of him and it took considerable searching to find a book by him that I was willing to take a chance on. I'm disappointed (and terribly so) that I haven't read more of his books, but we'll get there, I assure you. The Road, McCarthy's latest book, takes place in a post mass-destruction event (Nuclear War, perhaps? McCarthy never elaborates, and it doesn't seem terribly necessary) era, and it focuses on a father and son who realize as winter is coming on that despite the father's ongoing illness, they have to travel south to the warmer coast, where the "father" (I keep calling him that, because McCarthy never actually names him in the book) hopes to find more food and warmer weather. I know, reading my own description of the book's premise now, that it doesn't sound terribly interesting, but look, I'm begging you. Buy the book. Just buy it. Buy it on audio tape (my personal favorite way to devour a good book. The right narrator can make all the difference, as it does in this book). Look, one knows subconsciously that we've heard every word that will be used in a book before we ever pick it up. It's the mastery of putting those words together in such a way that makes the reader feel as though they've never heard any one of the words, ever, ever before. It is in this sense that McCarthy is such a genius. I was marveling at the fashion in which he used simple phrases like "the boy" and "the man". He's that good. I'd make just about any excuse to listen to the lyrical and beautiful style that Cormac writes in again, and I'm sure I'll do it soon.
The prose in this book is almost lyrical. It is so utterly minimalistic that you stop to wonder how so much meaning can be packed into the briefest of phrases. The Road is one of the most depressing books I've ever read, because the picture it paints is so terrifyingly plausible. There are layers upon layers here, which bear repeat readings. The perspective focuses on the fragile but strong relationship between a father and son, and wisely does not venture beyond it. The catastrophe that ended their world is never named or explained, which makes sense: How would survivors of such a calamity even really know what happened without TV, without the buttresses of civilization? Full of haunting imagery that McCarthy presents largely free of opinion and merely lets "be," this book will stay in your head for weeks after you finish it. Required reading for anyone interested in post-apocalyptic ideas, and anyone who ever loved their father. Simply outstanding; this is one of my top five favorite books ever.
I like McCarthy's writing style, but its never been better than in The Road. The setting is a bleak future, a man and his boy holding on to each other despite having absolutely nothing to live for. The story moves along well, with McCarthy's brilliant prose, but the bleak atmosphere is not something all will appreciate.
Many criticize this book because of the lack of sophisticated dialog. In fact, a man and his son travelling along a road in the cold of winter probably would not have many deep, philosophical discussions.
The story is simple, but it's what McCarthy does with it that gives its complexity.
There are some moments in the story that are some of the most memorable I've ever read; particularly the man's remembrance of the final conversation he had with his wife.
The author manages to introduce a fair amount of realistic suspense into the story. I cringed at what the man found in the basement of that house...
McCarthy is one of the most brilliant writers, and he is at his absolute best here. But you'll probably either love it or hate it.
Oh yeah, Tom Stechschulte's narration is perfect for this book.
The novel is well known and honored, I won't bother to recap it. It is not exactly uplifting stuff, but it is compelling and brilliantly evoked. The reader is top-notch. So why not five stars? It's just something about the bleakness of it all that makes you keep your distance a bit -- you don't volunteer to take the dog for a walk just so you can listen some more. But it is the last word on apocalyptic fiction and definitley worth your time.
If you're looking for an intricate plot, this book is not for you. If you can appreciate a finely crafted sentence, then you will appreciate this book. Cormac McCarthy is a master of the language and is right up there with Steinbeck and Hemingway. If you liked, "The Memory of Running", you'll like "The Road".
The narration by Tom Stechschulte is amazing. He apparently takes the time to thoroughly understand what he's reading and it really shows in this audio book. He makes this book shine. If I was down to my last credit I would spend it on this book.
"Poetic and thought provoking."
Having read the 2 previous reviews a number of times I was put off listening to this. At the recommendation of a friend I finally took the plunge - I wish I had done so ages ago.
The conversational style and poetic nature make it perfect for audible. The narrator sounded just as I imagined the Father would. I listened whenever I could and looked forward to the next instalment. Occasionally my heart rate rose in anticipation of on-coming violence but overall the story is beautiful. It's biblical themes and believable imaginings of post apocalyptic America are thought provoking.
I rarely listen to anything twice but I will make an exception with this.
I was in tears at the end of this book - I felt like I was right there at the end with he Son and Father, and I knew them so well it was like saying goodbye to friends. The story is so incredibly well written, you are immediately drawn in to the story and I can picture the landscape so vividly in my mind that I am not sure if I should watch the film adaptation or not. I could very easily have listened to this book all in one sitting, but I had to sleep sometime!
Other reviewers have mentioned the lack of chapter breaks, but I think that this is natural to the story - you are seeing through the eyes of the Son or Father, and they are not writing a novel, so they wouldn't break off from their battle for survival to start a new paragraph!
A special mention must go to the excellent narration, which was perfectly paced and judged throughout.
I found this book to be a rare example of being worthy of all the praise I have heard heaped upon it.
"An Excellent Audiobook"
Forget the recent film, this is the real deal. A father and his son travel a road leading towards the South - and a respite from the winter cold.
However, this is a post-apocalyptic world they traverse; the atmosphere full of ash, no plants growing and all animals and most humans dead. Most of the people who remain have turned into savages - a real state of nature where human life is 'solitary, poor, nasty, brutish and short.'
This book makes you ask questions about yourself - could you survive in such an environment? How would you behave towards others?
McCarthy's spare writing style is well suited to this type of narrative and it is superbly read by Tom Stechschulte.
"Perfect for the road - or anywhere else"
McCarthy's book makes outstanding listening. I was fearful before buying this having read some of his previous books, which are occasionally tough going in their style. But The Road is brilliantly sparse - clipped, original and vivid imagery and a compelling narrative which never explans itself and just keeps you following. McCarthy is a master at avoiding the cliched descriptions of some (many, most) authors and this is the finest example of this, in my humble opinion.
The narration is even and atmospheric, with a compelling delivery - just like the story itself.
"a chilling vision of the future"
I suspect that a lot of people coming to The Road have, like myself, been introduced to McCarthy thanks to the recent film adaptation of No Country for Old Men, and so this is probably a good reference point.
No Country received near universal critical acclaim, but in my experience audience reaction was a little more mixed. Sure, plenty (including myself) agreed with the critics, but many seemed to think the desolate speech, settings, lack of truly cataclysmic events, and the closing dream sequence were entirely off-putting.
Well, all of the above factors are present in The Road, in a far greater density than in No Country. Our lead character is in a similar mould to Tommy Lee Jones with his slow, considered speech, there is the lack of a traditional climax, and the story starts with a dream sequence to rival that in No Country.
The story follows ?The Man? and ?The Boy? as they travel a road across the southern United States attempting to get to the coast following an unknown apocalyptic event. Needless to say, our travellers encounter both natural and human challenges in this desolate world and these are the main focus. It is worth noting here that, again like No Country, some of these encounters involve extreme violence and extremely distressing images; those of a nervous disposition should certainly beware.
From an Audible point of view, the book is of a manageable length and very well narrated. Despite this I do wonder if the inability to dwell on some of McCarthy?s topics means that something lost in the transition from page to wave; perhaps the forced pacing a narrator gives makes up for this, I don?t know. Finally, I always prefer chapters in audiobooks as they allow for a natural breaking point, and these are lacking here.
Overall, if you enjoyed No Country you will get something worthwhile from this and it is certainly worth your time. The opposite of course also applies, and at least for some, this is worth considering
I felt the narrator's voice took a little getting used to but, once I had, this was an enthralling tale of a great book. the inherent difficulties of conveying the book in voice were extremely well tackled through a measured narration. The different characters were well handled. The denouement was incredibly moving.
Al in all, a superb adaptation: highly recommended.
"why on earth did this win its accolades?"
I was drawn by its Pulitzer Prize-winning status and anticipated something original and maybe challenging to the reader. I was deeply disappointed. Science Fiction as a genre is full of examples of much more interesting post-apocalyptic tales. McCarthy has much less to offer here - what others have described as 'bleak', I would characterise as 'dull'. Don't get me wrong, it's competently written and the narrator is okay - it's the content that lets it down. So why the prize? Maybe Science Fiction is beneath the dignity of most literary critics, so they have an inadequate frame of reference? Or maybe McCarthy was deemed worthy on the basis of what I believe to be called 'Buggin's round?' Regardless, for a much more intriguing and satisfying post-apocalyptic journey, I reccommend Audible customers to try Margaret Attwood's terrific 'Oryx and Crake'.
I really enjoyed this book. It is well written, well narrated and kept me absorbed.
"So Desolate, So Miserable, But So Good!"
The story painted a picture of a future so bleak it defines the apocalypse genre... The reader did a great job defining the characters and emotions.
Great story, short running time and engaging characters.
No, but I will be looking at his other books
"Depressing story, but magnificent writing."
Having already seen, and been impressed by, the film I was hoping that the book would be just as good. In fact, it's even better.
Sometime in the near future, in some unidentified country, a man and his young son are struggling to survive in a world that has been devastated by a vast disaster that is never fully explained. Everything around them is burnt and dead; they are walking along a road to find the sea, where they hope things will be better. The road is full of threats and dangers - specifically from fellow survivors, who have nearly all turned into cannibal savages. Nobody can be trusted and they regularly come across horrors perpetuated by the savages.
Yes, it sounds depressing, all right. But McCarthy's excellent carries it along - you get a good sense of the characters of these two; the man is a decent and moral person struggling to keep themselves alive in a terrible world, the boy is learning that humans are both bad and good and that he must stay on the side of the good. The dialogue is spare and sparse, often just consisting of "OK, OK", "I know, I know", "We'll go this way", "OK". There are no fancy speeches, no heroic declarations; this is how real people, real family members speak to each other.
I'd intended only to listen to a couple of chapters before bed, but ended up sitting up all night, unable to stop, willing these two characters - who had become so familiar and dear to me - to survive. Only the ending was a slight disappointment (hence the four stars), but it's difficult to see the author could have ended any other way.
The reading was beautifully done, also. Tom Stechschulte conveyed the different personalities of the pair really well, even with so little dialogue to work with. And his reading of the descriptive passages - some of them very long - never got boring. Long passages that I would probably have skimmed through in print held my attention all the way through and had me seeing the scene in my mind. His performance bought the whole dismal world of The Road to vivid life.
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