A masterful novel that confronts the dilemmas of race, family, and forbidden love in the wake of America’s Civil War....
Fifteen years after the publication of his acclaimed novel Mason’s Retreat, Christopher Tilghman returns to the Mason family and the Chesapeake Bay in The Right-Hand Shore.
It is 1920, and Edward Mason is making a call upon Miss Mary Bayly, the current owner of the legendary Mason family estate, the Retreat. Miss Mary is dying. She plans to give the Retreat to the closest direct descendant of the original immigrant owner that she can find. Edward believes he can charm the old lady, secure the estate and be back in Baltimore by lunchtime.
Instead, over the course of a long day, he hears the stories that will forever bind him and his family to the land. He hears of Miss Mary’s grandfather brutally selling all his slaves in 1857 in order to avoid the reprisals he believes will come with Emancipation. He hears of the doomed efforts by Wyatt Bayly, Miss Mary’s father, to turn the Retreat into a vast peach orchard, and of Miss Mary and her brother growing up in a fractured and warring household. He learns of Abel Terrell, son of free blacks who becomes head orchardist, and whose family becomes intimately connected to the Baylys and to the Mason legacy.
The drama in this richly textured novel proceeds through vivid set pieces: on rural 19th-century industry; on a boyhood on the Eastern Shore of Maryland; on the unbreakable divisions of race and class; and, finally, on two families attempting to save a son and a daughter from the dangers of their own innocent love. The result is a radiant work of deep insight and peerless imagination about the central dilemma of American history.
©2012 Christopher Tilghman (P)2012 Macmillan Audio
“Constructed Wuthering Heights style.... The Right-Hand Shore represents an outing of some of America’s most troubled ghosts.... Tilghman unfolds his harsh lesson with precision, delicacy and startling humor.... The Right-Hand Shore is the dark, magisterial creation of a writer with an uncanny feel for the intersections of place and character in American history. His readers will want to hear more stories from the Eastern Shore estate. Let’s just hope he doesn’t keep us waiting for another 16 years.” (The New York Times Book Review)
Middlemarch, Middlesex, Middlebrow
This is a very nicely written plantation saga with plenty of sweep and character, as well as an interesting take on race in the antebellum years. The reader is solid enough, but ought to come to Eastern Maryland and hear the local accent someday. His white characters all sounded like Deep South caricatures.
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