His epic masterwork Speaks the Nightbird, a tour de force of witch hunt terror in a colonial town, was hailed by Sandra Brown as "deeply satisfying...told with matchless insight into the human soul."
Now, Robert McCammon brings the hero of that spellbinding novel, Matthew Corbett, to 18th-century New York, where a killer wields a bloody and terrifying power over a bustling city carving out its identity - and over Matthew's own uncertain destiny.
The unsolved murder of a respected doctor has sent ripples of fear throughout a city teeming with life and noise and commerce. Who snuffed out the good man's life with the slash of a blade on a midnight street? The local printmaster has labeled the fiend "the Masker," adding fuel to a volatile mystery...and when the Masker claims a new victim, hardworking young law clerk Matthew Corbett is lured into a maze of forensic clues and heart-pounding investigation that will both test his natural penchant for detection and inflame his hunger for justice.
In the strangest twist of all, the key to unmasking the Masker may await in an asylum where the Queen of Bedlam reigns - and only a man of Matthew's reason and empathy can unlock her secrets. From the seaport to Wall Street, from society mansions to gutters glimmering with blood spilled by a deviant, Matthew's quest will tauntingly reveal the answers he seeks - and the chilling truths he cannot escape.
©2007 Robert McCammon (P)2012 Audible, Inc.
I began to wonder if I had made a mistake at the start of the book, but had trouble putting it down about a third of the way through the story. Loved the historical aspect of the period. Will be listening to more books in this series!
Once again this author puts you right into the action and your mind goes crazy with images. Mc Cammon, does a great job of keeping you in the book page by page. His character's come alive and you feel that you are apart of the story.
Once again I love the voice of Ballerini and he is able to change characters like some people change their shirts.
I felt at the end the Queen of bedlam death was very moving. The sword fights were action packed and one became concerned with the hero well being.
The ending was a little slow, but good.
I know Matthew Corbett isn't really an "original" character, in many ways he is every clever detective of literature, from Miss Marple to Sherlock Holmes, and there is something Harry Potter-ish about his intellect and purity of heart, yet somehow, these books feel really different to me.
I am sucked into Matthew's world, his professional development as a "detective," and his associates and encounters. And the reader? Edoardo Ballerini is simply the best. You do want to read them in order, or you'll miss the formative experiences that develop Matthew's confidence in himself, as he grows into his career.
Perhaps someone suffering from insomnia
I could not get farther than chapter 5, not sure of it was because the of story or the narrator.
I chose this novel because of Edoardo Balerini, I loved his work in "Beautiful Ruins", and also when he read another of R. McCammon's stories (and a few other works he's read) , but boy! ...was I disappointed with this one!!! He sounded bored, and was totally uninspiring.
None, but but remember I couldn't go past chapter 5
I hope you have a better experience with this one!
I love audible during boring laundry duty. I seem to be drawn to fantasy most likely to get a break from reality. I love my family!
This book is in my top ten.
I enjoyed all the characters very much
yes i was very caught up in it.
Wonderful engaging story, and an excellent performance by Ballerini. Looking forward to the next book in the series!
I would and I have! It's a great story, very well written and extremely well read/narrated - 10/10 on all counts!
There are many moments. The whole book is one exciting moment after another. For absolute suspense, the chapters on the 'hunt' by the falcons and insane children have to be right up there. The final meeting between the Masker and his Mum is definitely another great moment.
he is a very talented narrator. Each character is depicted with sensitivity and understanding of the story. He is not just reading a book to us, he is acting each and every moment of it. I will be downloading more of his narrations, you can bank on that!
Too many narrators just read the story and it is very difficult to tell which character is actually 'speaking'. But a few talented ones bring the author's work to life, so that you feel like an invisible observer of the action. Mr. Ballerini is one of these, along with Mr. Jeff Harding and Ms Lorelei King one of the two, and now three, of my very best narrators.
Matthew Corbett, of course! he is a great character and I like the way Mr McCammon is gradually developing him into a formidable detective.
I need more Credits!! There are more Corbett books to download!!
To live, to love, to leave a legacy.
Hudson Greathouse. Not everyone knows a Matthew Corbett but everyone knows a Hudson Greathouse. Excellent character, please, please don't ever kill him!
The evolution of a very endearing character in that of Matthew Corbett as well as the introduction of new characters (Hudson Greathouse and Berry Grigsby in particular).
Matthews rapier training with Hudson.
The problem solver stops for no one loonie.
More than excited to dive into the world of Mister Slaughter.
I love the whole premise of this series, and one thing that I really respected about "Speaks the Nightbird" was the discipline it takes to write from the perspective of a character in 1699 but still make the writing sound like it was written by someone experiencing that period IN THE PRESENT. Also, the clues that Matthew Corbett put together to solve the mystery are right in the story, but it took some keen insight and creativity to figure the whole story out. That makes for a fun read.
This one . . . hmm, it's hard to say where it doesn't measure up. I mean, all of the same elements are present. Matthew's got a particularly devious killer to confront, clues everywhere to pick up and ponder and foes determined to block his progress. But the whole effort just ends up being a little less than its parts. And instead of exercising discipline in his writing perspective, it's more like the author has decided to let his characters run wild with living in the past but somehow knowing what's going to happen in the future. For example, Matthew Corbett "invents" the term "detective" as a name for his new-found profession and then, later in the book, receives a magnifying glass as a symbolic gift to mark his success at the end of the book?! Ok, I get it -- the author is having fun showing how his character created the very cliches and standard symbols for the things that we all take for granted in our present. I suppose Matthew Corbett could also invent Wall Street greed and Upper East Side snobs while he's at it, but I find these kinds of "foreshadow" insights in historical novels to be amateurish and distracting.
I'm not saying that you should skip the book. No way -- it's still four out of five stars, and if I had read this book without reading the first one, I would have been very, very happy with what I had read. It's just that this one is a shade less magical and a shade more mechanical than the first book. I'm hoping the third book gets back to the standards of the first!
I felt like I was reading a re-peat of a combination of his other books.
when he was learning to sword fight, again, was just one of many repeats.
He did a great job telling the story.
I loved his first book, then read Mr. Slaughter(?) by mistake as the second and knew I'd missed something. Then, when I read the Queen of Bedlam, it was a repeat of a combination of the first and third stories. Clearly, this must have been Mr. McCammon's first attempt at a series.I didn't believe my wife when she kept telling me we'd listened to the book already, when I knew I'd dowlnoaded them out of sequence, but we'd not listened to it yet. I'm just so disappointed because it could have been so great if not done so poorly. It was a disappointment High expectations were not met.
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