"Bloom where you're planted," is the advice Christine Bolz receives from her beloved Oma. But 17-year-old domestic Christine knows there is a whole world waiting beyond her small German village. It's a world she's begun to glimpse through music, books - and through Isaac Bauerman, the cultured son of the wealthy Jewish family she works for.
Yet the future she and Isaac dream of sharing faces greater challenges than their difference in stations. In the fall of 1938, Germany is changing rapidly under Hitler's regime. Anti-Jewish posters are everywhere, dissenting talk is silenced, and a new law forbids Christine from returning to her job - and from having any relationship with Isaac. In the months and years that follow, Christine will confront the Gestapo's wrath and the horrors of Dachau, desperate to be with the man she loves, to survive - and finally, to speak out.
Set against the backdrop of the German homefront, this is an unforgettable novel of courage and resolve, of the inhumanity of war, and the heartbreak and hope left in its wake.
©2013 Ellen Marie Wiseman (P)2013 Tantor
"The Holocaust was a horrendous time in world history, and Wiseman has added a personal touch on this era." (VOYA)
I appreciated the story. However the narration was incredibly distracting. I felt like I was listening to announcements being shouted over an intercom. A few of the voices sounded off as well. The story was good enough for me to push through and finish listening, but I wish I would have bought the ebook instead.
A different voice used for the narration would have made it much better.
I listened to this while wincing. The narrator does an excellent job of destroying the weight of the story. It is a good story - maybe even an excellent story - but the narration is not to be born.
I enjoy Audible Books because I can accomplish other tasks while listening... this narrator is pushing me to the bookstore to READ the book. It is as bad theatrical act.
The STORY is EXCELLENT! A good read, not listen.
I struggled with the narration of the story. I did not care for the voice and different voices used to portray certain characters. It really took away from the full experience of the book.
I can't recommend this book. Incredibly unrealistic outcomes and most of the characters lack depth. Do we ever really get to know what's going on in Mary's head? The people who don't survive we seem to know least about so their loss is hardly devastating.
You can't have that many people in incredibly dangerous situations for years and then have them all live. Too much of a fairy tale ending. There were some very moving parts in the book but it was ruined by fantastical outcomes for the majority of characters.
She was far too loud and her character voices were absurd. She had a lot of "wicked witch" tones to her voices and many of her male voices were terrible. She had no nuance to her voice and seemed to be yelling a lot. It seemed to me that they redubbed a lot of the German words because she often didn't sound like she did throughout the rest of the book. It seems unbelievable that she tackled difficult strings of German but pronounced "vater" with a "v" instead of an "f" There were simply too many vaters for them to go back through and redub it.
Absolutely not. I knew there was something off with this book and I didn't make the connection until I finished. About a year ago I started her other book "What She Left Behind" and had to stop because it was too unrealistic. If I had realized this was the same author I wouldn't have bought this one.
A different narrator, one with a softer voice.
I felt the narrator was not reading to me, but yelling at me.
I purchased the Kindle edition of the book, so I could read it--couldn't listen to the audiobook. I haven't yet finished the Kindle book, but so far I find it not expertly crafted. I wanted to see the other side of the story, but I may not, even after finishing the book.
I can barely get through this story. The narration is so very bad. The German pronunciations are excruciating to listen to. The tempo is fast when it should be slow and slow when it should be fast. The intensity of voice is always at the level of YELLING. Please... record this story with a new narrator so that it is treated with the respect it deserves. NEIN Madeleine Lambert NEIN
This book is superficial with minimal character development. Quite a disappointment. Narration was at times mechanical and somewhat rigid in delivery. It was uninspired.
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