Rose Baker seals men’s fates. With a few strokes of the keys that sit before her, she can send a person away for life in prison. A typist in a New York City Police Department precinct, Rose is like a high priestess. Confessions are her job. It is 1923, and while she may hear every detail about shootings, knifings, and murders, as soon as she leaves the interrogation room she is once again the weaker sex, best suited for filing and making coffee.
This is a new era for women, and New York is a confusing place for Rose. Gone are the Victorian standards of what is acceptable. All around her women bob their hair, they smoke, they go to speakeasies. Yet prudish Rose is stuck in the fading light of yesteryear, searching for the nurturing companionship that eluded her childhood. When glamorous Odalie, a new girl, joins the typing pool, despite her best intentions Rose falls under Odalie’s spell.
As the two women navigate between the sparkling underworld of speakeasies by night and their work at the station by day, Rose is drawn fully into Odalie’s high-stakes world. And soon her fascination with Odalie turns into an obsession from which she may never recover.
©2013 Suzanne Rindell (P)2013 Penguin Audio
Interesting tale about 1920's Prohibition Era NYC. The story centers around two young women who work as typists in a police precinct. This was really intriguing novel that grabs your attention right from the start. Difficult to review since the book really should be read completely "blind" as the author intended. If you are planning on reading this one, do yourself a favor and don't read any reviews, etc. beyond what is written on the inside book jacket.
Science writer in America's heartland
This is an excellent book, and it's hard to review without giving spoilers. It's a story about how crafty people can lead a double life by playing others for fools. But, even more, it's a story about how truly crafty people can actually fool themselves about the double life they are already living.
Gretchen Moll adds something special to the narration, not just because she's good at giving personality to the different characters, male and female (and she is). The TV characters she plays in Life on Mars and Boardwalk Empire inform her reading here, but her performance is different enough to keep things interesting.
In short, it's a great book, well-narrated. I highly recommend it, especially for book clubs, where readers will have a lot to discuss afterwards!
A school administrator and avid reader and listener of books. At least an hour of every day is spent in the car, and that's where the bulk of my listening is done. I tend to listen to books on "faster" mode so I can get through more books!
The book started a little slow, but definitely picked up throughout, with a very interesting ending. Think "The Great Gatsby" meets "Gone Girl."
Delightful and dark! A great spiderweb of intrigue with exceptional period detail. The twist at the end isn't entirely surprising, but the extent of the deception is. Highly recommended!
Really enjoyed! At first I wasn't too keen on the narrator's tone....but then she became Rose...or is she Odalee, or is she Genevra? :)
I really enjoyed this one ! I loved the Gatsbyesque setting and the fascinating first-person narrator. And I especially LOVED the ending ! Soooo unusual. Excellent reading by Gretchen Mol. Her almost emotionless dictation suits the character.
The set-up (and it's almost all set-up) is decent. But the ending made me feel that if it weren't for the excellent audio performance I would have completely wasted my time.
Gretchen Mol's terrific job is the only real reason to listen to this.
"Listening with my other ear"
The setting and the on the edge of your seat-because you THINK you know what is coming up, writing.
The Great Gatsby or the old detective dramas of the 60's. I would mention others but it would mess up the ending.
She did a fine job.
I wouldn't trust any of them. Maybe Rose just to interrogate he.
Some may not like or get the ending of this book, but you will be talking about and debating it for days after you are finished. Then, you will listen to it again. Bring on the movie is all I can say.
This Other Typist provides an interesting enough background of the 1920s era (complete with prohibition, the mood of the times, and great settings) but for me the actual story was contrived and hard to believe. Plus the naivete of the protagonist was ridiculous to the extreme.
I won't repeat what others have already written with respect to the theme and agree that, up front, the less you know about it the better. Probably my biggest complaint is with the narrator. Admittedly there are many run-on sentences within the text, but that alone isn't always a bad thing. However, the narrator lacked helpful pauses and read with so little inflection that even i felt out of breath by the time the full stop presented itself.
In my opinion it's probably best to forego the audio version of this book and maybe read it instead.
Sometimes, thrillers that take place in the 20's can feel either tired or overworked. This, however, feels natural. The author brilliantly captures the essence of womanhood in this age, and keeps you guessing until the last page. I'm still questioning what is real and what is not after this fast paced tale, and I can't recommend it highly enough.
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