Pulitzer Prize, Fiction, 2013
An epic novel and a thrilling literary discovery, The Orphan Master’s Son follows a young man’s journey through the icy waters, dark tunnels, and eerie spy chambers of the world’s most mysterious dictatorship, North Korea.Pak Jun Do is the haunted son of a lost mother - a singer “stolen” to Pyongyang - and an influential father who runs Long Tomorrows, a work camp for orphans. There the boy is given his first taste of power, picking which orphans eat first and which will be lent out for manual labor. Recognized for his loyalty and keen instincts, Jun Do comes to the attention of superiors in the state, rises in the ranks, and starts on a road from which there will be no return.
Considering himself “a humble citizen of the greatest nation in the world,” Jun Do becomes a professional kidnapper who must navigate the shifting rules, arbitrary violence, and baffling demands of his Korean overlords in order to stay alive. Driven to the absolute limit of what any human being could endure, he boldly takes on the treacherous role of rival to Kim Jong Il in an attempt to save the woman he loves, Sun Moon, a legendary actress “so pure, she didn’t know what starving people looked like.”
Part breathless thriller, part story of innocence lost, part story of romantic love, The Orphan Master’s Son is also a riveting portrait of a world heretofore hidden from view: a North Korea rife with hunger, corruption, and casual cruelty but also camaraderie, stolen moments of beauty, and love. A towering literary achievement, The Orphan Master’s Son ushers Adam Johnson into the small group of today’s greatest writers.
From the Hardcover edition.
©2011 Adam Johnson (P)2011 Random House Audio
“An addictive novel of daring ingenuity, a study of sacrifice and freedom in a citizen-eating dynasty, and a timely reminder that anonymous victims of oppression are also human beings who love - The Orphan Master’s Son is a brave and impressive book.” (David Mitchell, author of The Thousand Autumns of Jacob de Zoet)
“I’ve never read anything like it. This is truly an amazing reading experience, a tremendous accomplishment. I could spend days talking about how much I love this book. It sounds like overstatement, but no. The Orphan Master’s Son is a masterpiece.” (Charles Bock, author of Beautiful Children)
“Adam Johnson has pulled off literary alchemy, first by setting his novel in North Korea, a country that few of us can imagine, then by producing such compelling characters, whose lives unfold at breakneck speed. I was engrossed right to the amazing conclusion. The result is pure gold, a terrific novel.” (Abraham Verghese, author of Cutting for Stone)
The Book Snob for Paris Life Magazine.
Watch the PBS interview, then listen the book and wonder at the world Johnson created. He somehow went to North Korea and incorporated some of what he glimpsed. Although the country is a mystery to us, perhaps this book sheds light through the power of fiction.
High on the list
There's really only one character, the protagonist, Jung-wa (spelling?)/Commander Ga
There's really only one character, the protagonist, Jung-wa (spelling?)/Commander Ga
The Orphan Master's Son's Revenge
This book, with fastidious complex details about current life in North Korea, Korean culture, food, clothing, rituals, politics, etc., is written by a Caucasian Anglo. I've traveled as a tourist to the DPRK, and how he managed to capture and research such details (for example, the Air Koryo Ilyushin-62) is beyond me.
I could not stop listening to this book. I wouldn't have been interested in reading it if it hadn't been for the recent news reports about North Korea after the death of the "dear leader". When you hear about starvation, work camps, and the supreme rule of one man over an entire people, it is difficult to imagine what that really means. This book brings it to life. It was difficult to listen to at several points, so be prepared, but it was worth it.
I recently visited South Korea - I'm glad I didn't go to the DMZ.
Gen-Xer, software engineer, and lifelong avid reader. Soft spots for sci-fi, fantasy, and history, but I'll read anything good.
Adam Johnson set the bar high for himself in writing a novel set in a country hidden behind a wall of totalitarianism and rumor. But I thought that the Orphan Master’s Son rose to the challenge and deserves its hype. Johnson seems to accept that he can’t fill in all the details of a place largely blacked out to American eyes, so he relies on a light touch and a writer’s sense of lyricism to impart truth through story and character, rather than facts alone. The real North Korea is simply a jumping off point into Big Brother dystopia as an idea.
Because what defines life in such places, as Johnson seems to see it, are not facts or people, but narratives. And, here, all narratives are subsumed and rewritten by an all-pervading, state-created fiction. If the state decides that a citizen is to have have a new job, name, husband, or identity, then the citizen does. If the state finds that a citizen’s existence no longer fits the official narrative, the citizen ceases to be. Yet, the state's power contains a flaw: sometimes the narratives it creates for its citizens give them just a little power to resist it.
Enter Pak Jun Do, a non-orphan who, by various turns of events, becomes recast as an orphan, then as a tunnel soldier trained to fight in the darkness, then as a kidnapper, then as an intelligence officer installed on a fishing boat, then as an agent sent on an absurd mission to Texas. Initially an anonymous, dutiful North Korean subject, opaque to the reader, Jun Do gradually becomes someone, both in terms of his official status and his own inner life. Until, suddenly, we are introduced to another viewpoint on all that’s taken place. At that point, the plot becomes non-linear and a little meta, but it kept me guessing and I never had trouble making sense of what happens. Of course, there’s a love story that comes into play, through a strange twist of fate and a daring act of defiance.
What lifts this book above the ordinary is Johnson’s skill at enlisting small details and images and making them resonate through the story. The tattoos of their wives that fisherman put on their chests, fragmentary artifacts that drift in from the outside world (on the ocean or through radio), human connections to plants and animals, the use of martyrs names for orphans, the outlandish self-parodying pronouncements of state propaganda broadcasts -- all acquire a meaning beyond themselves. He also shows us human beings being complicated, with all the fear, absurdity, poignancy, boredom, rationalization, darkness, and hope that attends life in an oppressive place. We see how an idealistic state interrogator might compartmentalize his work life and his personal one, his ambitions and his own fears. Or the layers of deception navigated by a character trying to manipulate the deluded, yet shrewd Dear Leader, who is running his own manipulation of the same character. Or how a wary trophy wife, freer than most, but far from free, might respond to being issued a "replacement husband" at the pleasure of Kim Jong Il. I can see why David Mitchell (a favorite writer of mine) made a point of praising this book. It's just as about using a postmodern lens to view the world as his own works are.
On the subject of postmodernism, the book does have a few weakness. The different substories are a little awkwardly joined. The use of the aforementioned propaganda broadcasts to tell part of the story is a clever device, but gets a little exhausting later in the book. Also, a number of the scenes involving Americans come across as a little forced. Much of the problem, I think, was that any scene in which the Yankees talk yanked me right out of Jun Do's mind -- he couldn't have understood them as I did. Readers who prefer strict realism over literary creation might be frustrated with aspects of the story.
I was glad Johnson took the dare, though. If it has its rough spots, The Orphan Master's Son is still a stunning accomplishment, and I'm looking forward to seeing where else he might go in his career.
The audiobook narrators do a fine job, capturing (among other voices) the interrogator’s youthful sense of mission, the stern, moralizing tone of the broadcasts, and the creepy, vapid jocularity of Kim Jong Il.
I have to disagree with Tim ??? quite strongly actually.
This story comes together like a jigsaw puzzle. Different characters give us their (incomplete) part of the story so the reader/listener is left to figure out what is actually happening. The Korean names and dialogue made my understanding slower but after listening to it a couple of times, I can???t stop thinking about it. I think Mr. Johnson did a brilliant job of telling a complicated story.
The level of human misery, cruelty and pathological ideas depicted makes North Korea, in my opinion, the leader in long list of notorious practitioners. History books as well as novels are not shy about adding imaginative ways to hurt people and/or animals but the NK regime certainly beats them all in that respect. It is so hard to believe it has gone on for so long.
If a North Korean slipped through Alice???s looking glass, he/she would no doubt feel right at home in Wonderland ,, well , if you add lots of cruelty.
The book is well written and the narration is spot on.
Eric Raymond is the author of "Confessions from a Dark Wood" published by Sator Press, 2012. He lives in San Francisco.
This is probably the finest audio book I've ever listened to, and it the novel earns every bit of the hype surrounding it. The stunning imagination, the bejeweled detail, the immaculate voicing and structure of this novel makes it one of the best books I've read in the past ten years. You will find it horrific and entertaining in equal measure, and no piece of fiction has worked so hard to counter totalitarian terror without being dogmatic.
This book still haunts me. Johnson makes you root for the main character while loving him and hating him, but the real genius is how he sneaks other characters into the book and makes you care about them as well. Johnson has a way of pulling empathy from his audience towards characters that you would normally hate, that would normally be the "bad guy."
I don't know anything about North Korea, so I don't know how much of the dark, dismal "facts" are true, but wow, he paints communism with the darkest of brushes and makes such a complex, and layered backdrop for the story, that North Korea becomes a character all in itself.
The reason for the 4 stars on Performance is the sections with the "loud speaker." They were SO annoying. I know they were supposed to be. I got a clear sense of what it must be like to live under a constant loud speaker, but that part of the performance was distracting and I dreaded that part of the book.
If you've read Escape from Camp 14 you have a good idea what North Korean prisons are like. North Korean life outside its prisons does not appear to be much better. I found this book difficult to comprehend at times. I questioned why the author devoted so much time to particular individuals, or why he chose a particular sequence of events to weave the story together. In the end it didn't matter. The point was clear, the story was disturbing and the inhuman manipulation that is North Korea was stunningly revealed. The book is a work of art. It is impressive. You just have to be prepared for a nasty ride.
I hear voices. But maybe that's because there's always an Audible book in my ear.
Sometimes you read a Pulitzer Prize winner, and shake your head in disbelief. This time I knew exactly why this book won. It deserves all of the praise it can get.
This book is SO real. I'm unsure of its accuracy, but I certainly felt like I had a glimpse of the Glorious Democratic People's Republic of Korea through the character's eyes. It's so rare when I actually can suspend reality and feel something on behalf of a character. In this book it happened subtly. I had a visceral reaction to an event before I realized how immersed I was in the characters and their lives. I started to grimace every time I heard "glorious" or "Citizens!" or "Supreme Leader."
Adam Johnson has done a fine job of using fiction to paint a picture of life inside one of the most closed societies on earth. He allowed me to understand it in a way that wouldn't have been possible otherwise.
The narration is perfectly suited to the book. It's not completely transparent, but gives you a very good sense of where you are and who is talking. I think it's precisely what a good narration should do - especially in a book like this with abhorrent content. I had enough of a reaction. I didn't need any overblown narration to help that along.
If you follow my reviews I can promise to never bore you with reciting what the book is about- and I will never ever give anything away.
Before listening to this book I listened to (I have to remember not to say "read") Dear Leader and I think that Dear Leader was in some way a prolog to understanding that the fantastical events in The Orphan Master's Son are not fantastical but are true. I read that Adam Johnson spent 4 years researching this book and that adds much credence as well.
At times this book is very difficult to listen to - some descriptions are so very distressful that I want to believe that they aren't happening on the other side of the world, but that is wishful thinking. The vivid images I have in my head as a result will take years to dissolve, but I don't regret listening to this book, just the opposite. Not knowing about something does not mean it is not happening.
This is a complex layered story but presented in a matter of fact way and so it is easy to understand the twisting events as they are played out, the key is given very early on that North Korea is a country built on deceptions. The willful suspension of disbelief is a way of life for the characters in the book, so much so that they use it to live - literally.
I have listened to two books since The Orphan Master's Son but I can't even recall their titles right now, the voices of these excellent narrators are still going on in my head - especially the Texas Senator's wife. Funnily, I did not even realize that there was a full cast until I started to write this review and think back on the characters, I was so caught up in the story that I was unconscious of the work that obviously went into the smooth flow.
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