Award-winning author, narrator, and screenwriter Neil Gaiman personally selected this book, and, using the tools of the Audiobook Creation Exchange (ACX), cast the narrator and produced this work for his audiobook label, Neil Gaiman Presents.
A few words from Neil on The Minotaur Takes a Cigarette Break: "When Steve and I talked about the ideal voice for M, he suggested Holter Graham….because 'Holter’s handling of the Minotaur’s grunt was PERFECT. Exactly what I heard in my head.'"
Five thousand years out of the Labyrinth, the Minotaur finds himself in the American South, living in a trailer park and working as a line cook at a steakhouse. No longer a devourer of human flesh, the Minotaur is a socially inept, lonely creature with very human needs. But over a two-week period, as his life dissolves into chaos, this broken and alienated immortal awakens to the possibility for happiness and to the capacity for love. "Sherrill also insinuates other mythological beasts - the Hermaphroditus, the Medusa - into the story, suggesting how the Southern landscape is shadowed by these myths. The plot centers around the Minotaur's feelings for Kelly, a waitress who is prone to epileptic fits. Does she reciprocate his affections? As the reader might expect, the course of interspecies love never does run smooth." (Publishers Weekly) Steven Sherrill created the artwork used for the audiobook edition of The Minotaur Takes a Cigarette Break.
To hear more from Neil Gaiman on The Minotaur Takes a Cigarette Break, click here, or listen to the introduction at the beginning of the book itself.
©2000 Steven Sherrill (P)2011 John F. Blair Publisher
I honestly can't remember the last time I was this surprised by such originality in storytelling. Bravo to Steven Sherrill for a tale that's both audaciously fanciful and very human (or half-human, I suppose). Delightful, bittersweet and utterly unexpected. I'm recommending this to my friends.
... Another outstanding performance by Holter Graham, one of the most listenable(?) readers in the world of audiobooks.
... Big thanks to Neil Gaiman for championing a fine work that might not have received the attention it deserves.
... And now I can't help but think about other legendary creatures from ancient literature. What are they up to these days?....
Nay~ not time well-spent. I have to admit that the only reason I continued listening was because I paid for it and because the narrator was FANTASTIC. I also want to give credit where its due: Sherrill's prose, overall writing style, and wordsmithing are well honed. At times I truly enjoyed his sentence structure and descriptions... BUT~ this story didn't go anywhere. After 4 hours and 49 minutes, I had to stop. It's a dull story overall. I really don't understand where all the praise comes from. This will be the first audiobook I was unable to finish. I even made it through Amanda Ronconi's nasal-y, whiny, exaggerated Alaskan accent in How to flirt with a Naked Werewolf (not my usual book, but it was part of a girl's bookclub).
I cannot speak for the back half of the book, but the front half of it is a sad, and dull story of a minotaur living in an old backwards town, living in a trailer, going to his job (cook in a local restaurant), fixing his car, having the desire to speak but not ever doing it, and overall letting life wash over him as he craves human interaction that he can't quite have. It's depressing at best... At first I thought the book would have many more mythological references with fun modern twists (it didn't), and then I thought: well maybe it's a study on human interaction and what we take for granted in our social rituals (that didn't seem to develop). The I thought... hmm, perhaps the author is using this is a criticism on how poorly we treat outcasts or some such (nay, the reprimand never came). Then finally I decided: the author just wants to tell a sad tale, about a lonely, boring individual, with no real aspirations, phantom hopes, and an unstable life and background that kept him (and will keep him) on the road to more eternal nothingness. That's when I came back to Audible to find my next book. Goodbye
I don't think I will...
This narrator does an excellent job with what could be a very monotonous story. His voices and grunts and tone were the highlight of those 4+ hours.
I was disappointed in this book. I wanted to love it because Neil Gaiman recommended it. I gave it 3 starts overall because the narrator deserves credit (and the author forges a good paragraph even if the story is boring).
If you have suffered through many English literature classes in college, my headline says it all. Because the main character is the Minotaur, I guess this book technically qualifies as fantasy. But the handling of plot, character, action is totally from the literary genre rather than the fantasy or science fiction genre. Ask yourself which you preferred: Moby Dick or The Lord of the Rings? The Great Gatsby or The Wheel of Time? William Faulkner or George R. R. Martin? If you preferred the first in each of these choices, then you may actually like this book. If you are able to enjoy both the literary and the fantasy genre, then this book may be quite your cup of tea. But if you depended on Cliff Notes to get you through Moby Dick and all its literary brothers, then give this book a miss.
The editorial synopsis of this book says that the plot revolves around the Minotaur's love for an epileptic waitress. But the plot is a very thin thread amidst a great sea of vividly described scenes wherein nothing much happens and NOTHING has a conclusive ending.
I finished this book, and I don't usually finish books I don't like, so it had *something*. But I was irritated almost the entire time I was listening to it, and planning my scathing review throughout. Almost everyone in this book was little, mean, or unlikable. A few acts of futile kindness were scattered among a host of petty cruelties. There was instance after instance where some sort of action was called for--call the boss, call the police, call a taxi--where nobody did anything. And there was one truly appalling scene where two children are in considerable danger, their mother is nearby but ignorant of what is going on, and our "hero" goes for a car ride so he won't be there when the @#$% hits the fan.
There are a number of scenes with sexual overtones, and pretty much every one of them is unpleasant, bordering on disgusting, in some way. The main character comes across as being mentally retarded--really. He is good at a few things, so I guess he couldn't be, but if you like your protagonists to be brilliant, witty, brave, or effective, look elsewhere.
The book ends in the same limping, ineffective way of everything that went before it. I THINK the author thinks he wrote a happy ending, but I'm not sure. There was a brief epilogue that was supposed to inform us, I guess. But the images were disjointed and symbolic, and conveyed nothing much to me. I suppose if I'd been reading this story instead of listening to it, I could have gone back over the epilogue 15 or 20 times to figure out what it was meant to convey, but I don't think listening to it again would have helped much, and I don't care enough about this story to (heaven forbid!) spend more money to buy a printed copy. Or even to go to my local library and look for it.
As you may have deduced by now, I won't be recommending this book to all my friends. Nor do I recommend it to you.
The Cat reviews
Here's the premise: a mythological creature, head of a bull, body of a man, works as a line cook in a steakhouse in rural North Carolina and nobody much notices! A real Minotaur! Horns and everything, okay I'll have the prime rib. Sherril makes us accept that suspension of disbelief, telling a story where impossibility intrudes on reality with hardly a ripple. The Minotaur is always The Minotaur, with the capital letters and rarely a pronoun, and the constant repetition of "The Minotaur" is almost hypnotic. The Minotaur lives in a trailer park, fixes cars and falls in love with the epileptic waitress. We never find out how he got here from Crete, but we don't mind because this is clearly where he belongs, just as every other place he's been is where he belongs. He remembers devouring virgins and youths but hasn't the energy to get into that these days, and he prefers onions anyway. It's a story about the downside of immortality
Holter Graham perfectly captures the speech of The Minotaur, a series of modified bovine grunts. He weaves the rest of the story in almost dreamlike cadences, giving the characters the voices that are different, and not strained.
This book was picked by Neil Gaiman, and it's not hard to see why. Gaiman's entire ouvre is more or less about the collision of myth and reality, and when you've read everything he's written, a good way to get over the annoyance that he hasn't written more is to read things he likes.
I was very excited to see these selections by Neil Gaiman and this did not disappoint. The story was well written, rich with sensation and experiences, not all of them pleasant but the end of the book I felt completely satisfied. Sherill's writing made it easy for me to empathize with the Minotaur, and his character transcends the mythical beast and becomes very human and very familiar. Really glad I bought this book.
Maybe to a few friends. The reader Holter Graham is excellent, but the story just never seems to go anywhere. I kept listening hoping for some twist or turn to take things in a new or surprising direction but it never happens.
The Minotaur character doesn't really change, there was a real opportunity to take him in an unexpected direction or to have him grow.
He really brings the characters to life and gives them depth.
Overall this book was a let down, there was an opportunity to do something different. Because of this it ultimately disappoints the listener. As a warning to potential listeners there is some strong language, strong sexual language, sex situations so this isn't for young listeners or those easily offended.
"Delightful" is not the adjective, as stated in another review, that I would ever choose to describe this book. I finally found it so depressing that I stopped listening. No worries, it was too hard to suspend my disbelief anyway.
This story had a great premise and the cast of characters was interesting. Still it lacked something. Just an okay read.
Expected more from this story. I enjoy Neil Gaiman's books and was expecting a little more of the quirky humor and imagination related to the minatours existence. Basicall he's a shy line cook with a speech impedimant and the story goes through 2 weeks of his life and him dealing with being awkward in relationships.
I wasn't sure what to expect when I decided to listen to this but ultimately I couldn't put it down and didn't want it to end. The story is "simple" yet so complex, the Minotaur is quite a character (in all senses of the word). Many books create situations (crisis) and the reader can typically figure out what will happen next, this is not one of those books. This isn't to say the results are outlandish or so far fetched one would never have imagined the outcome, it is a testament to the creativity of the author. I will definitely be be reading other books from the "Neil Gaiman Presents" series and if they are are as intriguing as this one it will be a wonderful journey. If your contemplating picking this up, do yourself a favor and go for it.
"Strange but sad"
This is a strange wee tale. The minotaur is still around, he has been for what seems like forever. People take advantage of him and are nasty in the way people are to those who are different. He just wants to carry on with his catering job, and perhaps get to know the waitress a bit better, but could she like someone like him?
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