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The Marriage Plot  By  cover art

The Marriage Plot

By: Jeffrey Eugenides
Narrated by: David Pittu
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Publisher's summary

A New York Times Notable Book of 2011

A Publisher's Weekly Top 10 Book of 2011

A Kirkus Reviews Top 25 Best Fiction of 2011 Title

One of Library Journal's Best Books of 2011

A Salon Best Fiction of 2011 title

One of The Telegraph's Best Fiction Books of the Year 2011

It's the early 1980s—the country is in a deep recession, and life after college is harder than ever. In the cafés on College Hill, the wised-up kids are inhaling Derrida and listening to Talking Heads. But Madeleine Hanna, dutiful English major, is writing her senior thesis on Jane Austen and George Eliot, purveyors of the marriage plot that lies at the heart of the greatest English novels.

As Madeleine tries to understand why "it became laughable to read writers like Cheever and Updike, who wrote about the suburbia Madeleine and most of her friends had grown up in, in favor of reading the Marquis de Sade, who wrote about deflowering virgins in eighteenth-century France," real life, in the form of two very different guys, intervenes. Leonard Bankhead—charismatic loner, college Darwinist, and lost Portland boy—suddenly turns up in a semiotics seminar, and soon Madeleine finds herself in a highly charged erotic and intellectual relationship with him. At the same time, her old "friend" Mitchell Grammaticus—who's been reading Christian mysticism and generally acting strange—resurfaces, obsessed with the idea that Madeleine is destined to be his mate.

Over the next year, as the members of the triangle in this amazing, spellbinding novel graduate from college and enter the real world, events force them to reevaluate everything they learned in school. Leonard and Madeleine move to a biology Laboratory on Cape Cod, but can't escape the secret responsible for Leonard's seemingly inexhaustible energy and plunging moods. And Mitchell, traveling around the world to get Madeleine out of his mind, finds himself face-to-face with ultimate questions about the meaning of life, the existence of God, and the true nature of love.

Are the great love stories of the nineteenth century dead? Or can there be a new story, written for today and alive to the realities of feminism, sexual freedom, prenups, and divorce? With devastating wit and an abiding understanding of and affection for his characters, Jeffrey Eugenides revives the motivating energies of the Novel, while creating a story so contemporary and fresh that it unfolds like the intimate journal of our own lives.

©2011 Jeffrey Eugenides (P)2011 Macmillan Audio

Critic reviews

“The sound of silk drawn across fine-grain sandpaper best describes David Pittu's voice in THE MARRIAGE PLOT, by Pulitzer Prize-winning novelist Jeffrey Eugenides...The talented Pittu rises to the occasion of this challenging work, rewarding the listener with a sense of satisfaction reserved for great works of literature.”—AudioFile magazine, An Earphones Award Winner

“David Pittu brilliantly narrates this audio version of Eugenides' complex novel, whether he's rattling off quotes from Jacques Derrida and Roland Barthes or creating unique voices for the book's many characters. Among the standouts are his renditions of the slow and reflective Mitchell and Thurston, the star of the semiotics seminar who speaks in a falsely laconic and disinterested fashion to impress his classmates and professor… [Pittu] never runs out of voices for this large, global cast. The result is one of the best audiobooks of the year.”—Publishers Weekly, starred review

“No one's more adept at channeling teenage angst than Jeffrey Eugenides. Not even J. D. Salinger . . . It's in mapping Mitchell's search for some sort of belief that might fill the spiritual hole in his heart and Madeleine's search for a way to turn her passion for literature into a vocation that this novel is at its most affecting, reminding us with uncommon understanding what it is to be young and idealistic, in pursuit of true love and in love with books and ideas.”—Michiko Kakutani, The New York Times

“This is a story about being young and bright and lost, a story Americans have been telling since Hemingway's The Sun Also Rises. Our exceptionally well-read but largely untested graduates still wonder: How should I live my life? What can I really believe in? Whom should I love? Literature has provided a wide range of answers to those questions—Lose Lady Brett! Give up on Daisy! Go with Team Edward!—but in the end, novels aren't really very good guidebooks. Instead, they're a chance to exercise our moral imagination, and this one provides an exceptionally witty and poignant workout.”—Ron Charles, The Washington Post

What listeners say about The Marriage Plot

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    2 out of 5 stars

Esoteric, Vapid, Trite

Were my expectations too high after "The Virgin Suicides" and "Middlesex"? Perhaps it's unfair to place such expectations on a brilliant writer.

I didn't connect with the characters and found them to be whiny, self-absorbed and devoid of personality. The narrator was positively horrible when voicing female characters. Please listen to the sample if you do purchase this book.

The pretentious details and plot the vapid characters wade through was exhausting. Stayed with the book until the last word waiting for an epiphany or a satisfying conclusion, alas to no end. Numerous references to Victorian Brit list were ostentacious and my degrees are in this subject matter.

Enter at your own risk.

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70 people found this helpful

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    5 out of 5 stars
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Pride and Prejudice, updated

Having enjoyed listening to audiobooks of Jeffrey Eugenides’ first two novels, "The Virgin Suicide" and "Middlesex," I looked forward to this one.

What exactly is a “marriage plot”? We encounter it frequently in novels and films. Wikipedia defines it as follows: “Marriage plot is a term used, often in academic circles, to categorize a storyline that recurs in novels most prominently and in films most recently. Until the expansion of marriage rights to same-sex couples, this plot centered exclusively on the courtship rituals between a man and a woman and the obstacles that faced the potential couple on its way to the nuptial payoff. The marriage plot became a popular source of entertainment in the 18th and 19th centuries with the rise of the bourgeois novel. The foremost practitioners of the form include some of the more illustrious names in English letters, among them Samuel Richardson, Jane Austen, George Eliot and the Brontë sisters.”

As I listened to the travails of the young, Ivy League, literati in Eugenides version of a modern day marriage plot, I thought no so much of the novels of Jane Austen and Henry James, but of the many times Shakespeare used it in his plays: by my count 23. Eugenedes puts his own spin on the marriage plot and does so in fast paced, clearly written, and enjoyable fashion. If I had one criticism, it is that his third novel does not have the same subtle Kalfkaesque strangeness which the subject matter of his first two novels afforded (suicide in "The Virgin Suicides," and genetic variation in "Middlesex"). It seemed Eugenedes attempted to use the topics of religion (Mitchell ) and mental illness (Leonard) to achieve the same effect, but fell a little short. This might have been from Eugenides' pre-conceived plan to pay homage to earlier novelists rather than create something new and non-derivative. Still, I enjoyed this novel enough to give it the highest marks.

With regard to the narrator’s performance, I don’t think he could have done a better job. His casting was perfect, and you could always tell which character was speaking.

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60 people found this helpful

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A Great Deal More Than Meets The Eye

I repeatedly disregarded this selection, worried it would be a trite romance story that would have little to engage me. I was wrong.

The year is 1982, and three young people are graduating from Brown University. They have qualities that are often found in young graduates; very sure of their own opinions, very proud of their own intellect, and perhaps a bit unaware of their own self-indulgence. Most of us have been there; it's easy for the world to appear "black and white" when you're young.

For me, this book was a beautiful, smart, and effective novel of how people transition from those qualities, to adults that better understand the difficult, complicated realities of the "real world". The story is everything the characters are not; it's self aware, humble, and honest. It took situations that are often glossed over or romanticized, and instead presented them in realistic terms; addressing mental illness, poverty, and the unexpected consequences that so often follow rash decisions. It was refreshing to see these presented as they really are.

This could sound like a depressing topic; but the book was far from it. It was funny, sensitive, and insightful. The story begins at Brown, but travels to France, Monaco, Greece, and India. The unique way the narrative moves backwards and forwards in time highlighted how often we work off of partial information; having you form one opinion of an event, only to go back later and provide more information that may make you re-think your opinion.

I loved this book. For me, it's one of those novels that makes it hard to pick the next book, because you don't want another one - you want more of this story, of these people. I'm so glad I finally gave it a chance.

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I Think I'm in Love

To paraphrase (very loosely) somebody: a story without enlightenment is a "beach read"; enlightenment without a story is a textbook. This book has both.
The plot similarities to Franzen's last book (student love triangle extended beyond college) are certainly present, but the similarities end there.The characters in "Freedom" are viewed with such ironic detachment that, although amusing and interesting for awhile (the first part of the novel made a brilliant short story in the New Yorker) their lives become tedious and, ultimately,because it goes on for too long, I was anxious for the book to end.
On the contrary, Eugenides' characters are much more real and sympathetic (appealing, even) and I don't want their story to end. I'm sure Mr. Eugenides is tired of having his work compared to Mr. Franzen's but I just had to jump in on this.
The performance in this audible production is outstanding. The narrator's rendition of the character of Leonard is so good I'm almost falling in love with him myself. I looked for other Audible offerings by this narrator and find that his talents are being under-utilized. He should be employed for books more like this one.

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Pretentious? The Marriage Plot? Surely Not...

Would you consider the audio edition of The Marriage Plot to be better than the print version?

I have not read the print version, but I would consider this audio version to be better. I downloaded this title as much for David Pittu's narration as I did for Eugenides' writing. Both were phenomenal.

What other book might you compare The Marriage Plot to and why?

I would compare Eugenides' writing to that of Franzen. If you like Freedom or The Corrections or even Purity, you will like The Marriage Plot. The writing is very intelligent and insightful. The characters are well-developed, and the reader gains access to their innermost thoughts, feelings, and fears.

Which scene was your favorite?

I don't have a favorite scene. This novel doesn't have a lot of peaks and valleys as far as excitement or the quality of the writing. It's a slow progressing yet interesting novel.

If you could rename The Marriage Plot, what would you call it?

The Marriage Plight

Any additional comments?

I've noticed some reviewers referred to this novel as pretentious. It's not. It's just a well written story. There are numerous references to classic literature, but it's not necessary to get them all. As always, David Pittu narrates this novel perfectly. If you're looking for a page turner, this might not be for you. If you're looking for phenomenal writing combined with phenomenal narration, give The Marriage Plot a listen.

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Very enjoyable modern but literary novel

I thought the narration was really excellent for this story which has many characters, both male and female. The reader had different voices for the different characters which added to my enjoyment of the story and both men and women were believable. I will look for other books read by David PIttu in the future.

The story has many layers and can be read as a modern story of love and romance alone which in itself is a satisfying part of the book. What I particularly liked about the book as a lover of novels is the meta story which explores the evolution of the novel and the potential of that form in more modern times as the social mores, especially the role of marriage have changed.

For those who feast on Jane Austen or Anthony Trollope it will be hard to resist a book which opens with the contents of one of the main character's bookshelves and moves forward from there. In fact the story is so ambitious from a literary perspective I feared I would be disappointed. But the structure of the story is its most successful aspect. The author also does a wonderful job of inhabiting the three main characters and making them sympathetic.

I don't know if readers who don't love novels will love hearing about semiotics and great 19th century novelists, but as someone who does I can highly recommend this book to others like myself. It is not heavy reading but there are a lot of references to 19th century authors and texts and I think literary minded readers may enjoy it more than others.

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realistic

I enjoyed listening to this book probably because I am living a little bit of this story with my 3 adult children right now. Eugenides describes them and their peers to a tee, their lifestyle, their behaviors, their beliefs that by being privledged and intellectual they have somehow reinvented life, love, sex, relationships, marriage, work, etc..... I think he did a great job of updating the marriage plot and I was neither bored nor disapointed. This is not, Middlesex, but it has its own merits and I think he succeeds.

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Not pretentious; just smart.

What made the experience of listening to The Marriage Plot the most enjoyable?

Some have called this book pretentious, but I think anytime an author's main characters are moderately intelligent, it can turn off the more pedestrian among us. I am tired of reading about dumb people, and also quite glad to see the brokenness and truth with which Eugenides handles his characters, as well as the inter-relationships and complexities of smart college students trying to find themselves. To the first half of this book I would give a solid 5 stars, but somehow it gets a tad tedious yet still very well-written in the latter half. This man has chops, and I am definitely picking up Middlesex soon. As for the reader, Pittu blows the door off its hinges by smoothly transitioning between characters, gender, and accents. I would love to hear more from him.

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Another great book from Jeffrey Eugenides

As soon as I finished listening I began the book again. This is an excellent read, very complex, with many literary references, but it's OK if one doesn't get them all. Great snapshots of early adulthood angst as well as middle age parenthood, done with some humor. The narrator is excellent.

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reframing marriage plot, post industrial, post mdn

Like one of the 19th Brit masterpieces centered on the marriage plot, you can get lost in this listen just through the characters, story and gentle social comedy of manners; however, instead of examining an ISSUE through its plot, it's a bit Orlando-like in examining the state of narrative fiction (post-post modern in disguise?).

Though set in the 1980s, it seems really to be about narrative fiction today, much like the traditional masterpiece referents were often written slightly out of the timeframe they address. I rated it overall as a only 4 star listen because I did not think the narrator the best voice for all three major characters, and at my age, narrative fiction (even at its best) about 20th century 20- something Ivy Leaguers, WASP and otherwise, is not my first choice of subject matter.

Long live the novel, and the marriage plot, however they emerge in western postindustrial, post modern society. Both are worth the journey in this listen.

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