Intellectually gifted but emotionally unfulfilled, Quentin Coldwater is as much at sea as any high school senior. He still takes refuge in the fantasy novel series he read as a kid, waiting for happiness to fall in his lap. Surprisingly, it does indeed seem to when an elite and secret college of magic recruits him. Mark Brahmall wonderfully inflects the gaggle of fallible little geniuses Quentin grows up with there: Elliott the flaming drunkard, Janet the flashy attention hog, Alice the wallflower, Josh the bumbling frat boy, and Penny the punk rocker. This is not the nice and polite world of Hogwarts. These 17-year-olds spend five years drinking, screwing, cursing, and occasionally buckling down to work with spells that sound more like chemistry labs than fantastic miracles.
Magic is hard, and growing up proves even harder. Brahmall ages this group of would-be adventurers, gradually inserting the pessimistic uncertainty that creeps in as their graduation approaches, and then the slovenly vulgarity that accompanies their post-grad malaise in New York. But their voices find fresh purpose and energy when Penny discovers that Fillory, the magical land of those books from their youth, is real. Fraught with the tensions sprouting between them, each member of Quentin's posse has reasons to escape into Fillory. Brahmall gives voice to everything from a birch tree to an ancient ram, as the group's quest for a brighter future turns ever more ugly and alarming. Quentin's once idyllic dream now corrupted, he struggles to regain a sense of self and return to the more banal hostilities of the real world.
This is a story narrated with all the wonderment and gravitas inherent in the great tradition of magical coming-of-age tales, to be sure, but it rests firmly on the rocky foundations of a realistic human volatility and longing that may want to keep the characters snatching defeat from the jaws of victory to their bitter end. This world is nothing like Narnia or Middle Earth, and listeners with knowledge of those places will find plenty of insider references here to keep them laughing through the disasters. Grossman has captured a shamefully universal set of psychological quandaries, and Brahmall has expressed them in tones that are terrifyingly recognizable. Megan Volpert
Quentin Coldwater is brilliant but miserable. A senior in high school, he's still secretly preoccupied with a series of fantasy novels he read as a child, set in a magical land called Fillory. Imagine his surprise when he finds himself unexpectedly admitted to a very secret, very exclusive college of magic in upstate New York, where he receives a thorough and rigorous education in the craft of modern sorcery.
He also discovers all the other things people learn in college: friendship, love, sex, booze, and boredom. Something is missing, though. Magic doesn't bring Quentin the happiness and adventure he dreamed it would. After graduation, he and his friends make a stunning discovery: Fillory is real. But the land of Quentin's fantasies turns out to be much darker and more dangerous than he could have imagined. His childhood dream becomes a nightmare with a shocking truth at its heart.
At once psychologically piercing and magnificently absorbing, The Magicians boldly moves into uncharted literary territory, imagining magic as practiced by real people, with their capricious desires and volatile emotions. Lev Grossman creates an utterly original world in which good and evil aren't black and white, love and sex aren't simple or innocent, and power comes at a terrible price.
©2009 Lev Grossman; (P)2009 Penguin
"This is a book for grown-up fans of children's fantasy and would appeal to those who loved Donna Tartt's The Secret History. Highly recommended." (Library Journal)
"Provocative, unput-downable....one of the best fantasies I've read in ages." (Fantasy & Science Fiction)
"The Magicians is to Harry Potter as a shot of Irish whiskey is to a glass of weak tea." (George R.R. Martin)
I think the author should have spent a little bit more time on the fantasy part and a little less on the literary part.
Imagine a world where there is but magic isn't magical or exciting... It's mostly about math and having a 17 hr existential crisis. So, so boring.
Did not finish. Made it a little over halfway through the audiobook...and I'm quitting.
Touted as "Harry Potter for adults" naturally I wanted to read it. *sigh* Not even close. Zero likable characters, lame world building, a dull plot, pointless and kind of creepy sex scenes (probably to make it clear that "this is an adult book, not that silly childrens' book Harry Potter"), the use of "they" to just describe whole classes of students ("They spent that last semester in boredom...."), and references to real world literature (Tolkien, HP, The Phantom Tollbooth) as if name dropping would make this book better....and then an overlying theme of the main character being obsessed with a serious of childrens' books that is CLEARLY a reference to Narnia but thinly veiled under a different name.
Halfway through the first book, they're now graduating school/college, so that was five years in half a book. I'm assuming the rest of the series is about their time as "adult" magicians?....but that just makes the whole school section pointless. It WAS pointless, now that I think of it. Magic, instead of being exciting and wonderful, was boring and tedious to learn, thus their school years are tedious and uninteresting. Basically, there's no interesting in-depth look at how magic is learned, we're just told that "they" learn magic, and then pretty much just spend all their time drinking excessively, bored out of their minds, playing pool and some magical game that "they" obsess over, having lots of sex (and Antarctic orgies...yeah, that happened), and generally acting pretentious, selfish, and annoying. The author was big on "telling, not showing"...instead of showing us WHY Quentin and the other students loved their school, he just tells us that they did. Instead of showing us HOW they learned magic, most of the time he just tells us that they did.
I think that my main issue was with the character of Quentin. The description of him as miserable is an accurate one, and it made caring for him and his ordeals difficult. He aroused not dislike in me, but apathy. If I am not interested in a character, I won't stick with the story.
The narrator did a very good job in giving each of the characters their own voice. You got a sense for the character through him.
The story was confusing and boring at times.
No because it would be compared to Harry Potter. Harry Potter would put The Magicians to shame.
So the "world" so to speak of this book was awesome. Some of the plot twists were awesome. You can tell the author put a lot of thought and effort into the setting everything perfectly to tie together in the end. However the characters were so whiny, childish and depressing it became very difficult to continue listening. I read to discover other worlds. I read for entertainment and to escape. Every time I put down this book I was pissed off. I almost never quit books early, but with this one, I was fed up and actually went to stop it early when I discovered there was on 40 minutes left. The last twenty minutes of that forty were the best part of the whole book. Thinking optimistically I even tried book 2, based on that last twenty minutes. Believing, incorrectly, that the brooding, mean spirited, irresponsible, drunken jerks for characters, main character particularly, had been intentionally "going through a hard time" and had started on the road to growing up. Characters growing and maturing is magnificent and true change isn't something I have found very often... So I was hopefully optimistic that the series would evolve into something less, well, whiny. I started book two and no luck and turned it off after a few hours of the same old bad attitudes. Maybe if I finished more of book two he would eventually grow past the entitled, selfish, 13 year old drunken spoiled brat phase, but I'll never know... I do believe the author was going somewhere good, lots of good ground work, but dang it was depressing as heck to be sucked into that characters pissy mind. I'm returning book two. I'll probably keep this one based on that I wouldn't return a totally finished book to a book store because I didn't like it, but IDK, it might go back too.
Yes. though I gave book two a quick shot.
He did excellent. Great voices, never mixed up the characters voices with each other. Captured spoiled brat personality very well.
The main one. And maybe all the rest. The only one relatable and decent gets killed off, or killed off for all practical purposes anyway.
Absolutely. This is phenomenal storytelling, true-to-life, and an overall enriching experience, especially when considered with the sequel. The characters are dynamic, the conflicts exciting, the resolutions unexpected and satisfying, and the villain absolutely brilliant and terrifying. I hope to see much, much more from this author.
Getting right down to it, basic sentence structure, word-choice, and flow of narration. It is expertly done. I also loved how human the heroes are, being completely relatable instead of thinly-drawn paragons that we see too often in fantasy series. This is as much a growing-experience for the characters as to the reader/listener.
Bramhall is perfect. It is hard to pick a favorite, but his Eliot was particularly good.
It is impossible to describe why without spoilers, but the final act is incredibly moving and satisfying.
I am utterly baffled by the criticisms that come in some variation of "this isn't Harry Potter." I am a HUGE Harry Potter fan, but come on people, that is like criticizing The Notebook because it wasn't as scary as The Exorcist. It makes absolutely no sense whatsoever. The Magicians is fantasy literature at its best and is meant for a mature, intelligent audience. If you are truly unsatisfied with the ending, which I found to be quite happy actually, I hope you give the second book a chance, because it is leaps and bounds better than the first, which I dearly love anyway.
The only criticism I would level against this book is that the pacing seemed a bit too fast in the school section. I would have enjoyed that as its own book.
This had much less global appeal than I had hoped - I am not a fan of this type of book, and found the School of Magic premise not my thing. But, the story arc was good, characters interesting and well developed, and nicely written overall. I listened to the end and enjoyed it. It had a melancholic sweetness that I appreciated.
The performance was really quite good, though I did find the tone to be sometimes a bit boring... but for what Bramhall was working with, he did a phenomenal job.
I wanted to like this book, so much. I like the IDEA behind the book, a disaffected teenager finds that magic doesn't solve all of his problems, and how that fits into the real world. I even like the excessive nods to Narnia. I wanted to know how it ended, which is why I gave it two stars, though it's probably more a 1.5.
But my god this book was boring. I kept waiting for something to happen and when something finally WOULD happen it would pass by quickly leaving several more pages of nothing to follow. Despite all this nothingness, most of the characters were undeveloped, unlikable, and unsympathetic.
Also, good god Grossman - enough with the similes. It's like he took the English language and threw it in the washing machine and it bled all over everything. I would have liked this book if he had skipped all the boring nothingness and focused on the interesting.
If you go into The Magicians comparing it to other books, you may find yourself disappointed. But if you accept it on its own level, you may, as I did, find yourself enjoying it. This book is very well written. Grossman can really spin a tale. And the characters are starkly contrasted and interesting in their flaws and strengths. I will be (happily) reading book two. And likely any more that come along in the series.
I loved this book. its a little rough and it does not have a good role model but for everyone that didn't have and easy transition from childhood to adulthood there are moments in this book that you should relate too. its a great contrast to Harry potter (which I love) where all the main characters are almost saintlike. give it a shot. I really liked it.
Report Inappropriate Content