Intellectually gifted but emotionally unfulfilled, Quentin Coldwater is as much at sea as any high school senior. He still takes refuge in the fantasy novel series he read as a kid, waiting for happiness to fall in his lap. Surprisingly, it does indeed seem to when an elite and secret college of magic recruits him. Mark Brahmall wonderfully inflects the gaggle of fallible little geniuses Quentin grows up with there: Elliott the flaming drunkard, Janet the flashy attention hog, Alice the wallflower, Josh the bumbling frat boy, and Penny the punk rocker. This is not the nice and polite world of Hogwarts. These 17-year-olds spend five years drinking, screwing, cursing, and occasionally buckling down to work with spells that sound more like chemistry labs than fantastic miracles.
Magic is hard, and growing up proves even harder. Brahmall ages this group of would-be adventurers, gradually inserting the pessimistic uncertainty that creeps in as their graduation approaches, and then the slovenly vulgarity that accompanies their post-grad malaise in New York. But their voices find fresh purpose and energy when Penny discovers that Fillory, the magical land of those books from their youth, is real. Fraught with the tensions sprouting between them, each member of Quentin's posse has reasons to escape into Fillory. Brahmall gives voice to everything from a birch tree to an ancient ram, as the group's quest for a brighter future turns ever more ugly and alarming. Quentin's once idyllic dream now corrupted, he struggles to regain a sense of self and return to the more banal hostilities of the real world.
This is a story narrated with all the wonderment and gravitas inherent in the great tradition of magical coming-of-age tales, to be sure, but it rests firmly on the rocky foundations of a realistic human volatility and longing that may want to keep the characters snatching defeat from the jaws of victory to their bitter end. This world is nothing like Narnia or Middle Earth, and listeners with knowledge of those places will find plenty of insider references here to keep them laughing through the disasters. Grossman has captured a shamefully universal set of psychological quandaries, and Brahmall has expressed them in tones that are terrifyingly recognizable. Megan Volpert
Quentin Coldwater is brilliant but miserable. A senior in high school, he's still secretly preoccupied with a series of fantasy novels he read as a child, set in a magical land called Fillory. Imagine his surprise when he finds himself unexpectedly admitted to a very secret, very exclusive college of magic in upstate New York, where he receives a thorough and rigorous education in the craft of modern sorcery.
He also discovers all the other things people learn in college: friendship, love, sex, booze, and boredom. Something is missing, though. Magic doesn't bring Quentin the happiness and adventure he dreamed it would. After graduation, he and his friends make a stunning discovery: Fillory is real. But the land of Quentin's fantasies turns out to be much darker and more dangerous than he could have imagined. His childhood dream becomes a nightmare with a shocking truth at its heart.
At once psychologically piercing and magnificently absorbing, The Magicians boldly moves into uncharted literary territory, imagining magic as practiced by real people, with their capricious desires and volatile emotions. Lev Grossman creates an utterly original world in which good and evil aren't black and white, love and sex aren't simple or innocent, and power comes at a terrible price.
©2009 Lev Grossman; (P)2009 Penguin
"This is a book for grown-up fans of children's fantasy and would appeal to those who loved Donna Tartt's The Secret History. Highly recommended." (Library Journal)
"Provocative, unput-downable....one of the best fantasies I've read in ages." (Fantasy & Science Fiction)
"The Magicians is to Harry Potter as a shot of Irish whiskey is to a glass of weak tea." (George R.R. Martin)
Since having kids - the luxury of sitting down and reading a book is out of the question. Now I can put on good book for just me, or one for the kids while driving and everyone is at PEACE and no one is YELLING. Life is good.
I tried hard to like this book. I listen through the first part thinking that I just needed to get into the characters. But the longer I listen to it, the more depressed I became. This story doesn't pull the reader into the story, it just pulls the reader down.
Overall this book was entertaining, and the story, particularly the first half, was engaging. As previous reviewers have mentioned, there are times when it gets tedious. Also pointed out to some extent is the fact that the characters can be somewhat unsympathetic. I think this is compelling, in that the author is attempting to create a "reality story," fraught with human failings, in a fantasy context; so that there is not a clearly defined hero.
I disagree with those who claim that this book is a collection of stolen ideas. The book is a play on the Narnia concept as a vehicle for a modern day coming of age story, and is far from an allegory. Furthermore, the fact that a major setting is a school for magicians no more makes The Magicians a rip-off of Harry Potter than such presence makes Harry Potter a rip-off of Discworld. I found this story to be quite original and a refreshing departure from the typical fantasy/magician story.
I won't go quite so far as to give this a two-star rating, but it's really not so great. It starts off with some potential, but once it gets moving along it's really more depressing than anything. I don't mind "dark" or more adult fantasy novels, but this is more of a novel about a bunch of boring, alcoholic, screwed up people that just happen to live in a world where magic is real.
I think that my main issue was with the character of Quentin. The description of him as miserable is an accurate one, and it made caring for him and his ordeals difficult. He aroused not dislike in me, but apathy. If I am not interested in a character, I won't stick with the story.
The narrator did a very good job in giving each of the characters their own voice. You got a sense for the character through him.
Everything. Fairly strong beginning and then lots and lots and lots of meaningless non-developments and uninteresting characters. Described as "Harry Potter for adults." Not even close. I am giving it up, half way trough. Tries really hard to be imaginative, but it does not succeed. Un exciting read.
Good performance, but cannot save the book.
Big disappointment. Do not bother.
Banks on an idea that sold well. It's derivative and lacking any substance,
This book was such a bore fest, I have never checked my mp3 player so much to see how much longer it was. I actually had to pull over to take a nap on more than one occassion.
The only thing that kept me going was that Mark is a good reader and enjoyable to listen to, I was going to put this book down and return it to get something else but I saw that this book was part of a series and the other books have better reviews.
So I decided to finish it, the overall story isn't terrible it's that there is so much world and character building that it gets boring to listen to, I'm going to give book 2 a chance to see where the story is going.
The story was confusing and boring at times.
No because it would be compared to Harry Potter. Harry Potter would put The Magicians to shame.
I didn't find this book really that great. The first part a rushed magic school and the second part a mysterious fantastical land accessed through the real world that was hinted at through books in the world. The foreshadowing for that part of the book was huge, you had to know it was coming. Yes, there is sex and teenage issues in it that games with more adult and a more gritty than a young adult novel, but it's not fantastic. It was a decent book, but it didn't grip me in a huge way.
So the "world" so to speak of this book was awesome. Some of the plot twists were awesome. You can tell the author put a lot of thought and effort into the setting everything perfectly to tie together in the end. However the characters were so whiny, childish and depressing it became very difficult to continue listening. I read to discover other worlds. I read for entertainment and to escape. Every time I put down this book I was pissed off. I almost never quit books early, but with this one, I was fed up and actually went to stop it early when I discovered there was on 40 minutes left. The last twenty minutes of that forty were the best part of the whole book. Thinking optimistically I even tried book 2, based on that last twenty minutes. Believing, incorrectly, that the brooding, mean spirited, irresponsible, drunken jerks for characters, main character particularly, had been intentionally "going through a hard time" and had started on the road to growing up. Characters growing and maturing is magnificent and true change isn't something I have found very often... So I was hopefully optimistic that the series would evolve into something less, well, whiny. I started book two and no luck and turned it off after a few hours of the same old bad attitudes. Maybe if I finished more of book two he would eventually grow past the entitled, selfish, 13 year old drunken spoiled brat phase, but I'll never know... I do believe the author was going somewhere good, lots of good ground work, but dang it was depressing as heck to be sucked into that characters pissy mind. I'm returning book two. I'll probably keep this one based on that I wouldn't return a totally finished book to a book store because I didn't like it, but IDK, it might go back too.
Yes. though I gave book two a quick shot.
He did excellent. Great voices, never mixed up the characters voices with each other. Captured spoiled brat personality very well.
The main one. And maybe all the rest. The only one relatable and decent gets killed off, or killed off for all practical purposes anyway.
People say I resemble my dog (and vice-versa). He can hear sounds I can't hear, but I'm the one who listens to audiobooks.
Let me top this off with the bottom line: There are thousands of Audible titles that I will consider listening to before I ever go back to this series. No, not even if I exhaust the rest of the Audible library.
So this is how you go from four stars to one and a half stars: You start out well, with potential for five stars, by casting a misfit from Brooklyn as a college student who goes to a magical school instead of Princeton, learning about magic and the magical world as a young adult (rather you-know-who as a middle schooler).
But then you go down to three stars when you rush through five years of college with nothing much happening -- which, I've since read, is supposed to be the point, except that it's, in a word, pointless. I'm sure you can name me a classic or two of modern literature that is about people being bored, and I'm just as sure that Lev Grossman is hardly comparable to the classic authors who wrote them.
Nearly ten hours in, you go down to two stars when your "hero" realizes that after nothing much happening to that point, the adventure is about to begin. He actually says exactly that to himself, in case you as reader have failed to notice that you've so far wasted nearly ten hours of your life listening to nothing much, hoping that it may eventually lead to something interesting.
Then the adventure becomes completely nonsensical, by which i mean, nothing makes sense, nothing is connected to what has come before and what comes later, and everything is completely inane. This too may have been the point, with Narnia now the target of the author's cynical satire in place of HP. But what good is a joke if no one knows it's a joke? And if it's not in the least bit funny? Or fun? (Not to mention that, as nonsensical as Narnia may be, it actually has meaning on a higher level.)
That knocks the story down to one star, although there is a shred of redeeming quality in the first few hours for the overall rating to remain at two stars, for a net of one and a half. This book is, plain and simple, an overlong exercise in mental you-know-what, a book critic writing a book that is actually a poorly veiled criticism of two of the most beloved fantasy series ever. I for one and not pleased to have this fraud perpetrated against me.
The Magicians has been called Harry Potter for adults, by no less than the author himself, who justifies his carbon copy of the HP formula by claiming some sort of parody. I call bullpucky. Harry Potter is (figuratively) magical and enchanting while tackling many of the same themes. This book is no more and no less an exercise in mental you know what by a critic egotistical enough to believe that he can write a worthwhile book himself, and in the end is less than a pimple on the scar on Harry Potter's forehead.
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