Intellectually gifted but emotionally unfulfilled, Quentin Coldwater is as much at sea as any high school senior. He still takes refuge in the fantasy novel series he read as a kid, waiting for happiness to fall in his lap. Surprisingly, it does indeed seem to when an elite and secret college of magic recruits him. Mark Brahmall wonderfully inflects the gaggle of fallible little geniuses Quentin grows up with there: Elliott the flaming drunkard, Janet the flashy attention hog, Alice the wallflower, Josh the bumbling frat boy, and Penny the punk rocker. This is not the nice and polite world of Hogwarts. These 17-year-olds spend five years drinking, screwing, cursing, and occasionally buckling down to work with spells that sound more like chemistry labs than fantastic miracles.
Magic is hard, and growing up proves even harder. Brahmall ages this group of would-be adventurers, gradually inserting the pessimistic uncertainty that creeps in as their graduation approaches, and then the slovenly vulgarity that accompanies their post-grad malaise in New York. But their voices find fresh purpose and energy when Penny discovers that Fillory, the magical land of those books from their youth, is real. Fraught with the tensions sprouting between them, each member of Quentin's posse has reasons to escape into Fillory. Brahmall gives voice to everything from a birch tree to an ancient ram, as the group's quest for a brighter future turns ever more ugly and alarming. Quentin's once idyllic dream now corrupted, he struggles to regain a sense of self and return to the more banal hostilities of the real world.
This is a story narrated with all the wonderment and gravitas inherent in the great tradition of magical coming-of-age tales, to be sure, but it rests firmly on the rocky foundations of a realistic human volatility and longing that may want to keep the characters snatching defeat from the jaws of victory to their bitter end. This world is nothing like Narnia or Middle Earth, and listeners with knowledge of those places will find plenty of insider references here to keep them laughing through the disasters. Grossman has captured a shamefully universal set of psychological quandaries, and Brahmall has expressed them in tones that are terrifyingly recognizable. Megan Volpert
Quentin Coldwater is brilliant but miserable. A senior in high school, he's still secretly preoccupied with a series of fantasy novels he read as a child, set in a magical land called Fillory. Imagine his surprise when he finds himself unexpectedly admitted to a very secret, very exclusive college of magic in upstate New York, where he receives a thorough and rigorous education in the craft of modern sorcery.
He also discovers all the other things people learn in college: friendship, love, sex, booze, and boredom. Something is missing, though. Magic doesn't bring Quentin the happiness and adventure he dreamed it would. After graduation, he and his friends make a stunning discovery: Fillory is real. But the land of Quentin's fantasies turns out to be much darker and more dangerous than he could have imagined. His childhood dream becomes a nightmare with a shocking truth at its heart.
At once psychologically piercing and magnificently absorbing, The Magicians boldly moves into uncharted literary territory, imagining magic as practiced by real people, with their capricious desires and volatile emotions. Lev Grossman creates an utterly original world in which good and evil aren't black and white, love and sex aren't simple or innocent, and power comes at a terrible price.
©2009 Lev Grossman; (P)2009 Penguin
"This is a book for grown-up fans of children's fantasy and would appeal to those who loved Donna Tartt's The Secret History. Highly recommended." (Library Journal)
"Provocative, unput-downable....one of the best fantasies I've read in ages." (Fantasy & Science Fiction)
"The Magicians is to Harry Potter as a shot of Irish whiskey is to a glass of weak tea." (George R.R. Martin)
Although the idea was reasonably good, this book completely failed to win me over. Foolishly, I kept listening on and on, convinced that soon the main character and his friends would give me a reason to care about them, and it just never happened. I also instinctively knew that the story wasn't really about kids attending a college for magicians, and I was curious to figure out what it really was about. How disappointed I was when, 7/8 of the way through the story it finally became clear, and it was even more dull than the story had been up to that point. I have never written such a negative review, but I don't want others to pay for this expensive book and then spend hours listening to such a disappointing story. If the general idea of young adults entering into a fantasy world that turns out not to be the Narnia they, (and mostly, the author), obsessed about as kids, try the Fionavar Tapestry, which is more engaging and gives the reader more reason to care.
If you go into The Magicians comparing it to other books, you may find yourself disappointed. But if you accept it on its own level, you may, as I did, find yourself enjoying it. This book is very well written. Grossman can really spin a tale. And the characters are starkly contrasted and interesting in their flaws and strengths. I will be (happily) reading book two. And likely any more that come along in the series.
Everything. Fairly strong beginning and then lots and lots and lots of meaningless non-developments and uninteresting characters. Described as "Harry Potter for adults." Not even close. I am giving it up, half way trough. Tries really hard to be imaginative, but it does not succeed. Un exciting read.
Good performance, but cannot save the book.
Big disappointment. Do not bother.
Banks on an idea that sold well. It's derivative and lacking any substance,
I won't go quite so far as to give this a two-star rating, but it's really not so great. It starts off with some potential, but once it gets moving along it's really more depressing than anything. I don't mind "dark" or more adult fantasy novels, but this is more of a novel about a bunch of boring, alcoholic, screwed up people that just happen to live in a world where magic is real.
Just not a big fan of this book. Kept hoping it would get better but I was unfortunately disappoointed. Keeps feeling like an adult Harry Potter without the fantastical world and great dialog. Was more like Harry Potter meets Wicked and I felt the same way about Wicked. Most of the book was narrator exposition with little actual dialog and when there was, it was boring and lacked dramatic tension. The protagonist, Quentin, was annoying at best, and there was nothing sympathetic about him to care about.
Since having kids - the luxury of sitting down and reading a book is out of the question. Now I can put on good book for just me, or one for the kids while driving and everyone is at PEACE and no one is YELLING. Life is good.
I've tried to get in touch with the story, twice. Once way before the series started. I liked the series, then tried again
The narrator BORES me, or the story. I just can't get into.
Overall this book was entertaining, and the story, particularly the first half, was engaging. As previous reviewers have mentioned, there are times when it gets tedious. Also pointed out to some extent is the fact that the characters can be somewhat unsympathetic. I think this is compelling, in that the author is attempting to create a "reality story," fraught with human failings, in a fantasy context; so that there is not a clearly defined hero.
I disagree with those who claim that this book is a collection of stolen ideas. The book is a play on the Narnia concept as a vehicle for a modern day coming of age story, and is far from an allegory. Furthermore, the fact that a major setting is a school for magicians no more makes The Magicians a rip-off of Harry Potter than such presence makes Harry Potter a rip-off of Discworld. I found this story to be quite original and a refreshing departure from the typical fantasy/magician story.
This book starts off slow, has moments of great writing but refuses to take off with it.
I feel like Grossman keeps telling us how brilliant these characters are and expects us (the readers) to believe it without a shred of evidence in the story.
The characters go through the riggers of the plot and don't show any signs of growth.
I enjoyed the audio version, it was well read. Bramhall has a soothing and consistent voice throughout. I would only argue his voice for "Josh" doesn't match the character in the story.
So the one highlight of this title was the narrator. I had read some of the reviews and was up for trying something new; a more adult fantasy novel with a more complicated characters and less of the same old cliches. I expected to really delve into complicated characters and explore relationships with the added pressure of magic in the practical world. What I got was the long boring diatribe of a whiny depressed teen. Depression, drinking, sex, and self victimization were the focus of the first half of the book.
I tired to like this book, I really did. I read other reviews about it being the adult version of Harry Potter and references to how Narnia is so much a part of our cultural heritage that it makes the book work that I thought this would be a huge hit with me. I wasn't looking for a children's book or even good escapist literature, I wanted something meaty to sink my teeth into.
There are so many places this book could have turned things around. There were hints of something exciting lurking under the surface that would make plodding through the pages and pages of mind numbing pity party the protagonist puts on worth the effort. Over half way through the book I finally had to give up. I was so sick of listening to this brat whine about how hard his life was and how depressed he was even though he had finally gotten what he wanted, a place to fit in, friends who cared about and liked him, a girl who he loved and who loved him back, a college education in magik of all things, and a chance to be anyone he wanted to be. But while I was wishing I was him, he was busy being depressed about it all. Someone needed to force feed this kid some prozac and quick.
There is sex, an enormous amount of drinking, and swearing in the book so I guess it qualifies as an adult novel, however the story is like listening to a kid whine about how mean his parents are when they only give him an xbox with 2 controls and 50 games instead of 4 controls and 200 games. If you want to listen to a bunch of adolescents whine about how hard they have it, go to your local middle school and spend an hour asking them about how bad they have it and save your money. Of course if you find yourself extremely happy and euphoric and prefer to be miserable, then spend the money and take a listen. It should fix that joy in no time.
Did not finish. Made it a little over halfway through the audiobook...and I'm quitting.
Touted as "Harry Potter for adults" naturally I wanted to read it. *sigh* Not even close. Zero likable characters, lame world building, a dull plot, pointless and kind of creepy sex scenes (probably to make it clear that "this is an adult book, not that silly childrens' book Harry Potter"), the use of "they" to just describe whole classes of students ("They spent that last semester in boredom...."), and references to real world literature (Tolkien, HP, The Phantom Tollbooth) as if name dropping would make this book better....and then an overlying theme of the main character being obsessed with a serious of childrens' books that is CLEARLY a reference to Narnia but thinly veiled under a different name.
Halfway through the first book, they're now graduating school/college, so that was five years in half a book. I'm assuming the rest of the series is about their time as "adult" magicians?....but that just makes the whole school section pointless. It WAS pointless, now that I think of it. Magic, instead of being exciting and wonderful, was boring and tedious to learn, thus their school years are tedious and uninteresting. Basically, there's no interesting in-depth look at how magic is learned, we're just told that "they" learn magic, and then pretty much just spend all their time drinking excessively, bored out of their minds, playing pool and some magical game that "they" obsess over, having lots of sex (and Antarctic orgies...yeah, that happened), and generally acting pretentious, selfish, and annoying. The author was big on "telling, not showing"...instead of showing us WHY Quentin and the other students loved their school, he just tells us that they did. Instead of showing us HOW they learned magic, most of the time he just tells us that they did.
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