Longlisted – Baileys Women’s Prize 2014
Man Booker Prize, Fiction, 2013
Canadian Governor General's Literary Award, 2013.
It is 1866 and Walter Moody has come to make his fortune upon the New Zealand goldfields. On arrival, he stumbles across a tense gathering of 12 local men, who have met in secret to discuss a series of unsolved crimes. A wealthy man has vanished, a whore has tried to end her life, and an enormous fortune has been discovered in the home of a luckless drunk. Moody is soon drawn into the mystery: a network of fates and fortunes that is as complex and exquisitely patterned as the night sky.
The Luminaries is an extraordinary piece of fiction. Written in pitch-perfect historical register, richly evoking a mid-19th-century world of shipping and banking and goldrush boom and bust, it is also a ghost story, and a gripping mystery. It is a thrilling achievement for someone still in her mid-20s, and will confirm for critics and listeners that Catton is one of the brightest stars in the international writing firmament.
Eleanor Catton was born in 1985 in Canada and raised in New Zealand. She completed an MA in Creative Writing at Victoria University in 2007 and won the Adam Prize in Creative Writing for The Rehearsal. She was the recipient of the 2008 Glenn Schaeffer Fellowship to study for a year at the prestigious Iowa Writers' Workshop in the US and went on to hold a position as Adjunct Professor of Creative Writing there, teaching Creative Writing and Popular Culture. Eleanor won a 2010 New Generation Award. She now lives in Wellington, New Zealand.
©2013 Eleanor Catton (P)2013 Audible Ltd
"The Luminaries is an impressive novel, captivating, intense and full of surprises.” (Times Literary Supplement)
“The Luminaries is a breathtakingly ambitious 800-page mystery with a plot as complex and a cast as motley as any 19th-century doorstopper. That Catton's absorbing, hugely elaborate novel is at its heart so simple is a great part of its charm. Catton's playful and increasingly virtuosic denouement arrives at a conclusion that is as beautiful as it is triumphant.” (Daily Mail)
“It is awesomely - even bewilderingly - intricate. There's an immaculate finish to Catton's prose, which is no mean feat in a novel that lives or dies by its handling of period dialogue. It's more than 800 pages long but the reward for your stamina is a double-dealing world of skullduggery traced in rare complexity. Those Booker judges will have wrists of steel if it makes the shortlist, as it fully deserves.” (Evening Standard),br />“Eleanor Catton is nothing if not ambitious. Her latest novel, longlisted for this year's Man Booker prize, is an 828-page blockbuster. With astonishing intricacy and patient finesse, Catton brings to life the anomalous nature of 19th-century New Zealand.” (Sunday Times)
“Expansive and quite superb. Catton writes with real sophistication and intelligence... with intricate plotting and carefully wrought scenes.” (Scotsman)
“Every sentence of this intriguing tale set on the wild west coast of southern New Zealand during the time of its goldrush is expertly written, every cliffhanger chapter-ending making us beg for the next to begin. The Luminaries has been perfectly constructed as the consummate literary page-turner.” (Guardian)
“For the scale of her ambition and the beauty of its execution, somebody should give that girl a medal.” (Lucy Daniel, Daily Telegraph)
“a truly exciting new writer” (Kate Atkinson)
I know a lot of people really loved this book, and in many ways I wish I was one of them. It just seemed a little overwritten, and a few too many side-stories.
This complex book brings a raw, late 1880s New Zealand gold-mining town and its inhabitants to life. But the reader, with his superb rendering of the characters' varied accents and personalities, adds a whole new level to the story.
If you are looking for perfect accents listen here. But for a story that gives you any reason to care about its characters go elsewhere.
Mark Meadows was absolutely fabulous. There were many characters in the novel and he was able to assign a distinct voice to each one. I don't believe I would have enjoyed reading the book as much as I did listening to the story, because of the wonderful narration.
I couldn't even get through this book. it was so boring!
I liked the narrator
I wouldn't say, it's a stupid story but in my opinion it's not apt for an audiobook. Usually after at most 1-2 hours of listening to a story, I get drawn into it and can't wait to get back to it. In this case I listened on and on for hours on end until I finally decided to resign - which I have only done once before. I just couldn't cope any longer! So boring! Such a rigmarole! I really do enjoy lenghty descriptions and dialogues when they are well written, but this was just unbearable. Sorry! It is just as well that I didn't waste a credit for this book but bought it as a bargain for $ 4,95. Otherwise I would have been really disappointed!
Tell us about yourself!I am an avid reader but enjoy listening while waking to work, ironing, doing dishes, etc. Listening to novels is an entirely different experience than reading; a well narrated story is a cross between drama and written fiction. Listening to books on Audible has been a wonderful experience.
The writing, the sense of place
Gascoigne--cheerful, independent, insightful, interesting past
Walter Moody--the trial scenes were fabulous
This book is a complex and brilliantly conceived story with many layers about a remote place and time. The narration is pitch-perfect as Meadows rotates seamlessly between indigenous Maori accents, Irish, Scotch, and English accents. The story is told in a non linear fashion with multiple loops back to the original themes making it easier to grasp. The writing is spectacular. This is a unique piece with throwbacks to a Jane Austen style but with a rare and exquisite layering of plot lines. It takes some time to get through it but it's worth it.
Not only WOULD iI recommend this book, I HAVE! … to any friend whom I know to enjoy mysteries, fine literature, narrative tone, and -- when possible -- an ear for just simply delectable fun between the lines.
Each of its many characters were impressively well drawn. The writing is masterful and there is always a sense that the author is having much fun in the writing, the teasing of the reader, the breathlessness of the mystery. It was the most enjoyable page turner I've read in decades. Typically I listen to audiobooks while I exercise. Well, thanks to this book, the number of miles I walked this last month increased substantially! If you love great storytelling, sophisticated literature, intriguing history, fabulous pitch perfect narration, and a true romp through a 19th century mystery, you'll love this audiobook.
If there is a flaw, it's that ending of the book feels a bit rushed … That's the only reason I did not give it five stars overall.
Mark Meadows' performance contributed more to the atmosphere and depth of the narrative than any of the many excellent narrators in other audio books to which I've listened. His performance is simply dazzling--just like the author's. His British accent; the perfect pitch, inflection, and pacing for this 19th century setting; the broad command of the different characters' voices--all made the listening experience so rich. I can't imagine that simply reading the words could have matched the depth and breath of this outstanding audio experience.
The most dazzling, thrilling, entertaining historical mystery of your life!
First, high praise to Mark Meadows for his excellent narration. He is stellar and immensely increased my enjoyment of this book.
Catton does a tremendous job of taking the reader/listener to the mid-1800's with the mannerisms and speech patterns of her characters. Because of this, it took me a bit to get my bearings, but thereafter I was enthralled.
I really loved this book until the closing scenes, which seemed anti-climatic. I am sad to say this, because it is a masterful book and I wanted to put it on my list of forever favorites right up until that last chapter. That is not to say it totally ruined the book for me, but it the ending was very mundane--just a wispy re-cap of what the reader (mostly) already knew.
They are both excellent.
I would rather not spoil any part of the book, people shouldn't answer this question.
For different reasons I liked different characters, Gascoigne's accent had a great charm to it. That said, I really had trouble with Lidia Well's voice, but I cant tell if its the actor or the character herself that irked me.
There is a couple of very sad moments that put me in a somber mood. There is real tragedy that befalls certain characters, and I reacted to that.
I had no real expectation of this book. The setting in 1800s New Zealand at first seemed so irrelevant, but after getting to know some characters I really started to appreciate the story telling. This book is, if nothing else, superb storytelling, and could be set anywhere. I will be a lifelong fan of Catton's, and I look forward to reading her other works.
"Beautifully written, but slower than a snail"
Wonderfully written for the first 4 hours ...... after 8 hours of having barely progressed on the plot line, and going layer by layer over and over the initial two events .... I was rapidly losing interest. And another 12 hours to go. If her next book was more condensed, definitely as she is a remarkable writer. The narration was excellent.
Something a LOT pacier.
Mark Meadows reads with good pace, and manages effectively to capture all of the different global accents of the characters - bar the Mauri who comes over in a South African rather than New Zealand accent.
Yes definitely film/tv material and would work well conversely being forced to be condensed - something which usually doesn't work from book to film.
"I tried but failed to like this book"
I really struggled through this book, mainly because I just didn't care about ANY of its characters and the story wasn't gripping enough to engage my interest as it winds its way painfully slowly from beginning to damp squib ending. I didn't bother trying to understand the astrological aspect, though maybe had I read the novel rather than listened to it I might have got more from that. The chapter headings becoming progressively longer than the shortening chapters was tiresome. The way the story turns back on itself annoyed me, too, because it made me feel I wasn't getting anywhere despite devoting so many hours of my time listening to the book, hearing about the same few events from too many different perspectives. There is no emotional centre and the story ultimately doesn't seem to matter, since it just fizzles out. Seems to me the writer is more concerned with form and being clever, the novel as an intellectual exercise, which makes it shallow and heartless. I formed no attachment to any of the (too) many characters because they are not written as real people but the embodiment of astrological signs. If they adapt the book for the screen, which is inevitable, they should film it like the recent "Anna Karenina", a play on a theatrical stage.
The skill of the reader was all that kept me going to the end. I suspect I would have abandoned the book had I been reading rather than listening. So yes, I would listen to another of his narrations.
I was disappointed because I had high hopes going in. Normally I love long, meaty novels such as Hilary Mantel's "Wolf Hall" and "Bring up the Bodies", and have previously enjoyed 19th C pastiche such as Charles Palliser's "The Quincunx". I was frustrated that this novel puts form and structure above pace and narrative drive. I was annoyed that the final section (after the conclusion of the trial) adds little or nothing to the story to justify dragging out its length.
I did enjoy the period New Zealand setting and background detail about gold mining. Eleanor Catton is young and very talented, I am sure she will develop as a writer and produce something remarkable and enjoyable.
"Good narration, but I lost the will to carry on."
I have been a audible listener for 8 years and this is only the second book I have decided to not finish. I always buy unabridged books as I like the longer more detailed stories which have time to develop and reflect the authors true intention for the reader in terms of the characters and story line. Having read the reviews I excitably started listening but after a few hours wondered what I had bought. Yes it is descriptive in terms of the characters but often this is overstated and too detailed and detracts the listener from where the story is going. Eventually the feeling of actually getting nowhere in terms of the story line and realising that there probably won't be a breakthrough in terms of the plot has led me to take the decision to stop listening and put this one down to experience.As previously stated, I adore a longer story but really found I had to push myself to keep listening which as I listen for pleasure was not my idea of fun.
Performance was clear and easy to listen to.
Disappointment and wondering if it was just me who didn't get it?
"Ideal choice for listening"
In length it's number one! I started with the knowledge that this Booker Prize winner is long. People have seen the book & been daunted by its size. Audible is the obvious answer. It's still 29hrs, but life can go on alongside "reading" The Luminaries. Mark Meadows as narrator is excellent. His rendition differentiates the numerous characters to minimise confusion. It's a long and complex story which is well worth persisting with. The chapters start very long until near the end when the pace quickens with very short chapters. The passing of time is handled in an interesting way. Initially it's by the various characters relating their part in the story which centres on the death of an isolated man, the disappearance of another - young and newly successful in the gold rush - and the involvement of a young woman trapped by prostitution and opium. A mysterious fortune in gold and a universally despised sea captain link the characters. We gradually discover events over the past couple of years, whilst moving forward in the present. (19C New Zealand.) Eventually the past meets the present and we find the answer to the mysteries which bind the cast.
The complexity, the gentle unfolding and the vision of the life of the times.
Clarifies the complexity by differentiating the characters.
"Gripping tale with a strong sense of place"
I would listen to it again if only to go over some of the details and see how it all hangs together.
I enjoyed the historical setting and the slow way the story unfolded. Trying to work out the chronological order of events was also an enjoyable challenge.
I enjoyed the scene where Walter Moody is reading some letters he's found. That's when events started to fall into place.
I thought the narration of this book was outstanding - there are lots of different characters and Mark Meadows brought each one to life with different accents and voices.
"Storytelling at Its Best,Stylish & Elegant"
The dickensian style of the narative.
any of the 19th centuary classics
excellent very easy listening
a very good mix of characters and a complicated interplay between them.
A brilliant acheivement for such a young author. A very good story well told,I would highly recommend this book
"A captivating listen"
Well plotted, a great tale, amazing weaving of characters, plot meanders and comes back on itself, intriguing, narrator is SO good !
"Excellent if you suffer from insomnia."
So many characters, and not a single one that I cared about. To be honest, at the end of the book I was thoroughly bored and happy it had finally finished.
It's bad enough on TV when you get told what's going to happen in the next section of the show, but to do that in every chapter of the book was really annoying.
I have no idea why we were told about signs of the zodiac or a co-ordinate at the start of each chapter, it had nothing to do with the story as far as I could tell.
The Maori guy (I can't find the spelling of his name anywhere). The accent and way of talking were excellent.
Actually, the performance by Mark Meadows was really good in general, just a bit soporific.
Disappointment and boredom
"Doesn't work as an audiobook"
As I say in the title, I don't believe this book works as an audible book. Though very detailed and well written, there isn't enough narrative drive. I persevered until halfway through the first part and have given up listening.
It is The Greenfinch by Donna Tartt - I'm hooked already.
I shall buy the book and read it as I want to know what happens but can't dedicate 32 hours of my life listening to find out!
"very slow and boring"
It's not often I can't finish an audio book, but really struggled with one and gave up about a third of the way through.
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