Longlisted – Baileys Women’s Prize 2014
Man Booker Prize, Fiction, 2013
Canadian Governor General's Literary Award, 2013.
It is 1866 and Walter Moody has come to make his fortune upon the New Zealand goldfields. On arrival, he stumbles across a tense gathering of 12 local men, who have met in secret to discuss a series of unsolved crimes. A wealthy man has vanished, a whore has tried to end her life, and an enormous fortune has been discovered in the home of a luckless drunk. Moody is soon drawn into the mystery: a network of fates and fortunes that is as complex and exquisitely patterned as the night sky.
The Luminaries is an extraordinary piece of fiction. Written in pitch-perfect historical register, richly evoking a mid-19th-century world of shipping and banking and goldrush boom and bust, it is also a ghost story, and a gripping mystery. It is a thrilling achievement for someone still in her mid-20s, and will confirm for critics and listeners that Catton is one of the brightest stars in the international writing firmament.
Eleanor Catton was born in 1985 in Canada and raised in New Zealand. She completed an MA in Creative Writing at Victoria University in 2007 and won the Adam Prize in Creative Writing for The Rehearsal. She was the recipient of the 2008 Glenn Schaeffer Fellowship to study for a year at the prestigious Iowa Writers' Workshop in the US and went on to hold a position as Adjunct Professor of Creative Writing there, teaching Creative Writing and Popular Culture. Eleanor won a 2010 New Generation Award. She now lives in Wellington, New Zealand.
©2013 Eleanor Catton (P)2013 Audible Ltd
"The Luminaries is an impressive novel, captivating, intense and full of surprises.” (Times Literary Supplement)
“The Luminaries is a breathtakingly ambitious 800-page mystery with a plot as complex and a cast as motley as any 19th-century doorstopper. That Catton's absorbing, hugely elaborate novel is at its heart so simple is a great part of its charm. Catton's playful and increasingly virtuosic denouement arrives at a conclusion that is as beautiful as it is triumphant.” (Daily Mail)
“It is awesomely - even bewilderingly - intricate. There's an immaculate finish to Catton's prose, which is no mean feat in a novel that lives or dies by its handling of period dialogue. It's more than 800 pages long but the reward for your stamina is a double-dealing world of skullduggery traced in rare complexity. Those Booker judges will have wrists of steel if it makes the shortlist, as it fully deserves.” (Evening Standard),br />“Eleanor Catton is nothing if not ambitious. Her latest novel, longlisted for this year's Man Booker prize, is an 828-page blockbuster. With astonishing intricacy and patient finesse, Catton brings to life the anomalous nature of 19th-century New Zealand.” (Sunday Times)
“Expansive and quite superb. Catton writes with real sophistication and intelligence... with intricate plotting and carefully wrought scenes.” (Scotsman)
“Every sentence of this intriguing tale set on the wild west coast of southern New Zealand during the time of its goldrush is expertly written, every cliffhanger chapter-ending making us beg for the next to begin. The Luminaries has been perfectly constructed as the consummate literary page-turner.” (Guardian)
“For the scale of her ambition and the beauty of its execution, somebody should give that girl a medal.” (Lucy Daniel, Daily Telegraph)
“a truly exciting new writer” (Kate Atkinson)
As this is quite a long book with many new characters thrust upon you at the beginning (think Game of Thrones), I found it helpful that the reader skillfully adopted different voices/accents to distinguish the characters. However, when he was doing a female voice, I found that I wanted to punch him in the face as it always came out like some bizarre, whining female caricature. I guess you win some, and you lose some.
What starts out as a gentle 19th century novel turned mystery quickly gathers continuing and irresistible momentum. It's an engaging, literary work posing as a modern page turner.
When I first listen to this story, I want site if I'd enjoy it. There's a lot of characters (hard to keep track of in the beginning) and they plot seemed dry... but as I kept listening the more intricately the plot began to unfold. I thoroughly enjoyed this book and the narration. The plot is slowly peeled away in layers, from the perspectives of numerous characters. Very interesting and highly recommended.
I am not sure I would have actually read this book. Much of it is dialogue and there are many characters to keep straight. The skillful narration & spot-on accents however, transformed this story into a mesmerizing tale. I recommend the audible version of this book to everyone I know!
Mark Meadows is the best narrator I have heard ever (I go through about 3-4 books/month). He does accents and voices like I have never heard anywhere else. From brittish upper and working class, french, german, irish, scottish, chinese and maori to women and men with soft or strong or shrude voices - it is a pure joy to listen to nearly 30 hours of fictional tale.
The era, world and ambience that Eleanor Catton creates as the backrop for her story through an abundance of detail and use of old language and interesting charactees and dialogue kept me enchanted. How can someone write this well in their 20's, I wonder?
The only thing I struggled with was the slow pace of the story, and my own need to try to figure out how to categorize this book. I never really figured out how the title, coordinates, planets and signs fit into the plot...and was this a murder mystery, treasure story, love story, new age stuff...? Still, cudos to both Eleanor and Mark. Good job.
Interesting story and better narration
The Olive Tree
Inject some interest with voices
The weer all very uninteresting
I listened to 5 hours of this with my wife on a long car journey. we both could not get into the story it was like a boring life story. The voicing was monotonous two and nothing seemed to happen just strange characters encountering other strange characters. I thought 5 hours was long enough .
Great story made all the more enjoyable thanks to excellent narration. would recommend this to anyone who is struggling to find time to read it.
"Long and unnecessarily confusing."
Found very hard to get into it. Comes right in the end but it's a big commitment. The narrator is superb.
I found the story to be overly complicated and too long. At the end i didn't get a feeling of satisfaction from all the loose ends being tied up.
"One heck of a performance!"
So many characters convincingly voiced by one man- incredible!
The story was very long but held my attention throughout - I do feel like I missed something though, the ending didn't tie everything up neatly enough!
"Almost regretted, now repent!"
I read alot of the reviews even though this book was recommended by my dad. I initally was gutted I had bought it as the reviews were not all that good complaining of mixed up timeline, too many names etc. Tosh! Its a brilliant book. Its a convoluted story I grant but as it ties up its delicious nuggets of fun info that makes the beginning even better than it was first time. Its a murder mystery, a history of mining and a look at the late 1800's. I love it, super characters and each one is recognisable by the voice they are given. Excellent narration he's a real gem!
"Confusing starter but such a clever plot"
I would have given up on this book had I been reading it. The plot is so cleverly constructed that it is only near the end that the novel feels satisfying. Upon finishing it I wanted to start again - i don't feel like that about many books. A work of genius.
It took a while to warm to many of the characters. I don't want to say who my favourite character was - it would be a spoiler.
On reflection the first scene is the one that is most interesting. All the characters are together. As you get to know their secrets throughout the novel, it was this first scene I came back to.
There is more hidden in the New Zealand mines than gold.
"Great story and historical insight"
Excellent book and a magnificent, consistent reading. Quite unusual mystery with some wonderful insight into the New Zealand goldfields on the remote west coast of the south Island.
"Bad narrator - always listen to the sample!"
The narrator was very dry and read with very little character. It was difficult to listen to him for any length of time as his voice was quite boring. Because of this (and because it was such a long story) I struggled to finish the book and didn't follow the plot well at all.
Women's voices in particular were almost pantomine in this performance.
Beautifully written but too long. Still unsure of the bearing of the star signs on the story. Great narration however.
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