Longlisted – Baileys Women’s Prize 2014
Man Booker Prize, Fiction, 2013
Canadian Governor General's Literary Award, 2013.
It is 1866 and Walter Moody has come to make his fortune upon the New Zealand goldfields. On arrival, he stumbles across a tense gathering of 12 local men, who have met in secret to discuss a series of unsolved crimes. A wealthy man has vanished, a whore has tried to end her life, and an enormous fortune has been discovered in the home of a luckless drunk. Moody is soon drawn into the mystery: a network of fates and fortunes that is as complex and exquisitely patterned as the night sky.
The Luminaries is an extraordinary piece of fiction. Written in pitch-perfect historical register, richly evoking a mid-19th-century world of shipping and banking and goldrush boom and bust, it is also a ghost story, and a gripping mystery. It is a thrilling achievement for someone still in her mid-20s, and will confirm for critics and listeners that Catton is one of the brightest stars in the international writing firmament.
Eleanor Catton was born in 1985 in Canada and raised in New Zealand. She completed an MA in Creative Writing at Victoria University in 2007 and won the Adam Prize in Creative Writing for The Rehearsal. She was the recipient of the 2008 Glenn Schaeffer Fellowship to study for a year at the prestigious Iowa Writers' Workshop in the US and went on to hold a position as Adjunct Professor of Creative Writing there, teaching Creative Writing and Popular Culture. Eleanor won a 2010 New Generation Award. She now lives in Wellington, New Zealand.
©2013 Eleanor Catton (P)2013 Audible Ltd
"The Luminaries is an impressive novel, captivating, intense and full of surprises.” (Times Literary Supplement)
“The Luminaries is a breathtakingly ambitious 800-page mystery with a plot as complex and a cast as motley as any 19th-century doorstopper. That Catton's absorbing, hugely elaborate novel is at its heart so simple is a great part of its charm. Catton's playful and increasingly virtuosic denouement arrives at a conclusion that is as beautiful as it is triumphant.” (Daily Mail)
“It is awesomely - even bewilderingly - intricate. There's an immaculate finish to Catton's prose, which is no mean feat in a novel that lives or dies by its handling of period dialogue. It's more than 800 pages long but the reward for your stamina is a double-dealing world of skullduggery traced in rare complexity. Those Booker judges will have wrists of steel if it makes the shortlist, as it fully deserves.” (Evening Standard),br />“Eleanor Catton is nothing if not ambitious. Her latest novel, longlisted for this year's Man Booker prize, is an 828-page blockbuster. With astonishing intricacy and patient finesse, Catton brings to life the anomalous nature of 19th-century New Zealand.” (Sunday Times)
“Expansive and quite superb. Catton writes with real sophistication and intelligence... with intricate plotting and carefully wrought scenes.” (Scotsman)
“Every sentence of this intriguing tale set on the wild west coast of southern New Zealand during the time of its goldrush is expertly written, every cliffhanger chapter-ending making us beg for the next to begin. The Luminaries has been perfectly constructed as the consummate literary page-turner.” (Guardian)
“For the scale of her ambition and the beauty of its execution, somebody should give that girl a medal.” (Lucy Daniel, Daily Telegraph)
“a truly exciting new writer” (Kate Atkinson)
Only my stubbornness in never abandoning a book made me listen to the bitter end. I love long books, but the only thing that deserved a star was the narrator. The bouncing back and forth was often unclear and confusing, and constant astronomical and astrological references made no sense and contributed nothing. The trial was interesting, but that's about it. The ending was terrible. What a disappointment!
This book sounded great but I feel like it could have been told in a third as many pages and it would have been much better. The way the story was finally all out together at the end was not great either. Listening to it probably made it more difficult because I couldn't skim over parts that weren't important. I still feel like some of the story is completely unresolved.
The Bones of Paris.
Another delightful twisting story about an age and place that little is written of.
Yes! I read the book when it came out but felt that I couldn't adequately untangle the complex narrative and that I missed a lot. Mark Meadows is absolutely, astonishingly capable of juggling the accents and intonations of dozens of characters, a dozen or so of those being main players. He can do Irish, Scottish, English, Swedish, Chinese, French, men, women, high class, lower class, and more. And none of the characters share HIS voice, the voice of the narrator! Mind blown. He has enriched my understanding of this wonderful novel a thousand fold.
There are so many characters, and all are incredibly detailed. My favorite sympathetic characters are the Maori, Te Rau Tauwhare, the owner of the Gridiron hotel, Edgar Clinch, and the newspaperman, Benjamin Lowenthal. I also really like the characters of Aubert Gascoigne and Walter Moody.
No, but what I wouldn't give for him to re-do Cloud Atlas by David Mitchell! The current version is incredibly disappointing. I couldn't even get through it. The multiple, painfully poor narrators of Cloud Atlas could all be masterfully replaced by Mr. Meadows. If Mark Meadows re-did that novel I would pay ANY price to hear it.
Impossible. There is no solid MAIN character. This is an ensemble effort. The best part of this audiobook is hands-down the narrator.
If you've read this novel and were left confused or unsure what to think, I highly recommend this audible version. Due to the complexity, I recommend glancing at the Wiki page or reading the first chapter to get a hold of the cast of characters so that you are better able to follow the story.
This is a story that starts in the middle and ends at the beginning, which is an interesting approach but I found unsatisfying. Because I listened to it, I missed all the technical details and couldn't follow the astrological part at all.
The beginning was difficult in audio - it was hard to keep track of so many characters, especially given the expansive style of speech of the time. Eventually it was easy to listen to and ultimately I didn't mind the length. I liked the setting - both in place and time - and the story was interesting. But in 30 hours I expected to be more engaged with the people and I wanted to care more about them. So ultimately the story has interesting architecture, but for me lacks heart.
So jealous of Catton's talent! It took me a while to get into this book. I sometimes have trouble with male narrators. I bought the book version and may read it again, there's so much to capture. I mean, she's no Henry James or Jane Austen, but this book is pretty brilliant. Enjoy! (The ending will really get you and you'll have to go back and relisten!)
I wasted 30 hours thinking that eventually the hard to follow plot would come together. instead, having evidently run out of time or space or her advance, Catton tries to wrap it up in a chapter heading (!) at the end. Authorial malpractice.
Great story made all the more enjoyable thanks to excellent narration. would recommend this to anyone who is struggling to find time to read it.
"Long and unnecessarily confusing."
Found very hard to get into it. Comes right in the end but it's a big commitment. The narrator is superb.
I found the story to be overly complicated and too long. At the end i didn't get a feeling of satisfaction from all the loose ends being tied up.
"One heck of a performance!"
So many characters convincingly voiced by one man- incredible!
The story was very long but held my attention throughout - I do feel like I missed something though, the ending didn't tie everything up neatly enough!
"Almost regretted, now repent!"
I read alot of the reviews even though this book was recommended by my dad. I initally was gutted I had bought it as the reviews were not all that good complaining of mixed up timeline, too many names etc. Tosh! Its a brilliant book. Its a convoluted story I grant but as it ties up its delicious nuggets of fun info that makes the beginning even better than it was first time. Its a murder mystery, a history of mining and a look at the late 1800's. I love it, super characters and each one is recognisable by the voice they are given. Excellent narration he's a real gem!
"Confusing starter but such a clever plot"
I would have given up on this book had I been reading it. The plot is so cleverly constructed that it is only near the end that the novel feels satisfying. Upon finishing it I wanted to start again - i don't feel like that about many books. A work of genius.
It took a while to warm to many of the characters. I don't want to say who my favourite character was - it would be a spoiler.
On reflection the first scene is the one that is most interesting. All the characters are together. As you get to know their secrets throughout the novel, it was this first scene I came back to.
There is more hidden in the New Zealand mines than gold.
"Great story and historical insight"
Excellent book and a magnificent, consistent reading. Quite unusual mystery with some wonderful insight into the New Zealand goldfields on the remote west coast of the south Island.
"Bad narrator - always listen to the sample!"
The narrator was very dry and read with very little character. It was difficult to listen to him for any length of time as his voice was quite boring. Because of this (and because it was such a long story) I struggled to finish the book and didn't follow the plot well at all.
Women's voices in particular were almost pantomine in this performance.
Beautifully written but too long. Still unsure of the bearing of the star signs on the story. Great narration however.
"Excellent performance but.."
Meadows' performance was excellent, with clear delineation of characters and a wide range of accents sustained throughout. The plot ultimately disappoints, as the astrological conceit is the driving force.
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