In The Kitchen House, author Kathleen Grissom weaves together the stories of two women: Lavinia, an Irish immigrant who, in 1791, arrives alone in America at 7-years-old and becomes an indentured servant on a Virginia tobacco plantation, and Belle, the slave who takes care of her. Narrators Orlagh Cassidy and Bahni Turpin (known for her work as Minny in The Help) alternate chapters, so listeners get the same story from two very different perspectives both with their own unique voice. Both Lavinia’s Irish accent and Belle’s southern dialect are smooth and authentic, and as both characters interact with the same group of people, the narrators keep the secondary voices consistent; they can manage the white-collar accent of a Philadelphia society girl, the dangerous undertones of a malicious slave owner, and the distinctive voices of each of the plantation’s slaves with equal confidence.
Grissom, who says she was inspired by her own modern-day renovation of a Virginia plantation, fills the novel with careful details, historical touches, and believable racial and political tensions. As Lavinia grows up, she finds herself caught between the slaves that raised her and the white world that waits for her and her tone, naïve and uncomprehending when she’s not allowed to sit with her black friends in church as a child, matures along with her. She sounds weary and resigned (though still optimistic) when, as an adult, she faces similar challenges. As Belle navigates complicated relationships with her lover, parents, and siblings, the reading remains convincing, emotional, and satisfying. And when a generation of closely-held secrets leads to danger and tragedy for both women, each is forced to choose where her loyalties lay. Blythe Copeland
When a white servant girl violates the order of plantation society, she unleashes a tragedy that exposes the worst and best in the people she has come to call her family.
Orphaned while onboard ship from Ireland, seven-year-old Lavinia arrives on the steps of a tobacco plantation where she is to live and work with the slaves of the kitchen house. Under the care of Belle, the master's illegitimate daughter, Lavinia becomes deeply bonded to her adopted family, though she is set apart from them by her white skin. Eventually, Lavinia is accepted into the world of the big house, where the master is absent and the mistress battles opium addiction. Lavinia finds herself perilously straddling two very different worlds. When she is forced to make a choice, loyalties are brought into question, dangerous truths are laid bare, and lives are put at risk.
The Kitchen House is a tragic story of page-turning suspense, exploring the meaning of family, where love and loyalty prevail.
©2010 Kathleen Grissom (P)2010 Blackstone Audio, Inc.
“Forget Gone With the Wind. Belle and Lavinia, the heroines in this novel, will make Scarlett seem like a wimp in comparison….Together they narrate a story that grabs the reader and demands to be devoured. Wow.” (Minneapolis Star Tribune)
“[Grissom’s] debut twists the conventions of the antebellum novel....Provides a trove of tension and grit, while the many nefarious doings will keep readers hooked to the twisted, yet hopeful, conclusion.” (Publishers Weekly)
“Kathleen Grissom peers into the plantation romance through the eyes of a white indentured servant inhabiting the limbo land between slavery and freedom, providing a tale that provokes new empathy for all working and longing in The Kitchen House.” (Alice Randall, author of The Wind Done Gone and Rebel Yell)
Courageous, Poignant, Loving
These ladies performed with great passion, inhabited their characters and brought them to vivid life.
Mamma May, with her wisdom and understanding of her
This book is beautiful in so many ways and desparately hopeless in others. The time may have dictated the circumstances, but the character of the people elevated them above their stations or plunged them into the depths of depravity. One cannot help but be enthralled by The Kitchen House.
everything, the subject, the voices , and you are transported to other time.
the whole idea
mama may , isobel and marchall
I don't normally like/read stories from the 1800's but this book is riveting! I had to keep charging my ipod so that I could finish listening to it. At the end of the story the author explains how she came to write the book--very interesting read!
Perhaps. It's an entertaining story but implausible and lightweight.
I found the narration to be self-consciously dramatic and overly gushing.
Gripping, page turner! Artfully designed characters draw you irresistibly into their world Antebellum World of power, privilege and scandal. A must read!
I really enjoyed this book. I first looked at it because I loved The Help, which, by the way is FANTASTIC in audiobook form. The Kitchen House wasn't quite up to The Help, but I did enjoy it and found myself driving more slowly to gain more listening time.
The narration is impeccable, the story is endearing and catches your attention. I would definitely recommend it.
This book is a great read. Wonderful characters, good plot, and insightful into the world of slavery. And yes, some of the content is not easy to stomach but the history of this subject is not pleasant either. It is interesting to observe our leading lady, Lavinia, as a child who sees no difference between black and white, she only responds to love, and how this difference is taught to her as she grows up and is separated from her black family because she is white. Both narrators are great in their roles. Loved this book.
My only quibble with the book is that whenever something positive was about to happen a quick reverse deus ex machina put the kibosh on it. If used once it would have been fine but to use it many times over made for a ham fisted narrative.
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