Listening to The Human Stain completely transformed my assessment of Philip Roth's recent novels. The last decade has featured several stunning, dark mediations on death and aging like Everyman, The Humbling, and Exit Ghost. Parts of The Human Stain drift into the same, brooding territory. But the audio version of this novel reminded me that Roth has not lost his pitch-black sense of humor. He still loves being the literary lightening rod, a role he's relished ever since the 1969 release of his still-shocking book, Portnoy's Complaint. Larry David, Woody Allen, Richard Lewis, and Lewis Black should be required by law to write royalty checks to Roth.
Dennis Boutsikaris' performance of The Human Stain captures this frantic, stand-up comedian side of Roth. His precise, sometimes-shrill tone perfectly matches the worst-case scenarios imagined by Roth and the maniacal monologues produced by such incidents – or sometimes merely the thought of such incidents taking place. Roth remains one of the best complainers on the plant. Nobody knows how to go off on something or someone like a well-written Roth character.
But what elevates The Human Stain from being a sitcom about a disgraced college professor to a modern masterpiece is the genuine affection Roth feels for his characters. Professor Coleman Silk could have easily been a punchline in the hands of a less-skilled writer. Same goes for Silk's nemesis, Professor Delphine Roux, or the two great passions of Silk's life: his All-American sweetheart Steena Palsson and Faunia Farley, an illiterate janitor at Athena College, an idyllic New England institution where Silk taught for decades before uttering a single, misinterpreted word. Luckily, Roth and his fictional alter ego, Nathan Zuckerman, who narrates the novel, clearly love these flawed characters.
Roth's not alone. Americans love learning about the seamier sides of people's lives. Roth intuitively understands this tabloid-like obsession. That's why he wisely revolves the plot of The Human Stain around a shocking secret Silk has been harboring for over five decades. That's why Roth remains the best, living American writer. He knows how to tap into everything amazing and unseemly about our society, sometimes even in the same sentence. –Ken Ross
It is 1998, the year in which America is whipped into a frenzy of prurience by the impeachment of a president, and in a small New England town, an aging classics professor, Coleman Silk, is forced to retire when his colleagues decree that he is a racist. The charge is a lie, but the real truth about Silk would have astonished even his most virulent accuser.
Coleman Silk has a secret, one which has been kept for 50 years from his wife, his four children, his colleagues, and his friends, including the writer Nathan Zuckerman. It is Zuckerman who stumbles upon Silk's secret and sets out to reconstruct the unknown biography of this eminent, upright man, esteemed as an educator for nearly all his life, and to understand how this ingeniously contrived life came unraveled. And to understand also how Silk's astonishing private history is, in the words of The Wall Street Journal, "magnificently" interwoven with "the larger public history of modern America."
As an added bonus, when you purchase our Audible Modern Vanguard production of Philip Roth's book, you'll also receive an exclusive Jim Atlas interview. This interview – where James Atlas interviews Judith Thurman about the life and work of Philip Roth – begins as soon as the audiobook ends.
This production is part of our Audible Modern Vanguard line, a collection of important works from groundbreaking authors.
©2001 Philip Roth (P)2009 Audible, Inc.
"In American literature today, there's Philip Roth, and then there's everybody else." (Chicago Tribune)
“By turns unnerving, hilarious, and sad…. It is a book that shows how the public zeitgeist can shape, even destroy, an individual’s life…. Not only a philosophic bookend to American Pastoral but a large and stirring book as well. (The New York Times)
"The mystery does not get clearer by repeating the question..." --Rumi
The title, and Roth's prestige, had me thinking this was going to be an extremely heavy-handed novel and was actually relieved when I found the plot and the characters deep enough to swim in but not be drowned by. I thought about them long after I finished the book and I found it all to be paced very nicely. I had no trouble getting into the story at its start and then when I realized it was about something entirely different than I had first supposed I was hooked. I know this review may be a little abstract but I don't want to mislead or give anything away. This book is a window into a time and place--a life much like any other where ordinary things happen and the main characters and the society we share with them are what are fascinating--not some epic drama about a Big Event.
I did not find the academic parts of this book pretentious or inaccessible because it seemed Roth was pointing an almost self-deprecating finger at institutionalized education. He did this both through the narrator's character--which was one of literary accomplishment and social seclusion--and also through his unfavorable depiction of (some) university politics.
Anyway, that's not what makes this story wonderful nor at all what it is about. It brings questions of identity gently to the surface through dark water and then suddenly yanks them free for all to see and poke at and inquire upon--all while maintaining this conspiratorial relationship between the narrator and the reader, as if we are the only ones in on the secret and must ponder our own choices and identities alone.
I write for myself, for my own pleasure. And I want to be left alone to do it. - Salinger ^(;,;)^
Reading Roth is almost a spooky, sexual experience. I say that knowing this will sound absurd, trite and probably hyperbolic. But with Roth, his words are imbued with an almost carnal power, a spectral courage, energy and life. IT is like watching an absurdly talented musician do things with an instrument/with sound that bends the edge of possible.
Reading Roth, I can understand how the audience in Paganini 's time wanted to burn the man for witchcraft, feared the man for his deal with the Devil. I'm not sure who Roth sold his soul to, but Roth's run of novels: Operation Shylock (1993) Sabbath's Theater (1995) >> American Pastoral (1997) >> I Married a Communist (1998) >> The Human Stain (2000) can only be thought of as the greatest series of novels produced by ANY writer at anytime. Maybe Shakespeare had a better run. Maybe Proust. Maybe. For me, these five novels, ending with 'The Human Stain' are the apex of 20th Century writing. Spooky.
Faced with mindless duty, when an audio book player slips into a rear pocket and mini buds pop into ears, old is made new again.
Figuratively, Phillip Roth skins an onion in his book, The Human Stain. He exposes the insidious nature of discrimination in a story about a college professor’s life.
In a Buddhist’ way, Roth’s story stings the eyes of wisdom and the material world. The Human Stain offers layers of truth about human nature; Roth gives examples like President Clinton’s contretemps with Monica Lewinsky; stories of a “free” but tainted press; the many forms of discrimination, and incidents of female sexual exploitation. Each peel of the onion reveals a layer of stinging truth about human beings in a material world.
By the end of The Human Stain, one is reminded of the biblical phrase, “he who is without sin can cast the first stone”. Roth’s story infers every lie (and we are all liars) leaves a stain; every human experience leaves an imprint, some of which are stains; others, the building blocks of life.
I have always wanted to read the Human Stain and had never gotten around to it. No wish I got here sooner. Roth does and excellent job of weaving together disparate members of the human community and looking at the same event from their widely varying points of view. The novel causes reflection on events in ones own life as it is universal in nature. The narrator only enhances an exceptional work of art.
If there were more action.
I like books about this subject but once the characters and problems are extablished, the story needs to go forward at more than a snail's pace.
I honestly struggled to finish the book. I am a reader and if this novel had been in my hand, I would have put it down without finishing. At some point, I felt like shouting, over the literal noise of endless over description, " OK!!!Ok!!! I get it!"
All the earmarks of a book that college lit majors will be forced to read under the guise, "Masterpiece." Thank God for this narrator's adept performance. I could never have completed it on my own.
Like taking an ambien -after a few tequila shots...then trying a cup of espresso to try to negate the dread you feel after listening to a chapter or two. How this became a "modern classic," I cannot comprehend. Probably a riveting story in here somewhere-purchase only if you're in the mood to chew some sticks to get through to it. So, so horrifically boring. Don't do it-especially if you audible and drive.
Probably not. I definitely was not impressed with this book's story or the way it was written.
Absolutely no change in vocal tone or inflection for any of the characters.
This book is a hard listen. Here, we have a main character who is an author. In general, I hate books that have authors as the main character. In my experience authors as main characters are either the real author shamelessly plugging his life story with someone else’s name or the real author singing endless praises for the unsung heroics and struggles of the life of a lowly author, who is an unappreciated genius living a modest life among willfully ignorant people in a stupid society. That experience held up in this book. We have the author, Nathan Zukerman, being the lowly, unappreciated genius author, who doesn’t do anything in the book except be, at best, a reactive character, but in reality is mostly a passive character describing events. The book has very little dialogue and a lot of rambling. The point of view constantly shifts, which makes following the story difficult. Another difficulty in this book is the rambling. The constant rambling! We get the point of view of maybe five characters who take over narration of the book for several long sections. Not only do they all talk with the same style and voice (which is annoying and confusing in and of itself), but they ramble. They’re telling a story, get side-tracked by some unimportant detail then get side-tracked by another unimportant detail again and again and again. I’d say 50% of this book is side-tracked rambling that had nothing to do with anything important. To me, it just felt like unnecessary filler to turn a short, uninteresting story into an infuriatingly long, uninteresting story. Don’t bother with this book. I didn’t learn anything, didn’t take away anything and wasn’t entertained in the slightest. This book is a complete letdown.
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