Winner of the Pulitzer Prize For Fiction 2014
Longlisted – Baileys Women’s Prize 2014
Audie Award Finalist, Literary Fiction, 2013
Aged 13, Theo Decker, son of a devoted mother and a reckless, largely absent father, survives an accident that otherwise tears his life apart. Alone and rudderless in New York, he is taken in by the family of a wealthy friend. He is tormented by an unbearable longing for his mother, and down the years clings to one thing that reminds him of her: a small, strangely captivating painting that ultimately draws him into the criminal underworld.
As he grows up, Theo learns to glide between the drawing rooms of the rich and the dusty antiques store where he works. He is alienated and in love - and his talisman, the painting, places him at the centre of a narrowing, ever more dangerous circle.
The Goldfinch is a haunted odyssey through present-day America and a drama of enthralling power. Combining unforgettably vivid characters and thrilling suspense, it is a beautiful, addictive triumph - a sweeping story of loss and obsession, of survival and self-invention, of the deepest mysteries of love, identity and fate.
©2013 Tay Ltd (P)2013 Hachette Audio
I found this book annoying on several levels. We are told of a disaster looming in Theo's life early in the book but the time taken to get to the deails of the event nearly drove me crazy. I found the narrators monotone voice nearly put me to sleep, especially bad as I was on a long drive. Finally I find books about people on a path of self destruction very irrating and the insights I got into drug induced minds wasn't for me.
A younger voice and other characters did not sound engaging. It was was a painful listen.
The story was completely disjointed, hence was not able to engage or interest. It was just a complete waste of my time.
The book is needlessly long, with scenes not going anywhere or communicating anything that could engage.
David Pittu is brilliant in evoking all the different characters, and just like the painting the book has been named after, this book will remain a masterpiece to be savoured into the future.
No for Donna Tartt and yes for David Pittu. He is a great narrator.
No, The Story could have been told with half the words. There was way too much description (poetry does it better) and the characters aren't that interesting.
Donna Tartt has an audience and some people clearly love the book but it didn't engage me. I lost interest in the story and the characters. That doesn't mean it is poorly written. There is gold in the ore but you have to work to find it.
There is no doubt that Donna Tartt is an excellent writer but unfortunately I found the main character to be annoying I also found parts of the story so unlikely that it was unenjoyable.
Blogger of accidental discoveries through books
The Goldfinch. Wow! What can I say. In the words of our Australian music guru, Molly Meldrum, I will say, guys, we have a hit on our hands. Yep, I believe this book has got to be a best seller, long term a breaker of records. Man, it's good! Plus, the narration is brilliant.
This is a delightfully crafted tale about choices and their consequences. The simple decision to talk to a friend while he smoked a cigarette on school grounds results in a life altering event for Theo Decker. All subsequent decisions set the stage for less than savoury entanglements. The underlying theme is about which of the myriad obvious or subtle decisions Theo makes could have changed his life's course for the better.
Although this book is an extraordinarily long and, at times, dense with psychological detailed, at no time does the story get bogged down or seem to drag. This is the first Danna Tartt book I've 'read' but it definitely not be the last.
The excellent narration and characterisations added another level of my enjoyment of this story.
David Pittu's narration. He was quite brilliant at giving voices to each character and thereby giving life to the story.
Well I've actually read both of Tartt's earlier books (old school!). For me the last chapter breaking from the established style and delving into philosophical soliloquizing was a device that just didn't work. I don't remember this being an aspect of the earlier novels which I remember being all character and plot.
James Hobart, or "Hobie"; main character's mentor
Absolutely. A real "page-turner" if you can call an audio-book by that term.
Intriguing novel; I was completely drawn into the world of Theo for the first 3/4 of the novel. By the final quarter however I found myself somewhat alienated by the increasing preposterousness of the plot and repetitive ruminations of Boris (Pittu's narration saved the day there in my opinion), and I've already talked about the unsatisfying nature of the 'philosophical reflection' of the last chapter
There are good patches of writing. But why write it? mostly miserable characters sinking lowly and repetitively into boring self obsessed darkness. Endless pages of drug and alcohol abuse with violence. Meandering plot. I found it a chore with no reward. The only good thing i got from it, is that i found one other reviewer who didn't enjoy it and she has recommendations that are interesting for me.
It was a very captivating story which never dragged. The characters were marvellous and well developed. I was never bored with it and could not wait to get back to my listen.
A wonderful listen! His ability to capture the essence of the various characters through his amazing voices made this a standout listen for me. I shall definitely look out for him as a reader.
I had many laugh out loud moments! Particularly with the character Boris. I have taken to calling my cat Popchick!
I have read several reviews elsewhere regarding this book. I was interested that some found it too long, and some were overcome by all the drug abuse. I found it interesting to see the development of Theo and Boris and how their lives intertwined. I loved it from start to finish.
"Narrator Hand Picked By Tartt- Outstanding!"
I was fortunate enough to attend a recent Guardian Book Club where Donna Tartt was talking about her first novel, The Secret History. I was even more fortunate enough to personally ask her about her books being made into audiobooks (she has narrated both her previous novels)
I was curious to find out how she felt about David Pittu's narration of her third novel, particularly as she has always been totally against her novels being made into movies because she doesn't like the thought of her character's voices being interpreted by a director or actor.
Her response to my question was fascinating to me as I've always wondered whether authors have much of an input into their novels being made into audiobooks. She said that she had wanted to narrate The Goldfinch herself but didn't have the time in her schedule, so instead she listened to many audition tapes and eventually chose Pittu because she liked the way he read the very strange,but somehow loveable, Boris.
She then spent many hours with David Pittu on the telephone and described to him all of the voices and how each character should sound. I love that she did this, I am fascinated that each character has the voice she intended for them, this 'schooling' of the narrator really has paid off.
She said that she hadn't yet listened to the finished audiobook but hoped that it was good, she asked me if I enjoyed it, to which I replied it is one of the best audiobooks I've ever listened to. And it really is truly the best audiobook I've ever listened to, as good as if not better than some of my favorites- Jonathan Strange & Mr Norrell, Under The Dome, The Help, NOS4R2, the Name Of The Wind. I wonder if the authors of these novels had the same kind of input to the audio versions of their novels as The Goldfinch has had.
It is truly a work of art and will stay with me forever. My advice- don't read too many reviews, the less you know the better, just listen to this book and let it take you a place only the most special of authors and narrators can help you journey to.
"Depressing depressing depressing - all 32 hours"
This book certainly wasn't for me! I like a challenge but to lurch from one disastrous scenario to another without respite was just too dismal. I appreciate there will be people out there who sadly go through similar events to these, but I could not take the relentless agony.
The only redeeming quality for me was the narration. David did an excellent job of portraying the characters
"Began so well and then deteriorated"
The first few hours of the recording promised an engaging story with well-drawn characters, however it went downhill after that. Theo Decker, the teller of the story, is a 13 year year old who loses his mother under traumatic circumstances when a bomb goes off at a museum they are visiting. He survives and encouraged by another victim grabs a priceless painting that shapes the rest of the book as we follow him into adulthood. The book begins to flag when he goes to Las Vegas with his estranged father and teams up with Boris: a Russian delinquent who introduces him to bad ways. Endless descriptions of the two of them getting wasted on drink and drugs was frankly boring. The book improves briefly as Theo returns to New York and re-unites with Holbie a furniture-restorer, he met shortly after the accident. My heart-sank when Boris returns to the narrative and had to endure more tedious descriptions of being drunk and the effects of various drugs. There’s a good story buried under all this self-destructive wallowing. The end of the book is even worse: long monologues of pop-psychology about the meaning of life from Boris that might have worked as satire, but I think it was meant to be taken seriously.
It’s as if the author had several books in mind: a boy’s coming-of-age story; a US version of Train-spoting; a crime novel; a guide to furniture restoring techniques; art appreciation; a crime story and a handbook of how to make the best of your life. If only there had been a ruthless editor to get rid of all the waffle and navel-gazing this might have been a really good book.
The narrator is excellent.
"Doesn't live up to the hype"
Long passages (mostly relating to drug and alcohol excess) that were dull and unnecessary.
Finishes with a homily informing us what it's all about, but it just didn't work for me.
Nothing wrong with the narration.
"Devastating story, remarkably read."
Involving, compulsive, moving
Ms Tartt's total immersion in the life of a young boy learning to fend for himself in a world that is both randomly cruel and kind is a tour de force; following young Theo through the vicissitudes of his bereavement and subsequent loneliness is utterly compelling. His friendships with the bad-boy Boris, and the saintly Hobie have an immediacy that is true and heart-felt, and Tartt's perfectly honed ear for the distinctive levels of societies from high New York through seedy Las Vegas and the bad-lands of gangsterdom are extraordinary. Fabritsius and his golden painting are now super-stars in their own rights.
Giving each of the many characters a life of their own, David Pittu has a myriad of voices and a sympathy with Theo that makes the whole story shine; of all the many narrators that I have listened to over the years, Mr Pittu ranks as one of the very best.
Not the most enjoyable of the scenes in the book, of course, but the horrific bombing of the museum and the subsequent chaos that Theo has to confront, sitting with a dying man while trying to understand what could have happened to him and to his mother, will be unforgettable to any that listen. His confusion, his bewilderment and his innate compassion for the old gentleman is painted in masterly strokes.
'Broken Chains - the Goldfinch that flew.'
"Wonderful Art-ful Coming of Age Story"
I have already recommended this audiobook to several people. It is so absorbing, well-written and deliciously long!
I loved the characters - especially Theo, the protagonist, with his inner turmoil and sense of duty alongside his desire for desire; and Borys, the kind of friend who is great to have yet always brings some kind of trouble in his wake. The plot is full of surprises and, despite gradually entering the realm of thriller, or crime novel, never becomes unbelievable, mostly due to the depth and authenticity of Theo's reactions, and the richness of his inner life in response to his world.
David Pittu gave a standout performance. I especially loved the way he brought Borys to life, the Eastern European/Russian accent was perfect to my ears. All the characters were so well voiced. He really fleshed out the story and his pacing is impeccable.
It made me laugh and cry. It also made me think a lot. I loved the way Theo thought about life and his thoughts allowed me to explore a lot of my own ideas.
There was a special pleasure for me in the ideas about art, about how 'great' art should belong to everyone, and the effect that art can have on people's way of thinking and acting. I also thought the novel was realistic in its portrayal of alcoholism and drug use. For many people addiction is not a totally crippling illness that destroys their lives, as it is usually described, but rather an important part of their life that they manage to control enough to have relationships and work, although their addiction does colour who they are and the choices they make.
"Not worth the wait"
Donna Tartt writes one book every ten years. Her previous “highly acclaimed novel was very disappointing and I thought I would give her one more chance. This one is definitely better. A young boy (Theo Decker) has his life changed forever when a cataclysmic event kills his mother and throws him onto the path of a dying man who steers his life into a new direction.
He staggers from one crisis to another, trying to find or avoid family connections. He encounters every facet of American society, from the very wealthy to utterly desolate. Theo has an incomprehensible and very irritating habit of being startled into silence whenever the plot needs him not to make a very simple explanation. There are twists and turns and many, very deep introspections, including a vast retelling of a drug-induced sequence which is just tedious.
Tartt tells a good story, but tells it too long. She cannot see the world from a male point of view, and she really does not try very hard. But she does give is two absolutely brilliant characters: Hobie, the most generous and gentle soul; and Boris – a friendly but dangerous friend. She makes Boris the narrator for much of the second half of the book. Although he has broken English she still manages to place phrases such as “cultural patrimony” in his mouth. I think the inconsistence of the characters she draws and the words they say (and the thoughts they think) ultimately sink the story.
The finale is a tedious stretch of moralising lifted from the Disney Corporation. Written in the current American style (lots of talking, little depth, even less description) it is like watching a talk show. Fortunately there will be another 9 years before I may be tempted into trying another Tartt offering.
The narrator is absolutely brilliant – his accents (except for the Dutch) are brilliant and consistent. I guess it is a tall order to find someone who is good at Russian and Dutch.
"A month of bliss to listen to."
This is by far the longest audio book I have ever listened to - 32 hours BUT superbly narrated and the most captivating story. I think one gains enormously by listening to this book rather than reading it. Firstly it is a big book to carry around - 700+ pages and some reviewers have commented that the key Russian character Boris's dialect is difficult to read easily. Well, in the audible version to get to meet Boris in all his glory - splendid. My next door neighbour is Russian so I can that David Pittu is spot on! This is a wonderful, wonderful book.
"Best book I've listened to this year"
This book was wonderful, both the story and the narration. It has spoiled me for anything else and I mourn its finishing. I might just start listening to it from the beginning again!
"Great premise destroyed by page and pages of bloat"
This book is very well written so there is no doubt about the writers capabilities.
Unfortunately I feel that the story dragged on for so long on unimportant events and episodes which haven't added any real value to the story, I simply lost interest in Theo and the painting.
Also, Theo as a grown man, is not a very likable protagonist, he has lost his moral compass, has a weak character and his drug addiction problem is to me an overkill. Theo’s lifelong love for Pippa, with which he does nothing about, becomes frustrating with time and I wish the writer would have either given it a rest or moved forward with it. There were times when I wanted to shake Theo out of his pitiful, numb existence and tell him to wake up and stop feeling so damn sorry for himself.
What started off as a great story, progressed to be more and more tedious as the book went on. The whole episode in Amsterdam, was so overdone and out of character, by the time I reached the ending, I couldn’t wait for this damn book to finish.
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