Laural Merlington’s talent for vocal transformation makes The Forty Rules of Love: A Novel of Rumi by best-selling Turkish novelist Elif Shafak a spellbinding experience. Merlington deftly and clearly moves between American characters living in Northampton, MA, in 2008 and 13th-century townspeople of Konya, Turkey, giving all depth, emotion, and personality.
The Forty Rules of Love jumps back and forth between the two time periods as Ella, a 40-year-old American housewife and mother of three, begins to wade back into the work force by taking a job reading manuscript submissions for a literary agency. Her first assignment, a story of the relationship between the mysterious 13th-century Sufi, Shams of Tabriz, and the Islamic scholar, Jalal al-Din Rumi (now world renown as the Sufi poet Rumi), becomes the catalyst for changes well beyond Ella’s desire to work outside the home. Ella finds herself drawn to the manuscript’s author, Aziz Zahara, a peripatetic Scottish photographer and Sufi, seeking out the author through email. As the online friendship between Ella and Aziz escalates, the manuscript Aziz has written begins to shake Ella loose from the conventional moorings that she has, for decades, assured herself complete her life.
While Merlington easily gives voice to Ella’s snarky teen-aged children and distant husband, her talents shine as she moves to the book’s characters from 13th-century Turkey. The listening experience borders on magical as Jackal Head, a mercenary assassin, Desert Rose, a young woman forced into prostitution, and Suleiman, the village drunk, share their stories. However, it is the depiction of Shams of Tabriz, a wandering dervish searching the land for his soul’s companion, and Rumi, the scholar blindsided by this itinerant spiritual seeker, that shapes the rich world of The Forty Rules of Love. There is bewilderment in the voice of Jalal al-Din Rumi as he attempts to reconcile his connection to the dervish who has entered the scholar’s well-ordered world. It can be heard in the voice of Shams that he knowingly traverses a deadly path as he expresses his Sufi faith in the ultimate power of love while testing the intransigence and jealousies of Islamist zealots and the scholar’s followers.
The Forty Rules of Love contains not only a book-within-a-book but an introduction to Sufism as well. However, it is the vibrant, talented performance of Laural Merlington that allows the story’s message of love to resonate across centuries. Carole Chouinard
In this follow-up to her acclaimed 2007 novel The Bastard of Istanbul, Turkish author Elif Shafak unfolds two tantalizing parallel narratives---one contemporary and the other set in the 13th century, when Rumi encountered his spiritual mentor, the whirling dervish known as Shams of Tabriz---that together incarnate the poet's timeless message of love.
Ella Rubenstein is 40 years old and unhappily married when she takes a job as a reader for a literary agent. Her first assignment is to read and report on Sweet Blasphemy, a novel written by a man named Aziz Zahara. Ella is mesmerized by his tale of Shams' search for Rumi and the dervish's role in transforming the successful but unhappy cleric into a committed mystic, passionate poet, and advocate of love. She is also taken with Shams's lessons, or rules, which offer insight into an ancient philosophy based on the unity of all people and religions, and the presence of love in each and every one of us. As she reads on, she realizes that Rumi's story mirrors her own and that Zahara---like Shams---has come to set her free.
©2010 Elif Shafek (P)2010 Tantor
I purchased the novel at 6 pm today. Now it's 12 am and I don't want to go to bed...Could only put my iPhone down (listening on audible app) to charge the dead battery... Showered and blow dried my hair w earphones on!! Lol. One of the best fiction books I ever read! Thanks.
The story is straightforward and not tricky - and it's beautifully told. The poetry of Rumi and the relationship with Shams of Tabriz reflect well in the past as well as the present time. There is a gentleness in the story that I liked. The mundane-ness of a woman planning meals for her family -- I do this to escape life's realities. Maybe it's just the timing of this particular choice, but the story resonated on many levels. Can't wait to listen to more by this author.
Oh, the deliciousness of her deliberate pronunciation of each syllable gives the words weight and value. Loved it.
I'm well read and a tough critic -- I absolutely loved this story and it's delivery. Definitely worthwhile. So much so, I need to listen again - and I just finished it last week. Every aspect of the story and delivery were solid. Good work.
I have never heard a better narration of the story. Absolutely wonderful story that captivates from the beginning.
Each of the 40 lessons
The many perspectives from which the story is told.
Aziz, who overcame so much heartbreak to become a true human being.
Great work on the various characters' voices.
I don't know.
I would have given the book five stars, because I enjoyed it so much. However, I would have liked it better had the "villains" been portrayed with more sympathy. Still, I was unable to put the book down until finished.
This is the second time I have listened to this book and enjoyed it this time even more than the first. Beautifully written and provides insight into the history of Rumi and Suffism within the context of a love story. Great historical novel
I adored the story of Rumi and Champs De Cabris. This main part of the novel was dense and interesting. Not all the characters were round, but there were a lot of textures and ideas. The forty rules themselves were interesting and wove themselves throughout the novel, though the focus was on the great friendship between two inspired individuals. The modern day story of Ella had a very "romantic novel" quality to it.... it felt less well integrated and more of a device to tell the historic story. That said, the story of Ella, is also a story of waking up to being middle aged and seeing what has become of your life, and the search for meaning in the second half of life.
That's a tough one, maybe like a Carlos Castaneda book, Dan Millman, John Perkins... it's a story about the present day and the past and what happens when average peoples lives intersect with mystics.
First of all the reader is a woman and had to cover a lot of male voices with a lot of accents. So kudos to her for that. That said, some of the accents were a bit off and with all the changes in characters I found it a little challenging at times not to get distracted.
I enjoyed the novel within a novel concept. I preferred the "Sweet Blasphemy" story more than the surrounding story of Ella the unhappy suburbanite. Ella's character was either no very likable or not developed as well it could have been. On the whole, this was an entertaining way to learn history, which I always love. I knew of the mystic poet Rumi coming into the read, but I didn't know of Shams of Tabriz whom I really liked and subsequently looked up to learn more.
What a wonderful story ... or should I say ... weave of two stories. I was drawn in by all facets of this novel ... the unfolding of love, the history, the culture, the peek into Islam, the attention on the similarities between the World's major religions, and between Sufi and Buddhist philosophy, the notion that the Koran can be read with different levels of understanding ... which I have always said of the Bible ... a superficial reader will take it its literal word ... but one must dig deeper to truly understand the intent of what is written ... like any great literary work. The same goes for this novel ... an enjoyable story ...and ... a story laden with messages.
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