Charles Portis has drawn widespread critical acclaim for his inventive prose. In The Dog of the South, Ray Midge is on the trail of his wife, Norma, who’s headed for Mexico with her ex-husband. On the way Ray meets the eccentric Dr. Reo Symes, a man with more get-rich-quick schemes than common sense. Together, they’ll have to overcome tropical storms, grifters, and plenty of car trouble en route to their destination—wherever that may be.
©1979 Charles Portis (P)2012 Recorded Books, LLC
In a small, peaceful town on the Equator, the sun always sets at 6, and a good audiobook is always the perfect evening companion.
Reviewers typically give up when it comes to the work of Charles Portis, saying in one way or another that it simply can’t be described. That’s just how I feel after hearing “A Dog of the South” and learning of him for the first time, long after I should have. It is a rambling little yarn of the Deep South in the 1970s—so Deep that it rambles into Belize. The characters are a tattered, mismatched bunch of shifty failures, grifters, evangelists, shallow dreamers and a couple of weird children, all of whom, for some reason, are easily imagined as shadowy figures in the dim light of a bare bulb in some rundown hotel.
Ray Midge’s friend has stolen his wife and his car and headed to Mexico and beyond, and Ray goes after them—to retrieve his car. The people and puzzlements he encounters are beyond imagining. The plot is a barely-necessary device to support the author’s hilarious and inventive prose. For example, he arrives at the steamy, seedy Fair Play Hotel in Belize and meets the night clerk:
“She woke a small Negro boy named Webster Spooner, who slept in a box in the foyer. It was a pretty good wooden box, with bedding in it. I knew his name because he had written it on a piece of paper and taped it to his box. At the foot of his makeshift bed, there was a tomato plant growing in an old Texaco grease bucket.“
The first sentence would be plenty good by itself, but Portis piles on unexpected details that yield rich and riveting descriptions of an exceedingly strange world. It is deliciously funny.
As I said, it can’t be described. The soft Southern accent of David Aaron Baker provides the perfect first-person voice for Ray Midge—a decent fellow with good intentions and vague ambitions you know he will never realize. But listening to his zany adventure unfold is an excellent way to spend eight hours. You won’t regret it.
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