In Black Water Rising, Attica Locke delivered one of the most stunning and sure-handed fiction debuts in recent memory, garnering effusive critical praise, several award nominations, and passionate reader response. Now Locke returns with The Cutting Season, a riveting thriller that intertwines two murders separated across more than a century.
Caren Gray manages Belle Vie, a sprawling antebellum plantation that sits between Baton Rouge and New Orleans, where the past and the present coexist uneasily. The estate's owners have turned the place into an eerie tourist attraction, complete with full-dress re-enactments and carefully restored slave quarters. Outside the gates, a corporation with ambitious plans has been busy snapping up land from struggling families who have been growing sugar cane for generations, and now replacing local employees with illegal laborers. Tensions mount when the body of a female migrant worker is found in a shallow grave on the edge of the property, her throat cut clean.
As the investigation gets under way, the list of suspects grows. But when fresh evidence comes to light and the sheriff's department zeros in on a person of interest, Caren has a bad feeling that the police are chasing the wrong leads. Putting herself at risk, she ventures into dangerous territory as she unearths startling new facts about a very old mystery - the long-ago disappearance of a former slave - that has unsettling ties to the current murder. In pursuit of the truth about Belle Vie's history and her own, Caren discovers secrets about both cases - ones that an increasingly desperate killer will stop at nothing to keep buried.
Taut, hauntingly resonant, and beautifully written, The Cutting Season is at once a thoughtful meditation on how America reckons its past with its future, and a high-octane pause resister that unfolds with tremendous skill and vision. With her rare gift for depicting human nature in all its complexities, Attica Locke demonstrates once again that she is "destined for literary stardom" (Dallas Morning News).
©2012 Attica Locke (P)2012 HarperCollins Publishers
The pace. It did a good job with the pace of the drama. There were times where I was listening to it in bed and getting scared. I slept with all the lights on. It was great!
Karen. The main character. She was a single mom and I could relate. The personal things she was trying to battle was really honest and raw.
If not Karen, her ex-husband. Other than the fact he was engaged to his pregnant girlfriend, I'd totally date him.
It had a really slow beginning. At first I was confused and wondered when things were going to get moving. But once they did, I couldn't put the book down! Hence why I only gave it four stars.
Love Mystery, Fantasy, SciFi and Books that have a catching of tone, effectiveness to capture the mines and ears of me.
Attica Locke, the synopsis of the book is misleading, the book and the history really didn't come together, you wrote more information about the plays, the visitor and what they were like versus why Jason matter, her mother and Ines death, I had to get to the last 60 mins on what, why and where and NO MYSTERY in that! I love Books and Imagination and the only imagination that I was left with was what the visitors were like.
Yes, I think her thought process has to be open to imagination , I don't know if writing a book is hard but if I can not Imagine what, where and Why and the beauty of a movie in words of the mind when it drafts with the Author; The main principles of a logic to a story regardless if it is a Mystery.
She is good
but it can be better
Authenic, gripping, well performed.
The story begins a little slow, but the listener is well rewarded for sticking with the story. One of the best audio books that I have listened to this year.
Yes I really enjoyed it.
You just could not anticipate what would happen next.
Love the voice inflections and changes.
If you like detective stories and mysteries, especially those that break the mold, I highly recommend this one. Its protagonist is an African American woman and the mystery to be solved connects the times of slavery in the United States with contemporary issues of undocumented migrants in farms. Very well done and a great performance read. I'm eagerly awaiting the next book by Attica Locke!
After enjoying Attica Locke's first novel, Black Water Rising, I expected another fast-paced, tense, and action-filled story. The Cutting Season was a disappointment in all three areas. Aside from the finding of a body in a shallow grave, everything else in the first 3/4 of the book seemed like background or side-story. Very little happened to advance the plot.
As I started to listen, I groaned aloud at the narrator's voice. She sounded like a cranky child. But within a few minutes I got used to her, and appreciated her clear diction and the appropriate emotional content of her reading. Quincy Tyler Bernstine's narration actually improved the story.
A romantic scene seemed to be added for no purpose at all; it gave little insight into the characters beyond making me like them a bit less for their questionable encounter. As with much of the text, it had nothing to do with the plot.
I have already recommended Black Water Rising to many friends, and will continue to do so, but I've also started adding "but avoid Locke's second book."
I’d Recommend to: Nola Céspedes (Joy Castro’s Hell or High Water), Lavinia (Kathleen Grissom’s The Kitchen House)
I was more than a little disappointed with The Cutting Season. The description sounded like something I would love, and I really enjoyed The Kitchen House last year; I was expecting something a little more in that vein. The “secrets of its [Belle Vie's] past” seemed secondary to the mystery. The focal point was certainly on the murder, but I was hoping for more of a focus on a past historical mystery. It seemed to take a backseat and arose only when it would “dramatically” relate to current events. If it were going to be a subtle thread, I wished it had been used in a more delicate, less heavy-handed anvil of a way.
My other concern with the book was that Caren was just unlikeable. She came across as highly intelligent but completely selfish and socially inept. I’m sure this is my own interpretation of her and her choices, and I’m sure others read her as being complex instead. This is no fault of the narrator, who did an excellent reading to help build tension. The scenes in which Caren traverses Belle Vie are some of the most tense, even in daylight.
I enjoyed the overall sense of mystery, and Locke is a talented author – but personally, there were elements with which I did not connect.
The Bottom Line:
I could certainly see readers enjoying The Cutting Season, I just wasn’t one of them.
Don't know. Seemed to move slowly and never finished it.
This book was hard to stick with. Difficult to listen to the the narrator, so monotone and uninteresting. Also, things were introduced but then the back stories would take you in an entirely different direction. Maybe the author's intent but not enough there to keep one's interest.
The Cutting Season is one that I will listen to it again.
The past that comes to the future.
The inflections and tones add to the depth of feeling
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