Wayne Tedrow Jr., a young Vegas cop, arrives with a loathsome job to do. He's got $6,000 in cash and no idea that he is about to plunge into the cover-up conspiracy already brewing around Kennedy's assassination, no idea that this will mark the beginning of a hellish five-year ride through the private underbelly of public policy.
Ellroy's furiously paced narrative tracks Tedrow's ride: Dallas back to Vegas, with the Mob and Howard Hughes, south with the Klan and J. Edgar Hoover, shipping out to Vietnam and returning home, the bearer of white powder, plotting new death as 1968 approaches...
Tedrow stands witness - as the icons of an iconic era mingle with cops, killers, hoods, and provocateurs. His story is ground zero in Ellroy's stunning vision: historical confluence as American Nightmare.
©2001 James Ellroy; (P)2001 Random House, Inc. Random House AudioBooks, A Division of Random House, Inc.
You should not listen to this book if you are looking for entertainment and diversion. "The Cold Six Thousand" deals with greed, corruption, perversion, cruelty, and violence. However, if you have any interest in what was really going on in the 1960's -- how the J.F.K. assassination, the M.L.K. assassination, the Bobby Kennedy assassination, heroin, the Vietnam war, the Mafia, Las Vegas, and Cuba all related to one another -- then I highly recommend this book to you. Yes, James Ellroy definitely has his own unique style of writing -- kind of a cross between Hemmingway and Joyce -- with much profanity and slang, but "The Cold Six Thousand" vibrates with gritty reality, and sounds a whole lot more plausible than the Warren Commission report. I think college American history courses should assign this book as required reading.
I have previously read (& love!) "American Tabloid" and "The Cold Six Thousand." I knew I wanted to see what the audiobook had to offer & am glad I did! The reader really does a good job of characterizing the numerous figures in the book consistently & convincingly. He does J.Edgar Hoover & Dwight Holly particularly well. The book is a little overwhelming at first, with the angry writing style and mutitudes of characters, but eventually you get the hang of this "world" & everything fits together after the first hour or so. Too bad the first book in the series ("Tabloid") wasn't made into an audiobook!
At first I thought I wouldn't be able to listen to this because of Ellroy's sentence style. I counted something like 15 sentences in a row that began with the word WAYNE. At first the style seemed like a parody but later I realized how brilliant it was. The style captures the blunt and brutal character of the key individuals portrayed and of the roll bigotry and hatred played in 1960's USA. If you listen to this you must pay attention. Ellroy's unique style, the complexity of the story, and the fact that this author (refreshingly) doesn't insult his reader's intelligence all demand that you think as you listen. This is an amazing story told poetically. You might back up the audio to catch an important sentence you missed, (Ellroy claims there is not an unnecessary or wasted word in the book. Actually I think I caught one somewhere around the 18th hour) but chances are better that you'll back to listen again to his beautifully crafted writing. If you listen to the sample and are put off by the style you may be doing yourself a disservice. In short time you'll adjust to the style, and before long you'll be addicted to it.
I have loved Ellroy's books in the past, and his book the Black Dahlia was packed with narrative that let you "get into the mind" of the characters. The first fifteen minutes of this book completely put me off, I almost just gave up. The quick-fire, rapid shoot sentences drove me crazy--I had a tough time trying to keep up with it and the multiple characters. BUT, then it drew me in. I couldn't NOT WAIT to get in the car and commute to work and home. I loved how Elloy weaved the story into the troublesome events of the 1960s--the JFK assassination, FBI/Hoover chicanery, the Civil Rights movements, MLK, and RFK. Underneath all of this is the backdrop of the mob and the Vietnam War. This is a GREAT LISTEN, but you must be ready to start absorbing from the get-go.
I am a co-author of The Cluetrain Manifesto, and author of Gonzo Marketing: Winning Through Worst Practices, and The Bombast Transcripts.
...and one of the best books on Audible. Brilliantly narrated -- and this is a difficult book to get all brilliant with, trust me -- The Cold Six Thousand will rearrange your sense of second-half 20th century American history. James Ellroy writes like an avenging angel on meth. And in this case, that's a good thing. Can't recommend this one highly enough.
It was painful getting to know the authors style, and i have to tell you I nearly turned it off in the first 5 chapters. The use of the three word sentences is annoying at first, but once I got into it, I could not turn it off. Really makes me look at historical events with a much more critical eye now.
But I write for myself, for my own pleasure. And I want to be left alone to do it. - J.D. Salinger ^(;,;)^
"I'm seeing visions, Dwight. I'm seeing all the Latter-day Saints."
― James Ellroy, The Cold Six Thousand
I remember when I was 5, thinking: "if I just didn't screw up, I could have been Jesus". I remember when I was 8, thinking: "if I just killed myself when I was 7, I could have gone straight to Heaven." I remember when I was 12, thinking: "Mormons could make fantastic mobsters." I hadn't yet learned about the John Birch society. I hand't learned about Howard Hughes and his cabal of Mormon fix-it men. I was still fresh. I was still a long way from the darkness bred from hate, from money, from greed, from racism.
***** Pete said, "Shut Up." Pete Said, "Smile more and hate less."
Like American Tabloid, 'The Cold Six Thousands' deals intimately with the Mob, J. Edgar Hoover, Howard Hughes and the pornography of violence that was the 60s. Now, post JFK assassination, we are dropped into the clean-up, the rise of Las Vegas, the rise of Vietnam, RFK (I share a first and middle name with that man), and MLK. This is another dense novel where the story is told from the middle; from the dark, dank core of conspiracy. Two of the main protagonists traveled from 'American Tabloid'. One was left behind, buried. A new one was introduced. Mormons in Vegas and with Hughes take on a larger role.
I could write a whole book on the Oedipal implications of this novel too. The relationship between Wayne Tedrow, Jr and Sr., could fill an entire psychology textbook. It was a plum fermenting on the Tree of Life. There was some sick shit mixed into all of that. My favorite characters Ward Littell and Pete Bondurant find themselves firmly planted in this book. A trinity of femmes fatale (Jane, Barb, Janice) jump, jive, and swirl like olives jumping from Ward's martini to Pete's martini to Jr's martini.
**** "Hate Strong. Hate brave. Don't hate like Mr. Hoover."
Probably the only thing I didn't enjoy about this book as much as the last was the prose.* It was a bit too clipped, heavy and fugly for me. Like all of Ellroy's prose there is a bit of a madman, a bit of a savage, stuffed into every clipped, dense sentence, but after a while, I was dreaming of long sentences and sunshine; just a bit of variety. I somehow imagine Ellroy thinking that writing four word sentences was, perhaps, the only way he was going to trim this second novel down by 1000 pages. It is dense. It is rapid. It is rabid. It is almost too much. One more killing. One more spike. One more mike and I might drop dead before I find out who dies other than America. And like all the characters in this sick-mother of a novel, I want to be there to watch. I want to see it framed. I want to hear the crunch and the crack of the very last page.
* "The style I developed for The Cold Six Thousand is a direct, shorter-rather-than-longer sentence style that's declarative and ugly and right there, punching you in the nards. It was appropriate for that book, and that book only, because it's the 1960s. It's largely the story of reactionaries in America during that time, largely a novel of racism and thus the racial invective, and the overall bluntness and ugliness of the language."
― James Ellroy, The Onion A.V. Club
The followup to the American Tabloid begins just one hour after the Tabloid finishes. I was overwhelmed not just by the words but also by the ideas that Ellroy can spin in my head. It is so difficult to understand the difference between fact and fiction. Each one of us must make the decision at every turn.
I felt overwhelmed and I had to read it again. It was just as good the second time, maybe better
I listened to this book about a year ago. The writing style makes this a challange to listen to, but once I got my bearings, I absolutely loved it. It's one of the few books I have listened to more than once (three times!) As the other review says, listen to the sample, but bear in mind that your mind adapts to the style after a bit. And it's addicting. The reader molds to the writing style perfectly -- he is awesome. I loved this book....
I listened to this a few months ago and am still thinking about it. Gritty, harsh, and dark, but riveting...You'll either love or hate his writing style, so listen to the sample.
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