The "dazzling, exhilarating" (San Francisco Chronicle) debut novel from the best-selling author of Infinite Jest, available for the first time as an audiobook.
At the center of The Broom of the System is the betwitching (and also bewildered) heroine, Lenore Stonecipher Beadsman. The year is 1990 and the place is a slightly altered Cleveland, Ohio, which sits on the edge of a suburban wasteland-the Great Ohio Desert. Lenore works as a switchboard attendant at a publishing firm, and in addition to her mind-numbing job, she has a few other problems. Her great-grandmother, a one-time student of Wittgenstein, has disappeared with twenty-five other inmates of the Shaker Heights Nursing Home. Her beau (and boss), editor-in-chief Rick Vigorous, is insanely jealous. And her cockatiel, Vlad the Impaler, has suddenly started spouting a mixture of psychobabble, Auden, and the King James Bible, which may propel him to stardom on a Christian fundamentalist television program.
Fiercely intelligent and entertaining, this debut novel from one of the most innovative writers of our generation explores the paradoxes of language, storytelling, and reality.
©2004 David Foster Wallace (P)2010 Hachette
"Daring, hilarious... a zany picaresque adventure of contemporary America run amok." (The New York Times)
"Wonderful... a cathartic experience with lots of laughs and lots of deeper meanings." (The Washington Post Book World)
A part-time buffoon and ersatz scholar specializing in BS, pedantry, schmaltz and cultural coprophagia.
I sure wasted a lot of time in college is all I can say. All in all, not a bad PoMo novel from a undergraduate senior thesis. Some ideas didn't seem to be finished, or put away, but that also seems to be a familiar theme in DFW's work. Not my favorite DFW, but I'd still prefer most days to read mediocre DFW to good/great anyone else.
This is one of the few audiobooks that had me laughing out loud again and again, yet if I had to explain the story as a narrative and the ultimate meaning of it, I would feel like I was wrong in some way. The relentlessly articulate language is refreshing and enjoyable much of the time but it took some time for me to figure out the essence of the story. The characters are in some ways extremely sad but often hilarious, and again, relentlessly articulate. The book seems saturated with social commentary, some of which is hilarious and some of which is somewhat biting and perhaps melancholy. The setting seems to be a parallel present day in an Ohio of an alternate universe. I highly reccomend this.
I guess I'm a baby...I just love to be read to.
David Foster Wallace...what a strange dude he was. If you like books that jump around from character to character and year to year then you will really like this. I generally like that format but for me there was a little too much, 'wait what's going on?' with each jump. The narrator is very good though.
This is a really funny book, and there were some really beautiful moments in it, and really, really good characters. I liked it, for the most part, but I really did become invested in Lenore and the whole plot of the book, and I felt really disappointed with such an unclear ending.
David Foster Wallace seems like a wonderful and talented writer, especially for a dude of his age when he wrote this book, but I wish, for a book that has such a wonderful plot and compelling characters, there was just a little less philosophizing and intentional ambiguity and just a little more plot development / resolution.
The narrator, though, does a wonderful job. His reading really brings out the magic of David Foster Wallace's text. When you're just reading the language alone on the page, it's easy to miss how overtly funny lines are like, "'...' said Candy Mandible."
Robert Petkoff really brings all the characters to life really well. Over the last week while I've been reading / listening to the book, I've been quoting different things over and over to myself like, "Jesus shall not want," or, "Special-wecial food," and saying character names like, "...said Peter Abbot," and besides the extremely well named characters, I feel like it's the narration that really makes the book come alive and brings out all the best parts of it.
This is especially true with lines that get repeated throughout the book. I'm not nearly as visually oriented as I am auditory, so when things come up like Dr. Jay saying, "Batter," and "Batter," over and over and over while he's wearing the gas mask, or while Lenore is reading to her regular Grandmother, and she keeps saying, "Roughage," again and again, the narration lets me get so much more into the rhythm of the story and made it very much more enjoyable.
brilliant, satiric, manic
DFW's first novel, began when he was in graduate school, is a rocket-charged satire of sex, gender politics, and American culture, that manages to create emotional suspense and poignant moments despite its broad humor.
My first time listening to Robert Petkoff, but this is for me the best reading of any of the Audible books I've bought so far.
Robert Petkoff did a spectacular job. I even liked the singing. Wonderful.
That it lingers like one big long scene in my mind.
The author, may he rest in peace.
The only redeeming quality about this book was the narrator, some interesting character names (like Peter Abbott...which sounds like Peter Rabbit, and Judith Prieth - Judas Priest, etc), and a parrot who starts repeating everything it hears. Other than that, it's not worth the many hours it takes to listen to it. I finally got through Part 1 and into Part 2 and have thought about giving up several times. This book jumps around so much that I have trouble following it and I'm wondering "what's the point?". I thought it was supposed to be about the disappearance of a bunch of elderly people from a nursing home. So far a minimal amount of time has been spent on that. It's mentioned periodically so you don't forget completely.
I haven't finished this recording yet...I'm forcing myself to listen. Six chapters to go... I think I can... I think I can! But I don't really want to!
Narration was superb, the story a neurotic piece of trash. A bad Woody Allen film in novel form. Save your credits for the real Thomas Pynchon!
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