First found contentedly chatting in their London clubs and shopping at Fortnum's, the cozy bachelors are not set to stay cozy for long. Soon enough, the men are variously tormented - defrauded, stolen from, blackmailed, or pressed to attend horrid séances - and then plunged, all together, into the nastiest of lawsuits. At the center of that suit hovers pale, blank Patrick Seton, the medium.
Meanwhile, horrors of every size plague the poor bachelors - from epileptic fits to forgeries, spiritualists foaming with protoplasm, and murder - and each horror delights, lit up by Spark's uncanny wit, at once malicious, funny, and deadly serious.
©1960 Muriel Spark; (P)1999 Blackstone Audio, Inc.
"Completely, searingly original." (The Independent)
"One of the most decisive and unmistakable voices in contemporary fiction....Spark concocts a present-tense deadpan that is at once lyrical, extravagant, and gruesomely funny." (The New Yorker)
"Incomparable reader May's gentle British accent perfectly animates The Bachelors, a novel of sophisticated wit." (Booklist)
trying to see the world with my ears
- expressed through description of actions and morality of mostly male singles in late 50s urban British setting. This novel is mostly dialogue and so reads like a play. Even though most of the characters are male, Nadia May seems a fitting narrator for the overall (and often ironic) tone of the book.
Similar to the more contemporary Ian McEwan's "Amsterdam," this is a reflection on responsibility, deception, and self-deception (individual and group). It's far from a light comedy, though there are laughs.
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