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Sweet Tooth
- Narrated by: Juliet Stevenson
- Length: 12 hrs and 5 mins
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Publisher's summary
Winner of such prestigious honors as the Booker Prize and Whitbread Award, Ian McEwan is justifiably regarded as a modern master. Set in 1972, Sweet Tooth follows Cambridge student Serena Frome, whose intelligence and beauty land her a job with England's intelligence agency, MI5. In an attempt to monitor writers' politics, MI5 tasks Serena with infiltrating the literary circle of author Tom Healy. But soon matters of trust and identity subvert the operation.
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Alec Milius is young, smart, and ambitious. He also has a talent for deception. He is working in a dead-end job when a chance encounter leads him to MI6, the elite British Secret Intelligence Service, handing him an opportunity to play center stage in a dangerous game of espionage.
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I highly recommend this little gem
- By Chou Young on 02-14-08
By: Charles Cumming
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What Is Not Yours Is Not Yours
- Stories
- By: Helen Oyeyemi
- Narrated by: Ann Marie Gideon, Piter Marek, Bahni Turpin
- Length: 7 hrs and 42 mins
- Unabridged
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In "Books and Roses", one special key opens a library, a garden, and clues to at least two lovers' fates. In "Is Your Blood as Red as This?", an unlikely key opens the heart of a student at a puppeteering school. "'Sorry' Doesn't Sweeten Her Tea" involves a "house of locks", where doors can be closed only with a key - with surprising unobservable developments. And in "If a Book Is Locked There's Probably a Good Reason for That Don't You Think", a key keeps a mystical diary locked (for good reason).
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clever
- By jared rogerson on 03-15-18
By: Helen Oyeyemi
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The Heart's Invisible Furies
- A Novel
- By: John Boyne
- Narrated by: Stephen Hogan
- Length: 21 hrs and 10 mins
- Unabridged
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Cyril Avery is not a real Avery - or at least that's what his adoptive parents tell him. And he never will be. But if he isn't a real Avery, then who is he? Born out of wedlock to a teenage girl cast out from her rural Irish community and adopted by a well-to-do if eccentric Dublin couple via the intervention of a hunchbacked Redemptorist nun, Cyril is adrift in the world, anchored only tenuously by his heartfelt friendship with the infinitely more glamourous and dangerous Julian Woodbead.
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Outstanding. A Must listen.
- By Keith G on 09-04-17
By: John Boyne
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Us: A Novel
- By: David Nicholls
- Narrated by: David Haig
- Length: 14 hrs and 9 mins
- Unabridged
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Douglas Petersen may be mild-mannered, but behind his reserve lies a sense of humor that seduces beautiful Connie into a second date...and eventually into marriage. Now, almost three decades later, they live more or less happily in the London suburbs with their moody seventeen year-old son, Albie. Then Connie tells him she thinks she wants a divorce. The timing couldn’t be worse. Connie has planned a month-long tour of European capitals, a chance to experience the world’s greatest works of art as a family, and she can’t bring herself to cancel. And maybe going ahead is for the best anyway? Douglas is privately convinced that this landmark trip will rekindle the romance in the marriage, and might even help him to bond with Albie. Narrated from Douglas’s endearingly honest, slyly witty, and at times achingly optimistic point of view, Us is the story of a man trying to rescue his relationship with the woman he loves, and learning how to get closer to a son who’s always felt like a stranger.
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Great novel - my favorite in years
- By Mark on 07-21-15
By: David Nicholls
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The Night Ocean
- By: Paul La Farge
- Narrated by: Elisabeth Rodgers
- Length: 13 hrs and 23 mins
- Unabridged
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Marina Willett, MD, has a problem. Her husband, Charlie, has become obsessed with H. P. Lovecraft, in particular with one episode in the legendary horror writer's life: In the summer of 1934, the "old gent" lived for two months with a gay teenage fan named Robert Barlow, at Barlow's family home in central Florida. What were the two of them up to? Were they friends - or something more? Just when Charlie thinks he's solved the puzzle, a new scandal erupts, and he disappears.
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Frustratingly Uneven Due to Clumsy Plot Structure
- By Adam on 06-15-17
By: Paul La Farge
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In the Light of What We Know
- By: Zia Haider Rahman
- Narrated by: Ralph Lister
- Length: 21 hrs and 14 mins
- Unabridged
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One September morning in 2008, an investment banker approaching forty, his career in collapse and his marriage unraveling, receives a surprise visitor at his West London townhouse. In the disheveled figure of a South Asian male carrying a backpack the banker recognizes a long-lost friend, a mathematics prodigy who disappeared years earlier under mysterious circumstances. The friend has resurfaced to make a confession of unsettling power.
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dreadful
- By sam on 06-05-15
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Murder of Magpies
- By: Judith Flanders
- Narrated by: Susan Duerden
- Length: 8 hrs and 20 mins
- Unabridged
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It's just another day at the office for book editor Samantha Clair. Checking jacket copy for howlers, wondering how to break it to her star novelist that her latest effort is utterly unpublishable, lunch scheduled with gossipy author Kit Lowell, whose new book will deliciously dish the dirt on the fashion industry. But little does she know how much trouble Kit's book is about to be. Before it even goes to print.
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Excellent novel, horrible narrator
- By David on 03-20-17
By: Judith Flanders
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A Narrow Door
- By: Joanne Harris
- Narrated by: Alex Kingston, Steven Pacey
- Length: 12 hrs and 53 mins
- Unabridged
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Rebecca Buckfast has spilled blood to reach this position. Barely 40, she is just starting to reap the harvest of her ambition. As the new regime takes on the old guard, the ground shifts. And with it, the remains of a body are discovered.
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Optional heading
- By TanyaB on 01-17-22
By: Joanne Harris
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The Wife
- A Novel
- By: Meg Wolitzer
- Narrated by: Dawn Harvey
- Length: 8 hrs and 9 mins
- Unabridged
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The moment Joan Castleman decides to leave her husband, they are 35,000 feet above the ocean on a flight to Helsinki. Joan's husband, Joseph, is one of America's preeminent novelists, about to receive a prestigious international award, and Joan, who has spent 40 years subjugating her own literary talents to fan the flames of his career, has finally decided to stop.
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A bit of a downer
- By Jody Cox on 08-01-18
By: Meg Wolitzer
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Make something, and die.
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New York Times best-selling author Ian McEwan's novels have inspired sweeping critical acclaim and won such prestigious awards as the Booker Prize for Amsterdam and the National Book Critics Circle Award for his modern masterpiece, Atonement. With Saturday, McEwan has crafted perhaps his most unique achievement to date.
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Extraordinary
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Fiona Maye is a High Court judge in London presiding over cases in family court. She is fiercely intelligent, well respected, and deeply immersed in the nuances of her particular field of law. Often the outcome of a case seems simple from the outside, the course of action to ensure a child's welfare obvious. But the law requires more rigor than mere pragmatism, and Fiona is expert in considering the sensitivities of culture and religion when handing down her verdicts.
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McEwan has written perfection in this novel.
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Machines Like Me occurs in an alternative 1980s London. Britain has lost the Falklands War, Margaret Thatcher battles Tony Benn for power, and Alan Turing achieves a breakthrough in artificial intelligence. Meanwhile, two lovers will be tested beyond their understanding. Charlie, drifting through life and dodging full-time employment, is in love with Miranda, a bright student who lives with a terrible secret. When Charlie comes into money, he buys Adam, one of the first batch of synthetic humans. With Miranda's assistance, he co-designs Adam's personality.
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Very disappointed.
- By Tom on 05-25-19
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War-weary Berlin has much to offer Leonard Markham, a young, naive postal engineer: first the arts of sophisticated intrigue, then the delights of sexual pleasure. But Leonard's new knowledge carries a heavy price, dragging him and the listener into a new type of story that is exhaustively suspenseful and utterly irresistible.
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A little gem
- By Geoffrey on 08-19-04
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On a sunny afternoon, the middle-aged writer Joe Rose and his wife look up from their picnic in the countryside to see an elderly man desperately trying to anchor his giant helium balloon. Running to help, Joe is joined by other bystanders. But from that fateful day, one of them, Jed Parry, will begin to stalk Joe. Driven by religious zeal and misdirected love, the strange young man will slowly unravel each strand of Joe's life.
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Thriller of the minds and relationships
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Amsterdam
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The best-selling author of Atonement and Enduring Love, Ian McEwan is known as one of contemporary fiction’s most acclaimed writers. This Booker Prize-winning novel by McEwan finds two men connecting at the funeral of their ex-lover. Distressed by how she was slowly destroyed by an illness, the two make a pact to save each other from enduring such a fate.
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Make something, and die.
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Extraordinary
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Fiona Maye is a High Court judge in London presiding over cases in family court. She is fiercely intelligent, well respected, and deeply immersed in the nuances of her particular field of law. Often the outcome of a case seems simple from the outside, the course of action to ensure a child's welfare obvious. But the law requires more rigor than mere pragmatism, and Fiona is expert in considering the sensitivities of culture and religion when handing down her verdicts.
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McEwan has written perfection in this novel.
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Machines Like Me occurs in an alternative 1980s London. Britain has lost the Falklands War, Margaret Thatcher battles Tony Benn for power, and Alan Turing achieves a breakthrough in artificial intelligence. Meanwhile, two lovers will be tested beyond their understanding. Charlie, drifting through life and dodging full-time employment, is in love with Miranda, a bright student who lives with a terrible secret. When Charlie comes into money, he buys Adam, one of the first batch of synthetic humans. With Miranda's assistance, he co-designs Adam's personality.
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Very disappointed.
- By Tom on 05-25-19
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Amsterdam
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Quick and engaging, well-read
- By Bronwen on 12-28-11
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From the best-selling author of Atonement, Nutshell is a classic story of murder and deceit, told by a narrator with a perspective and voice unlike any in recent literature. A bravura performance, it is the finest recent work from a true master. To be bound in a nutshell, see the world in two inches of ivory, in a grain of sand. Why not, when all of literature, all of art, of human endeavour is just a speck in the universe of possible things?
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The Long Version, and the Short.
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Jim Sams has undergone a metamorphosis. In his previous life he was ignored or loathed, but in his new incarnation he is the most powerful man in Britain - and it is his mission to carry out the will of the people. Nothing must get in his way; not the opposition, nor the dissenters within his own party. Not even the rules of parliamentary democracy. In this bitingly funny Kafkaesque satire, Ian McEwan engages with scabrous humor a very recognizable political world and turns it on its head.
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An excellent parody on life during Brexit
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When the world is still counting the cost of the Second World War and the Iron Curtain has closed, eleven-year-old Roland Baines's life is turned upside down. 2,000 miles from his mother's protective love, stranded at an unusual boarding school, his vulnerability attracts piano teacher Miss Miriam Cornell, leaving scars as well as a memory of love that will never fade.
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Narrator Simon McBurney gets my 100% rating
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Two parents come to appreciate the forces of love and time after the disappearance of their daughter, Kate.
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Not McEwan's Best Effort
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By: Ian McEwan
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In Between the Sheets
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One of literary fiction’s most compelling voices, New York Times best-selling author Ian McEwan, has crafted masterful depictions of the human condition in classics such as Amsterdam and Atonement. The seven stories composing In Between the Sheets cast a magical spell, veiling the mundane in an ethereal mist that serves to reveal powerful truths.
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Mr. Macabre
- By H. Blumberg-McKee on 07-01-14
By: Ian McEwan
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The Comfort of Strangers
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- Unabridged
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New York Times best-selling author Ian McEwan has won the Booker Prize, Whitbread Award, and the National Book Critics Circle Award for his masterfully accomplished fiction. The Comfort of Strangers is an exquisitely crafted gothic novella. On holiday, Colin and Maria wander the ancient streets of Venice and frequently lose their way. When they are accosted by a man with a strange and alluring story to tell, they soon become entwined in a fantasy of violence and erotic obsession.
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Mysterious, bizarre
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By: Ian McEwan
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Nobel Prize-winning physicist Michael Beard is fast approaching 60, a mere shell of the academic titan he once was. While his fifth marriage falls apart, Michael suddenly finds himself with an unexpected opportunity to reinvigorate his career and possibly save humankind from the growing threat of global warming.
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What a disappointment
- By SharkHunterSFO on 04-02-10
By: Ian McEwan
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Atonement
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In Atonement, three children lose their innocence, as the sweltering summer heat bears down on the hottest day in 1935, and their lives are changed forever. Cecilia Tallis is of England's priviledged class; Robbie Turner is the housekeeper's son. In their moment of intimate surrender, they are interrupted by Cecilia's hyperimaginative and scheming 13-year-old sister, Briony. And as chaos consumes the family, Briony commits a crime, the guilt of which she shall carry throughout her life.
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An amazing book about complex human perception
- By Amazon Customer on 08-17-04
By: Ian McEwan
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The Beautiful Visit
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On the eve of an unusual voyage, a young woman reviews her life. Her story begins with a 'beautiful visit' to friends in the country which serves as an awakening experience. What follows is an account of her struggle to retain the mood of her visit.
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I loved this
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First Love, Last Rites
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Ian McEwan's Somerset Maugham Award-winning collection First Love, Last Rites brought him instant recognition as one of the most influential voices writing in England today. Taut, brooding, and densely atmospheric, these stories show us the ways in which murder can arise out of boredom, perversity can result from adolescent curiosity, and sheer evil might be the solution to unbearable loneliness.
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Trash
- By Michael on 05-08-23
By: Ian McEwan
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On Chesil Beach
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It is July 1962. Florence is a talented musician who dreams of a career on the concert stage and of the perfect life she will create with Edward, an earnest young history student at University College of London, who unexpectedly wooed and won her heart. Newly married that morning, both virgins, Edward and Florence arrive at a hotel on the Dorset coast. At dinner in their rooms they struggle to suppress their worries about the wedding night to come.
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One of the best new novels in recent years
- By George on 06-13-07
By: Ian McEwan
What listeners say about Sweet Tooth
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Susianna
- 11-18-12
Perfect Book for your Literary Sweet Tooth
Sweet Tooth is a compelling, intriguing listen that grabs hold immediately; from first sentence to last satisfying twist. Like McEwan's excellent book "Atonement," the author's pitch perfect prose unveils a multi-layered story that explores universal human themes of secrecy, loyalty, betrayal and identity.
Set in 1970s London, "rather gorgeous" recent Cambridge grad Serena Frome tells her story with some self awareness and a wry sense of humor. She describes her teen-age self as "the first person to truly understand Orwell's 1984." Recovering from an abrupt break-up, Serena throws herself into a low level job with MI-5. Disenchanted with the mundane nature of the work, Serena quickly agrees to participate in a covert cultural program that funds young writers in an effort to win the "war of ideas" taking place in Cold War Europe. Of course the romantically vulnerable Serena falls for her target, author T.C. Healy, but luckily the ensuing story isn't formulaic or predictable.
As a slavish admirer of LeCarre (well, truth be told my passionate secret affair is really with George Smiley) I reveled in the scenes set at MI-5 headquarters. McEwan's MI-5 was so evocative of "The Circus" that I almost expected Connie Sachs to lumber around the corner, god bless her. Some of the darkness in the story reminded me of John Fowles, as did the novel's unconventional structure. Interesting cameos by real life literati added fun and rang true: Martin Amis buys dejected author Healy a whisky, and Ian Hamilton offers words of wisdom to an agitated Serena.
Experienced actress Juliet Stevenson does a stellar job narrating. I especially enjoyed the way she voiced an American ex-CIA agent. Cringe worthy only because I have a feeling we really do sound like that to the world. She was dead on and a treat to hear.
Finally, the idea of "a contract between a book's author and its reader" is explored in various interesting ways. Afraid of being manipulated or feeling tricked, I steeled myself for disappointing ending. Thankfully, this book's author seems to truly like and respect his reader. Apart from an almost (just a teensy bit) Poirot-like explanatory soliloquy, McEwan keeps his end of the bargain and then some. "Sweet Tooth" is wonderfully thought provoking; the kind of novel you just want to mull over for awhile before beginning anything else.
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82 people found this helpful
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- Darwin8u
- 01-15-13
Structurally complicated with beautiful language
Structurally complicated with beautiful language McEwan's spy novel flows and ebbs on several levels. He is writing about a woman spying on a writer who is an obvious stand-in for himself. McEwan *almost* pulls this off, but the weight (or forced feint) of the structure almost sinks the novel in the middle.
Essentially, 'Sweet Tooth' is about love, deception, politics and art. It reminds me of earlier post modern novels by Carey (My Life as a Fake), Atwood (Blind Assassin) and Gaddis (Recognitions) where the authors seems to be playing with not just the story but the whole relationship between author, narrator and reader. A good novel, just not a great McEwan novel.
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34 people found this helpful
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- Kathleen Rogers
- 01-07-13
FIne narration, ho-hum story
Juliet Stevenson is a real pro, and I always enjoy her narration. In this case she elevates a rather pedestrian story to the point where it was a tolerable listen.
Maybe there comes a point when one has read one too many modern British novels, but I often feel that I have heard the same story one too many times. (Oxbridge graduate smartens up and faces the real world, the real world consisting of spies and bureaucrats.) Yes, this one had a couple of twists and turns, but don't they all?
The stated protagonist of the novel is a woman, and it is nice to encounter one who is as selfish, misguided, and dull as any modern male:) As for the main male literary character, I found him just plain unconvincing, and the denouement of the story reeked of chick-lit (post modern version, of course.)
For me, the most enjoyable parts of the novel were the very witty takes on post-WWII literary figures, most of them named by name.
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14 people found this helpful
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- LM
- 12-14-12
Stunningly fantastic!
Every moment of this book is an entirely pleasurable, satisfying and intelligent listen. It was such a quenching experience that it's hard to identify a comparison. From fascinating, complex characters to cold war spy intrigue to sexy swinging London, written in unrelenting gorgeous prose. This isn't a just good story, it's an AMAZING work of literature — and you, dear reader, are implicated in this tale!
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12 people found this helpful
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- Keisha
- 01-31-13
Slow, methodical, Stunning!
4.5 stars. This was my first McEwan novel. I hadn’t realized until I was half way through it that he also wrote Atonement. Which I have not yet read but heard much about since the movie won tons of accolades. When I finished this book I shouted Brilliant and wanted to applaud. It’s definitely not for everyone and I can understand the varying ratings and reviews. It’s a very slow and methodical yet stunning story. You have to be patient with it.
I’m bad at short synopsis but basically Serena begins working at Mi5 in part because of a relationship she had with a married professor. While there she gets assigned an operation with codename Sweet Tooth. This is Mi5’s attempt to fund writers whose political views align with governments. She is tasked with hiring a particular writer she ultimately falls in love with. There are common themes here, for example the oft used girl meets boy under false circumstances, ends up falling in love, boy finds out, girl loses boy and ultimately girl gets boy back. However not the case here. Things don’t play out the way you would think.
No spoilers here but I also thought the item found while she was undercover as a cleaning lady was going to be more substantial than it ultimately was. Though I guess if it did it would become more of a spy novel than what it was intended to be.
I thought the short story writing she reads by Haley was pretty fascinating as well. I know people don’t usually like these sub stories especially when they have no direct impact to the overall book but I love them. They make such an impact for the couple pages they take up. The mannequin?!
The ending chapter was just brilliant though. You finish the book making all kinds of assumptions and having revelations.
I would definitely recommend.
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9 people found this helpful
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- Peggy
- 01-02-13
Good old dependable Ian!
Would you consider the audio edition of Sweet Tooth to be better than the print version?
I haven't read the print book but the audible version was fantastic! The lovely voice of Juliet Stevenson added to the beautiful prose of Ian McEwan... can't think of a better combination. Pure music.
What was one of the most memorable moments of Sweet Tooth?
The end. I was prepared to be sad by the ending but now I have hope. Wish he would write a sequel but that would probably be disappointing.
Which character – as performed by Juliet Stevenson – was your favorite?
Definitely the female lead. (Already I've lost her name). Sympathetic, empathetic and believable. I would have had a hard time with the decisions too.
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8 people found this helpful
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- A
- 01-07-13
Juliet Stevenson could read the phone book
. . . And keep me enthralled. Ms. Stevenson narration aside, Ian McEwen's writing is smooth, rich and evocative. The story is set in a time in history, 1970's London, that interests me as a baby boomer. Serena, our Sweet Tooth, is both smart and naive. I cheered her on from beginning to end. I was left wondering how a male author could capture a women's interior so well.
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- Laura
- 01-02-13
glad I listened to the end
What made the experience of listening to Sweet Tooth the most enjoyable?
I enjoyed the performances of the characters.
What was one of the most memorable moments of Sweet Tooth?
Loved the twist at the end , not expecting it.
Was this a book you wanted to listen to all in one sitting?
NO, it dragged a bit until the turn in the plot.
Any additional comments?
I almost gave up on the book until I read a review that wasn't a spoiler but mentioned the twist in the book. Glad I stuck with it!
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- MidwestGeek
- 06-30-13
An uninteresting story, told boringly.
As usual, McEwan makes great use of language, however, this book is short on plot. He has about enough material for a novella, a story about half as long. The protagonist and narrator, Serena, is not stupid nor intellectually shallow, but she continually defines herself by whatever man she happens to have latched on to. The story goes through a succession of her lovers but focuses primarily on an author and poet. It is hard to understand why he loves her. I'm not saying there are not people like Serena, but I don't find their story or plight interesting. The story drags with long asides and excursions. I cannot say more without spoiling the plot, but I found the way in which the ending is handled really lame--a real cop-out by McEwan.
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- Sally
- 01-02-13
I like Ian macewan but . . .
I did not find his main character, Serena Frome, very believable or sympathetic. It is not clear why the main male character is so smitten with her, nor she with him. By the end u learn that the whole story has been a rather elaborate conceit, which makes for a clever twist on the part of the author--but doesn't make me care any more about the characters.
The setting in MI-5 sounds more intriguing than it turns out to be. I would consider that perhaps MacEwan is resting on his laurels, altho I read that this and ATONEMENT are his personal favorites among his novels thus far. I also read that it is being made into a movie--this may be one of those stories that can come to life on the screen in a way that it did not in print.
This audio version also suffered from an uninspired performance by the narrator.
The NPR reviewer, Maureen Corrigan, did a short review on the program Fresh Air that aptly articulated for me my problems with this novel and I recommend it to anyone considering this book.
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