A dark and electrifying novel about addiction, fanaticism, and what might exist on the other side of life.
In a small New England town, over half a century ago, a shadow falls over a small boy playing with his toy soldiers. Jamie Morton looks up to see a striking man, the new minister. Charles Jacobs, along with his beautiful wife, will transform the local church. The men and boys are all a bit in love with Mrs. Jacobs; the women and girls feel the same about Reverend Jacobs - including Jamie’s mother and beloved sister, Claire. With Jamie, the Reverend shares a deeper bond based on a secret obsession. When tragedy strikes the Jacobs family, this charismatic preacher curses God, mocks all religious belief, and is banished from the shocked town.
Jamie has demons of his own. Wed to his guitar from the age of 13, he plays in bands across the country, living the nomadic lifestyle of bar-band rock and roll while fleeing from his family’s horrific loss. In his mid-30s - addicted to heroin, stranded, desperate - Jamie meets Charles Jacobs again, with profound consequences for both men. Their bond becomes a pact beyond even the Devil’s devising, and Jamie discovers that revival has many meanings.
This rich and disturbing novel spans five decades on its way to the most terrifying conclusion Stephen King has ever written. It’s a masterpiece from King, in the great American tradition of Frank Norris, Nathaniel Hawthorne, and Edgar Allan Poe.
©2014 Stephen King (P)2014 Simon & Schuster Audio
I really enjoyed this book, but I had to alter my expectations away from "horror." I was bracing for a scary story based on the description and some of the early reviews. I was picturing IT, The Shining, etc. It's classic Stephen King, but it's more in the line of the Green Mile, or 11.22.63 style.
The story is great. I became interested and totally invested almost right away. King is a master story teller which is why I can enjoy his books no matter which way they go. The character development of the main character Jamie was deep, extensive, and very interesting. I liked him and even more, liked his relationships and interactions with all the other characters. That's what drives this story is the people. I was interested in what happened to them without wavering, and was interested right up until the end.
Pastor Jacobs is a great antagonist. He is a great vehicle for the creepiness. He has the hubris, and the lack of humanity that kept me on the edge of my seat. He remained unpredictable which helped create a great pace to the story and kept me guessing.
Why only 4 stars? I love the book, but it could have had more. It could have been creepier, Jacobs could have been a little more evil, or there could have been a side-kick to Jacobs that could have been really evil that would have created a little more action.
The ending was good. It was worthy of the rest of the story and worthy of the characters. I enjoyed the ending.
I loved Morse as the narrator. I've already looked at other books he narrates for, I like him enough to seek him out. While I was listening, I took note that Morse's voice for Jacobs was perfect. He made him sound overly patient, a little patronizing, and a little edgy, he really brought Jacobs to life for me.
I would recommend this book.
I'm just a dumb troglodyte who like reading. Me feel good after I read book.
In my opinion, Stephen King has set the standard of excellence relative to authoring books in the horror genre. It pains me to report that “Revival” falls short of this very high standard. The plot of “Revival” serves as a vehicle for Mr. King to spout off about drug addiction, aging, the existence of God, and guitar playing. All of these items are interesting to read about, but seem jammed into a non-compelling story. Also, the antagonist of “Revival” is not all that evil. The worst you may say is he practices medicine without a license and seems selfish sharing his discoveries. Another issue it is not until the half-way point when “Revival” finds its sea legs and rhythm.
“Revival” does have moments of pure delight (I affectionately refer to these as Kingnezian moments), such as listening to the “terrible sermon” in Chapter 3. I was also touched my Mr. King’s descriptions of first love and family reunions. For most authors,” Revival” would represent a triumph of writing and storytelling. However, we expect much more from Mr. King.
I find myself in the latter group, because this is how I like my King...it's familiar, smart and layered, the product of a storytelling virtuoso. It reads tight, flows enjoyably without a bump, and whether you are actively searching for the infamous King-style Easter Eggs or just perched on the edge of your seat waiting for the inevitable terror ala King to hit, it is captivating. I for one, liked the slow steady crank -- I know King is like a sinister jack-in-the-box with a cozy style that lulls you into near-complacency...then POW! it sinks its teeth into you. But, I understand well why some listeners/readers found the story "slow" or did not like the ending.
Though this is one of King's shorter novels, it takes its time building those goose bumps. The eerie opening scene is a foreshadowing of the relationship between Preacher Charlie Jacobs and Jamie Morton. Jamie's once idyllic life stumbles into disillusion, sex, drugs, and rock & roll. The Preacher suffers a devastating loss, gives a damning sermon which ends his career in the Methodist ministry, then undergoes a malevolent transformation. Their paths serpentine through the years, with each meeting the pair seem to have added layers of corruption and ugliness -- the kind of disfiguration of the soul the supernatural portrait of young Dorian Gray collected hidden in his secret room. In a sense Jamie sold his soul to the devilish preacher at one point in his life, and there is a contractual bond between the two. King doesn't elaborate on the many incarnations of ex-preacher Jacobs (from minister to carnie to tent revivalist), the bulk of the book is devoted to Jamie and his life of guitars and rock and roll until the electrically charged ending (literally: homage to Frankenstein, and a healthy aside to King's passion for rock and roll). Though you may think this makes for a "slow" read, or a loosening of the plot, I felt the story remained tight and threatening, with a lurking sense of tension always building. I participated by keeping mental track of Jacobs, creating his evolution myself from the crumbs King throws in periodically.
Central to the overall nightmarish feel of this book is the *Dedication* by King, which if you have the book you will know reads as follows:
"This book is for some of the people who built my house: Mary Shelley, Bram Stoker, H. P. Lovecraft, Clark Ashton Smith, Donald Wandrei, Fritz Leiber, August Derleth, Shirley Jackson, Robert Bloch, Peter Straub, And ATHUR MACHEN, whose short novel The great God Pan has haunted me all my life."
A rich flavor pallet for fans of horror and a recipe for certain nightmares. The book will strike a strong Yagsafarian, or Cthulhu Mythos flavor, with a vigorous nod to Lovecraft by the time you finish, but it is the work of the all capped MACHEN that King echoes most in this novel, specifically The Great God Pan. [*you can download this short story free of charge at Gutenberg Project site.] What is it with King and bugs...ants? The answer may lie with his youthful years spent reading the likes of these horror heavyweights, definitely Lovecraft and Machen--'nuf said lest I spoil the last page.
To me this was a *thinker,* a foundation-shaker that had me examining these characters, science, religion, loss and extreme sorrow, and at what point our personal constructs shake and finally crumble. I won't say it is old-form-King. I think he has given readers different facets of his creative mind over the years that highlight his own growing pains and artistic expression (whether readers liked it or not), but I will say it felt like kicking off a pair of 5" heels and throwing on your favorite comfy slippers. It is less about the horror of antique collecting vampires on your block, sinister clowns hiding in the drainage systems, and more about the kind of terror we might feel faced with the death of our scientific *facts,* the disintegration of our *faith.* It's like going down the stairs in the dark, thinking you feel that secure bottom stair under your foot, but stepping into an abyss. Not my very fave King, but one of them; a good entry, and the best in a while.
And, a Post Script of sorts to fellow readers that ponder, dwell, dissect, perseverate...What direction does this story go for you if the Shelley-infused Jacob's first *patient* was actually his wife and little boy (hello Pet Semetary)???
I was looking forward to a suspenseful, even terrifying story from Mr. King, especially after reading the publisher summary with grabbers such as - - -"a dark shadow fell over him" and "he had demons of his own" - - -etc., etc.
However, I recently broke my ankle and am a prisoner to my bed right now--so one of my only pleasures is to listen to my audiobooks. It is a good story, and I kept waiting for something to happen (which the main character promises us time and again) --but there is nothing, and I mean nothing suspenseful.
A horrible family tragedy occurred which was really sad, and family problems abound over the years--but again, nothing to make me grab the covers and pull them over my head or at least turn the lights on! The last 1 1/2 hours it finally got interesting, but the ending was not at all what the build up led me to believe. In fact, kind of fell flat.
I know King writes stories of immensely tragic and human events without the terror or monsters, etc. Shawshank Redemption, The Green Mile, etc. He is a genius. However, please do not summarize a book to make it something it isn't (I'm talking to editors or publishers and anyone else responsible for the summaries we rely on in choosing books)
Listened to or read over 90 of King's works--and this is the very first to disappoint.
Of course. He is often a brilliant creative mind, and continues to produce wildly varying material at a prolific rate. His 11-22-63 novel continues to be one of my all time favourite audio books.
Several, and he continues to impress. In contrast to several other reviewers of this book ( whom I respect BTW ) I think this is an outstanding effort by Morse. His laconic approach does capture the tone, and the spirit, of this first person story , accurately and completely.
Again, I vary from what appears to be the majority opinion on this offering, and endorse this book completely. Rich, with a broad, and yet highly detailed palate, King does indeed offer his/Jamie ( one and the same person? ) thoughts on childhood, family, church, carnival life, rock and roll, teenage growing up, aging, and many more.
The "horror" aspect if more to be found in the lack of it's explicitness, until the last quarter or so. Indeed, it does get messy, and graphic, at the end, so fans of such things are fufilled.
David Morse owns the characters, bringing them to life in an odd, yet honest manner.
Highly recommended, with the caveat that I am not a massive King fan, and as such do not have the background to compare this to other works. As a standalone, it shines.
Mother of 8, grandmother of 12, RN and book nerd
I do love Stephen King's stories, however, this one, not so much. Maybe I've become more difficult to terrify over the years, but there's nothing that I found even remotely scary in this tale. Narration was great, characters were good, story was interesting. That was pretty much it for me. Sorry :(
for all those critics who did not enjoy this book, and would have preferred a penny dreadful horror story, then the mature Stephen King is not for you, he is for people who enjoy the layering of stories and themes and good writing and character creation. He is one of the best story tellers ever, weaving a tale you would be happy for to go on forever.Being of a similar age to King, I thoroughly enjoyed the authenticity of the eras written about in the book.
The writing and the storytelling itself kept me 'turning pages' well into the early hours of the morning. What sheer enjoyment this book provided me.
David Morse was great; an excellent story-teller - nothing over the top here - just perfect for this book. He has an everyday voice, but with a tone and inflection that captured every nuance in the story beautifully.
If your a mature follower of King and enjoy his storytelling more than the plot itself, then this book is definitely for you.
The story also was not as riveting as is usual. It was a fair read but found the narrators voice drew my interest away from the story.
Good performance by Morse. I can't say I was totally engaged by the story. It kind of drifts along and finally ends.
It's been a while since King has written a book this good from start to finish.
The story follows Jamie Morton, whom we meet as a young boy and he finds his life interconnected with a young pastor named Charles Jacobs with a fascination for the power of electricity. After tragedy strikes the young Jacobs, he understandably loses his faith and leaves town but the lives of Jamie and Charles will be intertwined from that time on. Jamie grows up to become a musician who succumbs to drug addiction, while ex-Pastor Jacobs goes on to experiment with the "healing" powers of electricity. Jacobs believes he can heal a variety of conditions and his experiments grow larger and more daring as his life goes on, but as Jamie gets drawn back into his old pastors's life, he begins to learn that the cures Jacobs performs come with consequences.
The story moves along quite briskly and there's no wasted time with unnecessary narrative as a few of the last King books have been guilty of (except Under The Dome). The narration is understated and laid back - the only thing that threw me at the beginning of the book was that the narration is performed by an older man - until silly me realised the book was written from the perspective of an old man.
What makes a great Stephen King book is when you read a scene and you can imagine King sitting at his computer grinning at what he has just typed. There's a few of those type of scenes in Revival, my favourite being a re-worked version of Happy Birthday sung to Jamie in a dream. Something happened!
I liked that the "bad guy" of the story, Charles Jacobs isn't the stereotypical villain. He's a man beset with tragedy while only a young man, and while he cynically "preys" on the gullible to fund his lifelong experiments with electricity and healing, its in order to find out one of life's great questions - what waits for us after death.
For me, what's revealed at the end of Charles Jacobs' quest is where the real boogie man of the story had been waiting for us all along.
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