At the center of Portrait of an Unknown Woman is Meg Giggs, Sir Thomas More's 23-year-old adopted daughter. Intelligent, headstrong, and tender-hearted, Meg has been schooled in the healing arts. And though she is devoted to her family, events conspire that will cause Meg to question everything she thought she knew, including the desires of her own heart. As the danger to More and his family increases, two men will vie for Meg's affections: John Clement, her former tutor and More's protégé, who shares Meg's passion for medicine but whose true identity will become unclear, and the great Holbein, whose artistic vision will forever alter her understanding of the world.
With a striking sense of period detail, Portrait of an Unknown Woman is an unforgettable story of sin and religion, desire and deception. It is the story of a young woman on the brink of sensual awakening and of a country on the edge of mayhem.
©2007 Vanora Bennett; (P)2007 Tantor Media Inc.
"Bennett...luminously shades in an ambiguous period with lavish strokes of humanity, unbridled passion, and mystery." (Publishers Weekly)
"An engrossing, quietly impassioned historical that blends some big ideas into the love story and ends with a touching burst of emotional insight." (Kirkus Reviews)
There is no frigate like a book ~ E. Dickinson
I'll start off by saying that the narration and sound quality of this recording are excellent. Ms Bailey is a highly talented narrator. Each character has a distinguishable voice, and the accents are well mimicked.
However I was deeply disappointed by the book itself for the following reasons:
1. Thomas Moore, Meg Giggs adoptive father, is portrayed as half monster, half loving parent. It is hard to believe, but the author goes so far as to portray Moore as a man who, among other things, personally tortured heretics in his out-buildings. There is no historical evidence to even slightly support this scandalous representation. The author's note at the end doesn't even endeavor to claim historical accuracy on this point. Saying Abraham Lincoln was a pedophile wouldn't make it true... it seems wrong to make up something so damaging and unfounded.
2. One of the characters turns out to be a prince in disguise. I felt intellectually insulted. The cliche fitted into the story, but that didn't make me any happier about it.
3. The author did not do her linguistic research very carefully. The dialogue didn't need to be archaic, but sometimes the sentence construction or words used were so blatantly modern I felt myself wincing. I expected someone to exclaim 'cool' or 'shut up.'
4. The characters did not feel like they belonged in that era either. Meg Giggs, the main character, thought and acted like a modern woman. That irked me. It was incongruous.
5. The story changes perspective all the time. Sometimes it is in the third person, and sometimes it is Meg's, Hans', or another character's perspective. Sometimes the perspective even changes mid paragraph (seriously!) Nice try at creativity, but it didn't work for me.
On the other hand the author has a good turn for description, a clever eye for the dramatic, and reasonable talent for keeping you interested. At best I'd call this book 'sensational historical fiction.'
I enjoyed this book from the first paragraph. As is pointed out by the other reviewer, Meg is portrayed quite modern - and independent. I enjoyed how the author maneuvered these qualities in a much different time period. The narrator is wonderful! - very easy to listen to. I will come back to this book and read it again.
Life long compulsive reader; lover of good literary fiction and historical fiction. Quickly becoming a compulsive listener as well.
I recommend this book to all lovers of historical fiction but, careful....read it for the entertainment value and because the plot and characters are engaging rather than for historical accuracy.
The author manages to convey the excitement of the period. We encounter some of the same characters those of us who are addicted to the Tudor family know well but they are presented from a different point of view. Again, beware, the "history" is diluted in the "fiction" but if you accept that from the beginning, you will enjoy this refreshing story.
I read this book in print and then listened to it. They are two different experiences. The narrator did a great job in making the characters even more vibrant.
Probably "Moore's Daughters". Again, I recommend this book. The court intrigue element is minimal. The action takes place outside of court. The characters are multidimensional. I particularly enjoyed some of the secondary players such as Hans Holbain and Thomas Moore's second wife.
I plan to explore other offerings by this author. This book was very well written.
One of my favorite books and performances!
Oh I adored this book, and can't imagine why there are negative reviews, except that the readers weren't the target audience for this book.
This is historical fiction, based heavily in fact, but the fictional parts are creative and page-turning.
Some knowledge of Sir Thomas More, Richard III/the princes in the tower, and Hans Holbien would help the listener enjoy this book more. The backdrop is England during Henry VIII's difficult divorce and break from Rome to marry Anne Boleyn.
Great book for anyone interested in the culture and religious issues of the time.
This is a masterful piece of historical fiction, subtle and beautiful.
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