Horror writing is usually associated with formulaic gore, but New Wave horror writers have more in common with the wildly inventive, evocative spookiness of Edgar Allan Poe than with the sometimes predictable hallmarks of their peers. Showcasing this cutting-edge talent, Poe's Children now brings the best of the genre's stories to a wider audience. Featuring tales from such writers as Neil Gaiman and Jonathan Carroll, Poe's Children is Peter Straub's tribute to the imaginative power of storytelling. Each previously published story has been selected by Straub to represent what he thinks is the most interesting development in our literature during the last two decades.
Selections range from the early Stephen King psychological thriller "The Ballad of the Flexible Bullet," in which an editor confronts an author's belief that his typewriter is inhabited by supernatural creatures, to "The Man on the Ceiling," Melanie and Steve Rasnic Tem's award-winning surreal tale of night terrors, woven with daylight fears that haunt a family. Other selections include National Book Award finalist Dan Chaon's "The Bees"; Peter Straub's "Little Red's Tango," the legend of a music aficionado whose past is as mysterious as the ghostly visitors to his Manhattan apartment; Elizabeth Hand's visionary and shocking "Cleopatra Brimstone"; Thomas Ligotti's brilliant, mind-stretching "Notes on the Writing of Horror: A Story"; and "Body," Brian Evenson's disturbing twist on correctional facilities.
Crossing boundaries and packed with imaginative chills, Poe's Children bears all the telltale signs of fearless, addictive fiction.
©2008 Peter Straub; ©2008 Random House Audio
Stories that made sense and were actually scary instead of just tedious and weird
Every story after the 1st. I felt like it was bait and switch
I will be returning this book. I tried several times to get into it. Skipped ahead and listened to several stories over a period a several weeks. I'm sorry to it was more of the same boring, weird stories that made absolutely no sense. If I could choose a (-) star to rate this I would
Of all the stories I heard, the first one was the best. I didn't think it was great but it was decent and mildly unsettling. I listened to two more afterwards and both seemed endless and went nowhere. It was one of the rare times I desperately wished to be able to flip ahead and see how many more pages there were left to go. They weren't horror stories so much as bizarrely conceived expositions on the horror that is a part of us all and can take many forms and blah blah blah.. I hated it, but I also didn't finish it. Maybe some works of genius were hiding towards the end.
with boring, muddled stories full of vague abstract ideas that spark neither the readers interests nor imagination, this book was a complete wast of time. dry, dull and "new age kitschy" themes and story lines left this horror buff annoyed and frustrated. give this a miss!
This one isn't worth 1 credit, forget 2. I wouldn't even call the stories Poe's stepchildren, no relation to Poe's quality of writing at all. Mark this one a miss...
I had a feeling I was in trouble when the introduction was a contrast to the cover art. There were two interesting short stories but I was expecting a creepy Poe like vibe, and was greatly let down. Overall the only reason I kept listening to it was because it cost me two credits. It is not worth it.
While all stories were competently performed and a few were genuinely stellar and engaging tales, there are definite duds in the collection. The stories tend toward the overly-cerebral, and a fan of deep genre fiction would likely find a more satisfying collection elsewhere.
The stories were just plain boring.Not one stands out in my memory,should I name one?I can't!
No,I love horror stories,both as a novel and in short form.These were just not able to keep me interested.
The narrator was alright.
Disappointmentand and boredom must cover it pretty Well.
Anthologies are usually a hit or miss situation,but sometimes you can find some real gems hidden inbetween. This; I really had high hopes for,since I'm a big fan of Peter Straub. But this maybe just shows, that even though I enjoy his writing,I do not necessarily enjoy the same books as him.
Less pretense and ego. The title of the book should have given me pause. Any collection of contemporary authors willing to contribute to a collection that compares them to a master of their genre are probably laboring under a misguided since of their own self worth. The tone of the book is that of literary snobbery without the merit of good stories to backup it up.
Another thing that should be pointed, out is that this is not a collection of horror stories. The stories are often abstract and bizarre at best. I bought it in the horror section and that's what I wanted.
I don't think the narrator(s) is to blame for my disliking this story. The narrator(s) only job is to convey the content for the author. While a good reader is important, they have to work with what they've got. Most of the stories in this collection lack cohesion and are infuriatingly cryptic for no reason I can gleam.
Finding something redeeming about collection will take more time than I've got today...
I see other readers share my disappointment. I will pay closer attention to the reviews during future purchases.
Report Inappropriate Content
If you find this review inappropriate and think it should be removed from our site, let us know. This report will be reviewed by Audible and we will take appropriate action.