A 999 line poem in heroic couplets, divided into 4 cantos, was composed--according to Nabokov's fiction--by John Francis Shade, an obsessively methodical man, during the last 20 days of his life.
©1962 Vera Nabokov and Dmitri Nabokov (P)2010 Audible, Inc
"This centaur-work, half poem, half prose . . . is a creation of perfect beauty, symmetry, strangeness, originality and moral truth. Pretending to be a curio, it cannot disguise the fact that it is one of the great works of art of this century." (Mary McCarthy, The New Republic)
"Of all [Nabokov's] inventions, Pale Fire is the wildest, the funniest and the most earnest. It is like nothing on God's earth." (New York Herald Tribune)
"A monstrous, witty, intricately entertaining work . . . done with dazzling skill." (Time)
A part-time buffoon and ersatz scholar specializing in BS, pedantry, schmaltz and cultural coprophagia.
One of the funniest, most absurdly brilliant books I've ever read. I find it amazing that Nabakov would have written this novel (which oddly is a haunting retelling of my life story) without mentioning me by name at all. There must be a reason for this. Perhaps Nabakov was trying to not just protect me, but my whole family from the fame and pain that would no doubt have accompanied the public's inquisitiveness and the critics' vampirism if this information had been made plain and obvious. That is what I love about Nabakov. He is a gentle ghost of a poet that exists in many levels and in many times and in many spaces simultaneously. I think his integrity in lying about and hiding my influence is both beautiful and nobel and certainly shaking with a heterosexual, Russian poet's naiveté
This audiobook has two well-chosen narrators: one for Shade's poem and another - Vietor, I assume - for the commentary. The poem narrator also reads the opening reference lines to each footnote which breaks up the flow nicely and gives aural cues for each new note. Because of the highly non-linear structure induced by cross-references in the commentary, some may recommend constantly pausing and consulting a hard copy. Pale Fire demands to be reread and further explored in ways which might render the audiobook useless. This was perhaps an opportunity to be more creative with the audiobook indexing, but instead you just get roughly hour-long chunks.
Alas, I found my first reading to be fabulously enjoyable, if not entirely illuminating, without such devices (straight-through). Well-read, never dull voicings, 5 stars
This narration is everything you want in a complex story. Vietor's interpretation is extraordinary and really captures the idiosyncracies of 'Charlie/Kimbote/King Charles the Beloved'.
"There is a very loud amusement park right in front of my present lodgings."
Very nice addition to Audible.This is a difficult book, made a little difficult by this excellent production. It is a great narration, and fun to listen to. Before you buy, Google "Pale Fire" and read about it.
The book is completely non-linear, I listened in the car and while walking, then got a paperback edition for 50 cents and read different parts at night. This isn't Dean Koontz or David Baldacci, but something very unique.
An avid reader who once abhorred the concept of "listening" to books, I now enjoy audiobooks as an alternative to the radio while commuting.
While I highly recommend this selection, I can only recommend it to those who have read the printed novel first. Nabokov's book consists of a long poem written by John Shade, and a rambling, often hilarious, "commentary" written by Charles Kinbote, self-proclaimed king-in-exile from his beloved country of Zembla. As the commentary refers to specific lines of the 999-line poem, I was curious as to how the producers of the audiobook would handle these two distinct components. I was delighted by the choice to employ two narrators, Robert Blumenfeld for Shade and Marc Vietor for Kinbote. Both are excellent, but Vietor's Kinbote is what makes this audiobook so special. His unidentifiable (slightly Russian) accent and self-assured cockiness bring the exiled king (or plain madman) spring to life. Fans of the book should not feel they are wasting a credit by buying a book they've already read. Listening to Pale Fire will bring a new level of appreciation to Nabokov's brilliant novel.
I listened to this after having reread the book, which I first read when it was published (and disliked). This time I found it far more palatable. I can't imagine, though, what it would be like for someone who hadn't already read the book to listen to it. My opinionated opinion: The reading is wonderful. As for the book, the poem is a craftsmanlike and interesting one; the commentary, which occupies the largest part of the book, is immensely clever in the expected Nabokovian way, attributes many of Nabokov's prejudices to the ostensible narrator, Charles Kinbote, but fails for this reader because the story that narrator alludes to in the commentary, that of the birth, upbringing and exile of Charles Xavier, King of the Zemblans, is just not interesting.
The further I get away from this the more I appreciate it. I had heard repeatedly that this was a comic novel, which is not the first word I'd choose to describe a tale of murder, madness and a child's suicide. Yes, it has some funny parts but so does Lolita, which is not generally classified as humor. With these expectations I was sorely disappointed.
But Pale Fire is a tour de force of structure whose place in the canon I'd agree to. And the story and characters are compelling -- I couldn't stop listening. And the narration is as good as it gets, two gifted performances of extremely challenging roles.Just don't expect a light hearted romp.
During my years designing ladies apparel and traveling world wide I discovered a great joy in meeting many cultures and grew to love them.
With all certainty, T am sure it will lead to greater things by Nabokov.
The reading of the Cantos Poem and the reader,s display of his great voice, all of Audible's telling of this great book is wonderful, for sure magic.
There is not a particular scene of merit, Nabokov goes on and on and each momemt if studied is a thrill in each novel he creates.
I read this book very much younger, like with Lolita I could not find the pace of the information, now as my experience in the library increased, I love his writing. One must understand Nabokov, he teases one for reaction only, which he knows a studied reader will enjoy, I always laugh, hand over mouth not to insult him, but the whole experience is fully an act by both me and the writer, a very personal thing, he being the genius, of course. I love Nabokov for years, my confession to all, he never fails me!
Nabokov asks me to spend every molecule, of many, of my restless mind with a net gathering frail butterflies, as his example, in this he teaches the ways of life which are simple for complicated wanderers, like me and you.
The reader does a great job showing the humor in this book. I like Nabokov and think his prose is intricately surprising, but I was not a huge fan of this book because of the 3rd section: the mock literary criticism of the canto.
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