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Marry in Haste | [Jane Aiken Hodge]

Marry in Haste

Camilla Forest finds herself alone on a muddy road, left to fend for herself, when the carriage of Lord Leominster pulls up alongside. This sets off an agreement to a marriage of convenience with Camilla and Lavenham, the Lord. They move to Portugal, along with his sister, Chloe. Camilla finds herself falling in love with her husband. But will her French brother ruin everything?
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Publisher's Summary

Camilla Forest finds herself alone on a muddy road, left to fend for herself, when the carriage of Lord Leominster pulls up alongside. This sets off an agreement to a marriage of convenience with Camilla and Lavenham, the Lord. They move to Portugal, along with his sister, Chloe. Camilla finds herself falling in love with her husband. But will her French brother ruin everything?

Jane Aiken Hodge was born in the USA, brought up in the UK and read English at Oxford. She received a master's degree from Radcliffe College, Harvard University. Before her books became her living she worked as a civil servant, journalist, publishers' reader and a reviewer. She has written lives of Jane Austen and Georgette Heyer as well as a book about women in the Regency period, Passion and Principle. But her main output has been over twenty historical novels set in the eighteenth century, including Polonaise, The Lost Garden, and Savannah Purchase, the beloved third volume of a trilogy set during and after the American War of Independence. More recently she has written novels for Severn House Publishers. She enjoys the borderland between mystery and novel, is pleased to be classed as a feminist writer, and is glad that there is neither a glass ceiling nor a retiring age in the writers' world. She was the daughter of Conrad Aiken and sister of Joan Aiken.

©1961 Jane Aiken Hodge (P)2013 Audible Ltd

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    Emmanuelle 07-02-14
    Emmanuelle 07-02-14 Member Since 2010
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    I gave this author a try because I had read a comment on Audible that compared her to Georgette Heyer. In this, I was misled. While I realize that no two authors have the exact same voice, Heyer has a way of slipping seamlessly into a Regency era character, that Ms Hogde unfortunately doesn't quite master. Some of the dialogue spoken by the working class characters, in particular, was almost wince inducing, and gave them a cartoonish air. The narrator was at fault in no small part for this, I feel. Her cut glass enunciation somehow emphasized the vapidity of the story, and her attempts at foreign accents were grating. I forced myself through this book, but will definitely never listen to another Jane Hodge again.


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