As British best-selling crime author David Hewson reflects in his introduction to this innovative project, "the Scottish play" is shrouded in mysteries that are not to be taken lightly. Shakespeare condensed and confused 17 years in the history of a beloved king into a play covering a few days rife with political intrigue and shadowy motivations. In The Bard's tragic canon, Macbeth stands as an anomaly for many reasons, including how short it is and how flat all the characters are besides Macbeth himself. With the help of A.J. Hartley, distinguished professor of Shakespeare at UNC-Charlotte and thriller novelist, Macbeth: A Novel is poised to provide a more complete and fleshy picture of this odd little play.
Going where many other actors would fear to tread is, of course, Alan Cumming. Cumming has a long history with daring characters on stage and on the big screen, as well as his fair share of Shakespeare with a previous turn as Hamlet. With an Audie Award already under his belt, he has the chops necessary to imagine and give voice to paranoid kings and conniving witches, but perhaps one of the greatest joys of his work on Macbeth: A Novel is just the fact of his naturally beautiful Scottish accent left unfettered. Nothing sets the landscape so clearly as listening to those long, rolling vowels come up from a part of the belly that only a Scot must have.
Cumming does not shy away from the devious depths of feeling that Hartley and Hewson have so carefully layered onto the play. No more off-stage murder, no more simply scary witches chanting, and quite a bit more sympathy for this story's many devils. Every poisonous cup and every stab wound are rendered in living battle colors. The three witches are not just weird, but positively demonic, each with their own dynamic contribution to the making of a king. Lady Macbeth and Banquo in particular have personalities that loom as large as Macbeth's familiar form.
A strikingly modern interpretation that nevertheless faithfully adapts Shakespeare's original, this audiobook will surely please a wide variety of listeners. Lovers of mysteries or political thrillers, teachers struggling to blow the dust off a classic for their students, and fans of Shakespeare will all find many reasons to enjoy Hartley and Hewson's fresh presentation. Megan Volpert
Macbeth: A Novel brings the intricacy and grit of the historical thriller to Shakespeare’s tale of political intrigue, treachery, and murder. In this full-length novel written exclusively for audio, authors A. J. Hartley and David Hewson rethink literature’s most infamous married couple, grounding them in a medieval Scotland whose military and political upheavals are as stark and dramatic as the landscape on which they are played.
Macbeth is a war hero and a patriot, doing everything in his power to hold together Duncan’s crumbling kingdom, which is beset by sedition from within and with threats from overseas. But when Duncan, contrary to ancient Scottish tradition, turns to building a family dynasty instead of rewarding those who have borne the brunt of the fighting, Macbeth and his powerful wife, Skena, make plans of their own, plans designed to hold both the nation and their strained relationship together. Sinister figures who claim supernatural knowledge spur them on, but the terrible outcome is as much about accident and failure as it is malevolence. Soon Macbeth and his wife find themselves preeminent in all the land, but struggling to hold themselves and their country together as former friends turn into bitter and deadly enemies.
This is Macbeth as you have not heard it before: fresh, edgy, and vital. It is a story of valor in battle, whispering in shadows, witchcraft in the hollows of an ancient landscape, and the desperate struggle of flawed people to do what they think is right.
ABOUT THE AUTHORS
A. J. Hartley, a professor of Shakespeare at the Univ. of North Carolina-Charlotte, is the author of the “Will Hawthorne” fantasy series as well as several thrillers.
David Hewson is the best-selling author of 16 novels, including the Rome-based “Nic Costa” crime series.
ABOUT THE NARRATOR
Alan Cumming stars in CBS's The Good Wife, for which he received an Emmy nomination, and is the host of PBS’s Masterpiece Mystery. He was honored with the 2011 Audie Award for Best Male Narrator.
The Irish folk song “She Moved Through the Fair” is performed by Heather O'Neil of the Irish Repertory Theater.
©2011 A.J. Hartley, David Hewson (P)2011 Audible, Inc.
“Not only is the novel an amplification of Shakespeare's famous tragedy, but it also fills in many of the gaps and gives a new perspective on Macbeth….Alan Cumming reads in a luscious Scottish brogue, which adds authenticity to the narration. His subtle changes of voice for different characters provide a full cast for this story of ambition and hubris. This is a wonderful novel of the human condition, read with ardor and enthusiasm.” (AudioFile)
To use more of the actual historical figure and less of Shakespeare
Unknown at this stage
I loved this interpretation of Macbeth. It added some characters the play does not have. I got a better understanding of the main characters after hearing this audio book. I loved Alan Cumming's narration, he was excellent. All in all this was an A-1 effort good for those who are familiar with the play and those who are not.
I love old stories and I love Shakespeare. I was excited about hearing Shakespeare in a narrative form and from the mouth of a Scot. I had read several reviews before I chose this book. I am very careful which books I select. I was very surprised and disappointed to find that the authors are obsessed with making every good and evil element of the plot lead back to sex. You can tell that this book was written by men as the love that Macbeth and his wife had for each other was given meaning by their sex life far above anything else. I have been happily married almost 10 years and while I think this is important, my goodness! Get on to something else! It was far too descriptive about these parts for my taste, though I know the world, particularly Hollywood, is going this direction. I did not buy this book expecting a "lust in the dust" novel. The authors are very good writers otherwise but obviously lack the desire for subtlety. There was so much of thrusting and groaning. I would never on my life let a teenager read this- they have ideas running through their head for this imagery. As a married woman, at least it wasn't traumatic, but although I know the book was supposed to portray the events as the most tender and wild, and the most evil and animalistic turning points in men's lives, I thought it could have been done without all the intense description of naked frolics.
I do not think I would listen to these authors again. Good writers with dark minds.
I loved the narrator. I am a descendent of MacDuff and loved to hear the language in the story of a people from my line long gone.
No. I've seen enough filth.
I would not recommend this to my friends for they would never think well of me again.
Narrator was wonderful, of course.
The story panted vivid images of the terrible deeds man is capable of (man meaning human). It demonstrates how one bad deed begets another and the inevitable chaos those actions reap.
Very dark but very well done. After all, are we not all comprised of both dark and light sides?
If Shakespeare had written a novel instead of a play -- this might be close.. There are some nice descriptions to set the time and place. There is an additional character to tie things together and move the "history" along. If Giuseppe Verdi can turn Macbeth into a first rate opera, why not a novel?
This book is interesting and well written, but I have seen the play and it is totally fantastic! You can't beat Shakespeare at the writing game. This book lacks -- well -- it lacks drama!
Gen-Xer, software engineer, and lifelong avid reader. Soft spots for sci-fi, fantasy, and history, but I'll read anything good.
This audio novelization of Shakespeare's famous play attempts to flesh out the characters and motives of Macbeth, Lady Macbeth, and others, by filling in scenes that happen offstage in the original. Indeed, it gave me new appreciation for the powerful themes in Shakespeare’s original work. Hartley and Hewson’s interpretation of the tragedy is of an honorable man who sees the future of Scotland threatened by an overreaching ruler, and commits an act of treachery for the greater good, spurred on by a prophecy that provides a convenient rationale for his actions (don’t trust those witches!). However, Macbeth’s murder of Duncan under his own roof is a monstrous act that can't be undone, and the threat of exposure combined with his own shame sets him on a path even more violence. It could, to varying degrees, be the story of a few more modern political figures.
That said, I didn’t find the level of writing here to be very impressive, which isn’t surprising given that one of the authors pens thrillers. If not for the Shakespeare connection, this would be forgettable historical fiction -- except, of course, for the lines obviously taken from the Bard himself. Still, it was worth the price I paid at an audible.com sale. Alan Cumming’s Scottish-accented reading is quite pleasant on the ears.
Such a let down. Creepy sex scenes that added nothing to the plot, completely out of place and unnecessary to the story. Highly discourage this poor adaptation of a classic story. Narration was alright but the accents were so strong it was sometimes difficult to understand / follow.
I did not like the repetitiveness of the author describing things over and over again. I get it one of the witches has milky white teeth like that of a new born child. I did not need to hear that over and over again.
Love everything about the narrator. He did an amazing job playing all the parts. He kept me drawn into the story.
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