Carl Streator, a 40-something widower and newspaper reporter, has lived a reclusive life since the death of his wife. His latest assignment is to write a series of articles on Sudden Infant Death Syndrome. In doing so, he discovers that there is an underlying commonality in the deaths. A children's book, Poems and Rhymes Around the World, containing an African Death chant, is found at the scene of the cases he investigates. Having read the chant aloud, he quickly realizes the lethal power of the words. As he fights against its powerful grip, which has turned him into a serial killer, he enlists the aid of some eccentric compatriots who vow to rid every library and bookstore of the deadly text before further lives are jeopardized. But what begins as a crusade to save lives soon becomes the ultimate game of cat and mouse, as they uncover the truth about the rhyme and are hunted by the force holding Streator captive.
Newsday hails Palahniuk as "one of the freshest, most intriguing voices to appear in a long time." Richard Poe's powerful narration expertly captures every tormented detail of this paranormal thriller.
©2002 Chuck Palahniuk; (P)2002 Recorded Books, LLC
"Hilarious satire." (Publishers Weekly)
"Outrageous, darkly comic fun of the sort you'd expect from Palahniuk." (Kirkus Reviews)
"In his last novel, Choke, Palahniuk proved he could write a best seller without sacrificing his trademark biting satire. And in Lullaby, he manages an even more impressive feat by showing himself capable of tenderness as well as outrage." (Booklist)
"This is vintage Palahniuk: weird, creepy, twisted, upsetting, and ultimately a great read for anyone who wants to be scared for pleasure." (Library Journal)
Again, Chuck Palahniuk skirts the border of genius versus insanity. "Lullaby" is a spellbinding journey through America, for control. Much more of an action adventure, than the title lets on; this book follows a man, Carl Streator, in his quest to control himself, his companions and the "Big Brother" of our world.
Following the same style of writing as "Fight Club" and "Survivor" Palahniuk fills this book with bits of information that make "Lullaby" consistently interesting, and enhances the story. The audio selection is well read and easy to understand.
Final Point; Great story that I couldn't stop! If you liked any other of Palahniuk's work, then this is a definite read! ~ Enjoy
...except for the film version of "Fight Club", which I thoroughly enjoyed and which had people everywhere telling me, "But you GOTTA read the BOOK!" Somehow I never did - maybe because no one would surrender their copy.
"Lullabye" from Audible seemed like a painless way to experience a new author, and having now done so, I'm reminded of a reviewer of Richard Brautigan's novels in the late 1960s, who wrote, "Someday, people will no longer be said the write 'novels' - instead they will write 'Brautigans'."
"Lullabye" is the first "brautigan" I've read in decades, and a fine example it is. Inventive and intense, it might be easy for the un-brautiganized reader to fret about the dangerous world Chuck P. has created, which writhes and pulses in your hands like the fresh meat it really, really is. Not to worry, Gentle Reader, you can trust this man. He's a professional.
I'm glad that ALL writers aren't like Chuck Palahniuk, but I very, very happy that HE is.
PS: Very nicely read for the Audible version, too. The perfect tone, which can't have been easy to find, or maintain.
And I didn't think I could like an audiobook better than Diary! What a terrific book--I wanted to pull the car over about 100 times to jot down some great line to remember. CP never disappoints!
I write for myself, for my own pleasure. And I want to be left alone to do it. - Salinger ^(;,;)^
"After long enough, everyone in the world will be your enemy.”
― Chuck Palahniuk, Lullaby
Chuck Palahniuk can sometimes be casually dismissed as an oversold shock author who appeals to a certain type of hipster reader who buys her books (and now comics) with a slavish devotion usually reserved for members of an asteroid cult. Sometimes that view rings true. Occasionally, Palahniuk will deliver a book or an idea that is more of a gimp monster or lame demon of mediocrity than an explosive novel of ideas. 'Lullaby' is not one of those hobbled novels. And to be fair to Palahniuk, he has now birthed enough solid fiction to deserve much of his cult status. He isn't a Nabokov, a McCarthy or a Roth, but he has developed a solid style and voice that is both recognizable and strong.
'Lullaby' is framed around two protagonists (Carl and Helen) and their "adopted" children (Mona and Oyster). This neo-elementary family is searching for all copies of a culling song found in an anthology of children's poetry and the original book of shadows from whence the Lullaby of death came. This ends up being a road novel where each of the four characters are in search of a different world, a different magic, a different end.
There were times in this novel where Palahniuk's rants against consumerism, pollution, invasive species, noise, etc., all seem in danger of consuming the narrative, but Palahniuk's sharp nimble seems to dance through the anger with the same ease as Carl and Helen dance past the dead.
Addicted to audiobooks & podcasts. 5 Stars=I Loved It, 4 Stars=Enjoyed it Thoroughly, 3=Kinda Good, 2=Bad/Boring, 1=Complete Waste of Credit
I liked the fast and efficient plot delivery of this book - the author didn't waste a lot of time on superfluous detail - he just jumped right into the meat of the story. The characters are bizarre and they take each other through a gruesome adventure that reminds me of a modern day B-horror flick. There's spirits, witchcraft, ancient voodoo, perversions with corpses, and a buttload of death. If a well-crafted horror masterpiece is a six course gourmet dinner, then consider this book your favorite drive-thru burger and fries value meal with a chocolate milkshake to wash it down.
An alpaca farmer in Oregon.
I'm pretty sure that Chuck Palahniuk is not an acquired taste. You'll know within the first couple of pages of any of his books or stories whether you like his work or hate it. I'm in the former category. If you are easily offended, stay away from his writing. Like his other books, this one starts out with a premis so unsettling and bizarre (death induced by an ancient nursery rhyme) that it's hard to imagine how he might sustain it. But somehow he does - and with style.
Although this book has it's flaws I found it a fun book to listen to in my car going to and from work. I really think that this author has his mind somewhere else other than earth and this book is proof. Everything in this book from the story to the descriptions of events are off-the- wall bizarre. HOWEVER, I have NEVER had so much fun with a book and I look forward to reading more from this guy! Long story short is that the book has it's flaws but it's kind of like a Jackie Chan movie..........terrible but wonderful at the same time!
I like Jack Reacher style characters regardless of setting. Put them in outer space, in modern America, in a military setting, on an alien planet... no worries. Book has non moralistic vigilante-justice? Sign me up! (oh, I read urban fantasy, soft and hard sci-fi, trashy vampire and zombie novels too)
How does one rate this book? It is not really a fantasy, though the premise is fantastic (as in "ridiculous", not as in "terrific"). If I had to pick one word to describe this story it would be "insane". The book is a spoof/satire of modern life and has very little grounding in reality so you really have to suspend your belief from the start or you'll never make it through the story.
The reader does a terrific job. So that's worth a star.
There were several points I was about to give up listening because, well, the story is ridiculous, but then there are some parts that are absolutely hilarious. I don't recall any other audiobook that caused me to waffle between laughing out loud (naked wiccan meeting anyone?) and turning the book off. How does this help those who are trying to decide whether to buy this or not? I gave it a star for the laughter.
It is certainly a book you'll either like or really really REALLY dislike. The author goes off on long tirades of made up words (noiseoholics, silenceophobes, etc) which gets rather irritating after awhile. So that takes a star away.
I have never heard or read this author before and have no idea what else he has written. I will probably not buy another of his books though - the long winded tirades were just too, well, tiring to listen to and while there are good parts, the over all story is just too crazy.
I'd give it a 3.5 stars in total but have to choose between 3 or 4 in this rating system. I choose 4 because if you like this kind of insane mockery of reality, it's quite good and very well read, and if you don't like it, you'll HATE this book.
Well no surprises here - this is classic Chuck Palahniuk so it is a combination of fun, weird, disgusting, and just plain crazy. Parts of this made me think that Chuck is a genius and parts made me think this guy is totally insane, but I loved it all the same.
Our narrator is a reporter and learns early on to notice every small detail when reporting on something. He is running a five-part series on SIDS and in his investigations he notices one common denominator - a book of poems. We learn that within this book is a poem that is actually a culling song, which was used in Africa to give a painless death to the old or infirm. Upon making this discovery, the narrator quickly becomes a serial killer using the culling song to kill those who annoy him. He eventually attempts to control his impulses (counting 1, counting 2...) and he sets off with a group of misfits to find all of the copies of this book and destroy page 27.
Excited by the first chapter, full of possibilities by the end of the first third of the book; but, not much new gets introduced for the remainder. The themes are engaging when first introduced, but gets bland when repeated over and over again. The plot gets too neat, too convenient, too contrived throughout the second half: everything just seems to happen to prove a point instead of having outside motivators (like a morose sitcom).
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