With the meteoric success of Oldest Living Confederate Widow Tells All, Allan Gurganus placed himself among America’s most original and emotionally engaged storytellers. If his first comic novel mapped the late nineteenth-century South, Local Souls brings the twisted hilarity of Flannery O’Connor kicking into our new century.
Through memorable language and bawdy humor, Gurganus returns to his mythological Falls, North Carolina, home of Widow. This first work in a decade offers three novellas mirroring today’s face-lifted South, a zone revolutionized around freer sexuality, looser family ties, and superior telecommunications, yet it celebrates those locals who have chosen to stay local. In doing so, Local Souls uncovers certain old habits - adultery, incest, obsession - still very much alive in our New South, a "Winesburg, Ohio" with high-speed Internet.
Wells Tower says of Gurganus, "No living writer knows more about how humans matter to each other." Such ties of love produce hilarious, if wrenching, complications: "Fear Not" gives us a banker's daughter seeking the child she was forced to surrender when barely fifteen, only to find an adult rescuer she might have invented. In "Saints Have Mothers," a beloved high school valedictorian disappears during a trip to Africa, granting her ambitious mother a postponed fame that turns against her. And in a dramatic "Decoy," the doctor-patient friendship between two married men breaks toward desire just as a biblical flood shatters their neighborhood and rearranges their fates.
Gurganus finds fresh pathos in ancient tensions: between marriage and Eros, parenthood and personal fulfillment. He writes about erotic hunger and social embarrassment with Twain's knife-edged glee. By loving Falls, Gurganus dramatizes the passing of Hawthorne’s small-town nation into those Twitter-nourished lives we now expect and relish.
Four decades ago, John Cheever pronounced Allan Gurganus "the most technically gifted and morally responsive writer of his generation." Local Souls confirms Cheever’s prescient faith. It deepens the luster of Gurganus’s reputation for compassion and laughter. His black comedy leaves us with lasting affection for his characters and the aching aftermath of human consequences. Here is a universal work about a village.
©2013 Allan Gurganus (P)2013 Audible, Inc.
Reader's voice made me sleepy, I wasn't able to sink my teeth into this book. Maybe I should have given it more time but there are so many books and so little time.
The head sliced off was gross.
Better reader, less prose.
Disappointed that I wasted a credit.
Within top 10
Fascinating descriptions of characters
Pauses, inflections, pace of delivery
No - too much to take in
Allan Gurganus offers listeners the rare gift of a beautifully crafted piece of fiction and a reading that displays its every nuance. I loved every minute of it and find myself thinking of the book and hearing his voice long after I've finished. The warm and humor of his work, both the writing and the reading, could seem "folksy," but it's deeper than that, and the insights seem more hard won. It left me with a feeling of gratitude that we have this guy around.
This work has everything. It's stories, two of which are novella-length, set in a small town with characters as real and interesting as you'll ever meet in fiction. It has heart, warmth, intimacy, action, social commentary, and it grabs you and doesn't let go until it's done with you. Gurganus reads undramatically, which fits the work, innately of keen dramatic interest, needing no more from a reader than a caring narration. The writing is simple, elegant, and in places, gorgeous. You get to know the characters so well you want to meet them and talk with them.
This work made me want to read his earlier work, and I'm asking audible to offer his big novel "Oldest Living Confederate Widow Tells All."
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